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    <fireside:genDate>Wed, 22 Apr 2026 22:23:18 -0500</fireside:genDate>
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    <title>Poetry For All - Episodes Tagged with “18th Century”</title>
    <link>https://poetryforall.fireside.fm/tags/18th%20century</link>
    <pubDate>Thu, 19 Feb 2026 16:00:00 -0500</pubDate>
    <description>This podcast is for those who already love poetry and for those who know very little about it. In this podcast, we read a poem, discuss it, see what makes it tick, learn how it works, grow from it, and then read it one more time.
Introducing our brand new Poetry For All website: https://poetryforallpod.com! Please visit the new website to learn more about our guests, search for thematic episodes (ranging from Black History Month to the season of autumn), and subscribe to our newsletter. 
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    <language>en-us</language>
    <itunes:type>episodic</itunes:type>
    <itunes:subtitle>Finding Our Way Into Great Poems</itunes:subtitle>
    <itunes:author>Joanne Diaz and Abram Van Engen</itunes:author>
    <itunes:summary>This podcast is for those who already love poetry and for those who know very little about it. In this podcast, we read a poem, discuss it, see what makes it tick, learn how it works, grow from it, and then read it one more time.
Introducing our brand new Poetry For All website: https://poetryforallpod.com! Please visit the new website to learn more about our guests, search for thematic episodes (ranging from Black History Month to the season of autumn), and subscribe to our newsletter. 
</itunes:summary>
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    <itunes:explicit>no</itunes:explicit>
    <itunes:keywords>poetry, poems, literature, teaching, education</itunes:keywords>
    <itunes:owner>
      <itunes:name>Joanne Diaz and Abram Van Engen</itunes:name>
      <itunes:email>vanengen@wustl.edu</itunes:email>
    </itunes:owner>
<itunes:category text="Arts"/>
<itunes:category text="Education"/>
<itunes:category text="Society &amp; Culture"/>
<item>
  <title>Episode 105: Phillis Wheatley Peters, "To the Earl of Dartmouth"</title>
  <link>https://poetryforall.fireside.fm/105</link>
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  <pubDate>Thu, 19 Feb 2026 16:00:00 -0500</pubDate>
  <author>Joanne Diaz and Abram Van Engen</author>
  <enclosure url="https://aphid.fireside.fm/d/1437767933/d55a3bfc-6538-4214-882b-a389e71b4bf6/dda314eb-dd35-4b9a-8d4a-0bb6dd2a69c8.mp3" length="20197266" type="audio/mpeg"/>
  <itunes:episodeType>full</itunes:episodeType>
  <itunes:season>8</itunes:season>
  <itunes:author>Joanne Diaz and Abram Van Engen</itunes:author>
  <itunes:subtitle>Today, joined by Professor Kirsten Lee, we read a poem about freedom written on the eve of the American Revolution by Phillis Wheatley, the first African American to publish a book of poetry. In praise to the new British Secretary of State, she guides him how to rule while tying an American love of Freedom to her own personal experience of enslavement.</itunes:subtitle>
  <itunes:duration>25:44</itunes:duration>
  <itunes:explicit>no</itunes:explicit>
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  <description>Today, joined by Professor Kirsten Lee, we read a poem about freedom written on the eve of the American Revolution by Phillis Wheatley, the first African American to publish a book of poetry. In praise to the new British Secretary of State, she guides him how to rule while tying an American love of Freedom to her own personal experience of enslavement.
To the Right Honorable William, Earl of Dartmouth
By Phillis Wheatley
Hail, happy day, when, smiling like the morn,
Fair Freedom rose New-England to adorn:
The northern clime beneath her genial ray,
Dartmouth, congratulates thy blissful sway:
Elate with hope her race no longer mourns,
Each soul expands, each grateful bosom burns,
While in thine hand with pleasure we behold
The silken reins, and Freedom's charms unfold.
Long lost to realms beneath the northern skies
She shines supreme, while hated faction dies:
Soon as appear'd the Goddess long desir'd,
Sick at the view, she languish'd and expir'd;
Thus from the splendors of the morning light
The owl in sadness seeks the caves of night.
No more, America, in mournful strain
Of wrongs, and grievance unredress'd complain,
No longer shalt thou dread the iron chain,
Which wanton Tyranny with lawless hand
Had made, and with it meant t' enslave the land.
Should you, my lord, while you peruse my song,
Wonder from whence my love of Freedom sprung,
Whence flow these wishes for the common good,
By feeling hearts alone best understood,
I, young in life, by seeming cruel fate
Was snatch'd from Afric's fancy'd happy seat:
What pangs excruciating must molest,
What sorrows labour in my parent's breast?
Steel'd was that soul and by no misery mov'd
That from a father seiz'd his babe belov'd:
Such, such my case. And can I then but pray
Others may never feel tyrannic sway?
For favours past, great Sir, our thanks are due,
And thee we ask thy favours to renew,
Since in thy pow'r, as in thy will before,
To sooth the griefs, which thou did'st once deplore.
May heav'nly grace the sacred sanction give
To all thy works, and thou for ever live
Not only on the wings of fleeting Fame,
Though praise immortal crowns the patriot's name,
But to conduct to heav'ns refulgent fane,
May fiery coursers sweep th' ethereal plain,
And bear thee upwards to that blest abode,
Where, like the prophet, thou shalt find thy God.
For more on Wheatley, see https://www.poetryfoundation.org/poets/phillis-wheatley
For more on Professor Kirsten Lee, see her website: https://cla.auburn.edu/directory/kirsten-lee/ 
</description>
  <itunes:keywords>18th century, encomium, Black History Month, rhymed verse, guest on the show</itunes:keywords>
  <content:encoded>
    <![CDATA[<p>Today, joined by Professor Kirsten Lee, we read a poem about freedom written on the eve of the American Revolution by Phillis Wheatley, the first African American to publish a book of poetry. In praise to the new British Secretary of State, she guides him how to rule while tying an American love of Freedom to her own personal experience of enslavement.</p>

<p><strong>To the Right Honorable William, Earl of Dartmouth</strong></p>

<p>By Phillis Wheatley</p>

<p>Hail, happy day, when, smiling like the morn,<br>
Fair Freedom rose New-England to adorn:<br>
The northern clime beneath her genial ray,<br>
Dartmouth, congratulates thy blissful sway:<br>
Elate with hope her race no longer mourns,<br>
Each soul expands, each grateful bosom burns,<br>
While in thine hand with pleasure we behold<br>
The silken reins, and Freedom&#39;s charms unfold.<br>
Long lost to realms beneath the northern skies</p>

<p>She shines supreme, while hated faction dies:<br>
Soon as appear&#39;d the Goddess long desir&#39;d,<br>
Sick at the view, she languish&#39;d and expir&#39;d;<br>
Thus from the splendors of the morning light<br>
The owl in sadness seeks the caves of night.<br>
No more, America, in mournful strain<br>
Of wrongs, and grievance unredress&#39;d complain,<br>
No longer shalt thou dread the iron chain,<br>
Which wanton Tyranny with lawless hand<br>
Had made, and with it meant t&#39; enslave the land.</p>

<p>Should you, my lord, while you peruse my song,<br>
Wonder from whence my love of Freedom sprung,<br>
Whence flow these wishes for the common good,<br>
By feeling hearts alone best understood,<br>
I, young in life, by seeming cruel fate<br>
Was snatch&#39;d from Afric&#39;s fancy&#39;d happy seat:<br>
What pangs excruciating must molest,<br>
What sorrows labour in my parent&#39;s breast?<br>
Steel&#39;d was that soul and by no misery mov&#39;d<br>
That from a father seiz&#39;d his babe belov&#39;d:<br>
Such, such my case. And can I then but pray<br>
Others may never feel tyrannic sway?</p>

<p>For favours past, great Sir, our thanks are due,<br>
And thee we ask thy favours to renew,<br>
Since in thy pow&#39;r, as in thy will before,<br>
To sooth the griefs, which thou did&#39;st once deplore.<br>
May heav&#39;nly grace the sacred sanction give<br>
To all thy works, and thou for ever live<br>
Not only on the wings of fleeting Fame,<br>
Though praise immortal crowns the patriot&#39;s name,<br>
But to conduct to heav&#39;ns refulgent fane,<br>
May fiery coursers sweep th&#39; ethereal plain,<br>
And bear thee upwards to that blest abode,<br>
Where, like the prophet, thou shalt find thy God.</p>

<p>For more on Wheatley, see <a href="https://www.poetryfoundation.org/poets/phillis-wheatley" rel="nofollow">https://www.poetryfoundation.org/poets/phillis-wheatley</a></p>

<p>For more on Professor Kirsten Lee, see her website: <a href="https://cla.auburn.edu/directory/kirsten-lee/" rel="nofollow">https://cla.auburn.edu/directory/kirsten-lee/</a></p>]]>
  </content:encoded>
  <itunes:summary>
    <![CDATA[<p>Today, joined by Professor Kirsten Lee, we read a poem about freedom written on the eve of the American Revolution by Phillis Wheatley, the first African American to publish a book of poetry. In praise to the new British Secretary of State, she guides him how to rule while tying an American love of Freedom to her own personal experience of enslavement.</p>

<p><strong>To the Right Honorable William, Earl of Dartmouth</strong></p>

<p>By Phillis Wheatley</p>

<p>Hail, happy day, when, smiling like the morn,<br>
Fair Freedom rose New-England to adorn:<br>
The northern clime beneath her genial ray,<br>
Dartmouth, congratulates thy blissful sway:<br>
Elate with hope her race no longer mourns,<br>
Each soul expands, each grateful bosom burns,<br>
While in thine hand with pleasure we behold<br>
The silken reins, and Freedom&#39;s charms unfold.<br>
Long lost to realms beneath the northern skies</p>

<p>She shines supreme, while hated faction dies:<br>
Soon as appear&#39;d the Goddess long desir&#39;d,<br>
Sick at the view, she languish&#39;d and expir&#39;d;<br>
Thus from the splendors of the morning light<br>
The owl in sadness seeks the caves of night.<br>
No more, America, in mournful strain<br>
Of wrongs, and grievance unredress&#39;d complain,<br>
No longer shalt thou dread the iron chain,<br>
Which wanton Tyranny with lawless hand<br>
Had made, and with it meant t&#39; enslave the land.</p>

<p>Should you, my lord, while you peruse my song,<br>
Wonder from whence my love of Freedom sprung,<br>
Whence flow these wishes for the common good,<br>
By feeling hearts alone best understood,<br>
I, young in life, by seeming cruel fate<br>
Was snatch&#39;d from Afric&#39;s fancy&#39;d happy seat:<br>
What pangs excruciating must molest,<br>
What sorrows labour in my parent&#39;s breast?<br>
Steel&#39;d was that soul and by no misery mov&#39;d<br>
That from a father seiz&#39;d his babe belov&#39;d:<br>
Such, such my case. And can I then but pray<br>
Others may never feel tyrannic sway?</p>

<p>For favours past, great Sir, our thanks are due,<br>
And thee we ask thy favours to renew,<br>
Since in thy pow&#39;r, as in thy will before,<br>
To sooth the griefs, which thou did&#39;st once deplore.<br>
May heav&#39;nly grace the sacred sanction give<br>
To all thy works, and thou for ever live<br>
Not only on the wings of fleeting Fame,<br>
Though praise immortal crowns the patriot&#39;s name,<br>
But to conduct to heav&#39;ns refulgent fane,<br>
May fiery coursers sweep th&#39; ethereal plain,<br>
And bear thee upwards to that blest abode,<br>
Where, like the prophet, thou shalt find thy God.</p>

<p>For more on Wheatley, see <a href="https://www.poetryfoundation.org/poets/phillis-wheatley" rel="nofollow">https://www.poetryfoundation.org/poets/phillis-wheatley</a></p>

<p>For more on Professor Kirsten Lee, see her website: <a href="https://cla.auburn.edu/directory/kirsten-lee/" rel="nofollow">https://cla.auburn.edu/directory/kirsten-lee/</a></p>]]>
  </itunes:summary>
</item>
<item>
  <title>Episode 100: Thomas Gray, Elegy Written in a Country Churchyard</title>
  <link>https://poetryforall.fireside.fm/100</link>
  <guid isPermaLink="false">20a98deb-c618-4585-857f-c7d91ec9162c</guid>
  <pubDate>Wed, 29 Oct 2025 09:00:00 -0400</pubDate>
  <author>Joanne Diaz and Abram Van Engen</author>
  <enclosure url="https://aphid.fireside.fm/d/1437767933/d55a3bfc-6538-4214-882b-a389e71b4bf6/20a98deb-c618-4585-857f-c7d91ec9162c.mp3" length="33361962" type="audio/mpeg"/>
  <itunes:episodeType>full</itunes:episodeType>
  <itunes:season>7</itunes:season>
  <itunes:author>Joanne Diaz and Abram Van Engen</itunes:author>
  <itunes:subtitle>This episode takes us to a graveyard for Halloween and explores one of the most canonical poems in the English language, poised between two huge eras of poetry as it meditates on how "the paths of glory lead but to the grave."</itunes:subtitle>
  <itunes:duration>34:53</itunes:duration>
  <itunes:explicit>no</itunes:explicit>
  <itunes:image href="https://media24.fireside.fm/file/fireside-images-2024/podcasts/images/d/d55a3bfc-6538-4214-882b-a389e71b4bf6/episodes/2/20a98deb-c618-4585-857f-c7d91ec9162c/cover.jpg?v=1"/>
  <description>This episode takes us to a graveyard for Halloween and explores one of the most canonical poems in the English language, poised between two huge eras of poetry as it meditates on how "the paths of glory lead but to the grave."
The whole  poem can be found below. 
The image is of Thomas Gray's monument in Stoke Poges, inscribed with his elegy. Photo by UKgeofan at English Wikipedia, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=10552507
For more on Thomas Gray, see The Poetry Foundation (https://www.poetryfoundation.org/poets/thomas-gray).
Elegy Written in a Country Churchyard
By Thomas Gray
The curfew tolls the knell of parting day,
         The lowing herd wind slowly o'er the lea,
The plowman homeward plods his weary way,
         And leaves the world to darkness and to me.
Now fades the glimm'ring landscape on the sight,
         And all the air a solemn stillness holds,
Save where the beetle wheels his droning flight,
         And drowsy tinklings lull the distant folds;
Save that from yonder ivy-mantled tow'r
         The moping owl does to the moon complain
Of such, as wand'ring near her secret bow'r,
         Molest her ancient solitary reign.
Beneath those rugged elms, that yew-tree's shade,
         Where heaves the turf in many a mould'ring heap,
Each in his narrow cell for ever laid,
         The rude forefathers of the hamlet sleep.
The breezy call of incense-breathing Morn,
         The swallow twitt'ring from the straw-built shed,
The cock's shrill clarion, or the echoing horn,
         No more shall rouse them from their lowly bed.
For them no more the blazing hearth shall burn,
         Or busy housewife ply her evening care:
No children run to lisp their sire's return,
         Or climb his knees the envied kiss to share.
Oft did the harvest to their sickle yield,
         Their furrow oft the stubborn glebe has broke;
How jocund did they drive their team afield!
         How bow'd the woods beneath their sturdy stroke!
Let not Ambition mock their useful toil,
         Their homely joys, and destiny obscure;
Nor Grandeur hear with a disdainful smile
         The short and simple annals of the poor.
The boast of heraldry, the pomp of pow'r,
         And all that beauty, all that wealth e'er gave,
Awaits alike th' inevitable hour.
         The paths of glory lead but to the grave.
Nor you, ye proud, impute to these the fault,
         If Mem'ry o'er their tomb no trophies raise,
Where thro' the long-drawn aisle and fretted vault
         The pealing anthem swells the note of praise.
Can storied urn or animated bust
         Back to its mansion call the fleeting breath?
Can Honour's voice provoke the silent dust,
         Or Flatt'ry soothe the dull cold ear of Death?
Perhaps in this neglected spot is laid
         Some heart once pregnant with celestial fire;
Hands, that the rod of empire might have sway'd,
         Or wak'd to ecstasy the living lyre.
But Knowledge to their eyes her ample page
         Rich with the spoils of time did ne'er unroll;
Chill Penury repress'd their noble rage,
         And froze the genial current of the soul.
Full many a gem of purest ray serene,
         The dark unfathom'd caves of ocean bear:
Full many a flow'r is born to blush unseen,
         And waste its sweetness on the desert air.
Some village-Hampden, that with dauntless breast
         The little tyrant of his fields withstood;
Some mute inglorious Milton here may rest,
         Some Cromwell guiltless of his country's blood.
Th' applause of list'ning senates to command,
         The threats of pain and ruin to despise,
To scatter plenty o'er a smiling land,
         And read their hist'ry in a nation's eyes,
Their lot forbade: nor circumscrib'd alone
         Their growing virtues, but their crimes confin'd;
Forbade to wade through slaughter to a throne,
         And shut the gates of mercy on mankind,
The struggling pangs of conscious truth to hide,
         To quench the blushes of ingenuous shame,
Or heap the shrine of Luxury and Pride
         With incense kindled at the Muse's flame.
Far from the madding crowd's ignoble strife,
         Their sober wishes never learn'd to stray;
Along the cool sequester'd vale of life
         They kept the noiseless tenor of their way.
Yet ev'n these bones from insult to protect,
         Some frail memorial still erected nigh,
With uncouth rhymes and shapeless sculpture deck'd,
         Implores the passing tribute of a sigh.
Their name, their years, spelt by th' unletter'd muse,
         The place of fame and elegy supply:
And many a holy text around she strews,
         That teach the rustic moralist to die.
For who to dumb Forgetfulness a prey,
         This pleasing anxious being e'er resign'd,
Left the warm precincts of the cheerful day,
         Nor cast one longing, ling'ring look behind?
On some fond breast the parting soul relies,
         Some pious drops the closing eye requires;
Ev'n from the tomb the voice of Nature cries,
         Ev'n in our ashes live their wonted fires.
For thee, who mindful of th' unhonour'd Dead
         Dost in these lines their artless tale relate;
If chance, by lonely contemplation led,
         Some kindred spirit shall inquire thy fate,
Haply some hoary-headed swain may say,
         "Oft have we seen him at the peep of dawn
Brushing with hasty steps the dews away
         To meet the sun upon the upland lawn.
"There at the foot of yonder nodding beech
         That wreathes its old fantastic roots so high,
His listless length at noontide would he stretch,
         And pore upon the brook that babbles by.
"Hard by yon wood, now smiling as in scorn,
         Mutt'ring his wayward fancies he would rove,
Now drooping, woeful wan, like one forlorn,
         Or craz'd with care, or cross'd in hopeless love.
"One morn I miss'd him on the custom'd hill,
         Along the heath and near his fav'rite tree;
Another came; nor yet beside the rill,
         Nor up the lawn, nor at the wood was he;
"The next with dirges due in sad array
         Slow thro' the church-way path we saw him borne.
Approach and read (for thou canst read) the lay,
         Grav'd on the stone beneath yon aged thorn."
THE EPITAPH
Here rests his head upon the lap of Earth
       A youth to Fortune and to Fame unknown.
Fair Science frown'd not on his humble birth,
       And Melancholy mark'd him for her own.
Large was his bounty, and his soul sincere,
       Heav'n did a recompense as largely send:
He gave to Mis'ry all he had, a tear,
       He gain'd from Heav'n ('twas all he wish'd) a friend.
No farther seek his merits to disclose,
       Or draw his frailties from their dread abode,
(There they alike in trembling hope repose)
       The bosom of his Father and his God.
</description>
  <itunes:keywords>18th century, elegy, rhymed verse, night, grief and loss, melancholy</itunes:keywords>
  <content:encoded>
    <![CDATA[<p>This episode takes us to a graveyard for Halloween and explores one of the most canonical poems in the English language, poised between two huge eras of poetry as it meditates on how &quot;the paths of glory lead but to the grave.&quot;</p>

<p>The whole  poem can be found below. </p>

<p>The image is of Thomas Gray&#39;s monument in Stoke Poges, inscribed with his elegy. Photo by UKgeofan at English Wikipedia, CC BY-SA 3.0, <a href="https://commons.wikimedia.org/w/index.php?curid=10552507" rel="nofollow">https://commons.wikimedia.org/w/index.php?curid=10552507</a></p>

<p>For more on Thomas Gray, see <a href="https://www.poetryfoundation.org/poets/thomas-gray" rel="nofollow">The Poetry Foundation</a>.</p>

<p><strong>Elegy Written in a Country Churchyard</strong></p>

<p><em>By Thomas Gray</em></p>

<p>The curfew tolls the knell of parting day,<br>
         The lowing herd wind slowly o&#39;er the lea,<br>
The plowman homeward plods his weary way,<br>
         And leaves the world to darkness and to me.</p>

<p>Now fades the glimm&#39;ring landscape on the sight,<br>
         And all the air a solemn stillness holds,<br>
Save where the beetle wheels his droning flight,<br>
         And drowsy tinklings lull the distant folds;</p>

<p>Save that from yonder ivy-mantled tow&#39;r<br>
         The moping owl does to the moon complain<br>
Of such, as wand&#39;ring near her secret bow&#39;r,<br>
         Molest her ancient solitary reign.</p>

<p>Beneath those rugged elms, that yew-tree&#39;s shade,<br>
         Where heaves the turf in many a mould&#39;ring heap,<br>
Each in his narrow cell for ever laid,<br>
         The rude forefathers of the hamlet sleep.</p>

<p>The breezy call of incense-breathing Morn,<br>
         The swallow twitt&#39;ring from the straw-built shed,<br>
The cock&#39;s shrill clarion, or the echoing horn,<br>
         No more shall rouse them from their lowly bed.</p>

<p>For them no more the blazing hearth shall burn,<br>
         Or busy housewife ply her evening care:<br>
No children run to lisp their sire&#39;s return,<br>
         Or climb his knees the envied kiss to share.</p>

<p>Oft did the harvest to their sickle yield,<br>
         Their furrow oft the stubborn glebe has broke;<br>
How jocund did they drive their team afield!<br>
         How bow&#39;d the woods beneath their sturdy stroke!</p>

<p>Let not Ambition mock their useful toil,<br>
         Their homely joys, and destiny obscure;<br>
Nor Grandeur hear with a disdainful smile<br>
         The short and simple annals of the poor.</p>

<p>The boast of heraldry, the pomp of pow&#39;r,<br>
         And all that beauty, all that wealth e&#39;er gave,<br>
Awaits alike th&#39; inevitable hour.<br>
         The paths of glory lead but to the grave.</p>

<p>Nor you, ye proud, impute to these the fault,<br>
         If Mem&#39;ry o&#39;er their tomb no trophies raise,<br>
Where thro&#39; the long-drawn aisle and fretted vault<br>
         The pealing anthem swells the note of praise.</p>

<p>Can storied urn or animated bust<br>
         Back to its mansion call the fleeting breath?<br>
Can Honour&#39;s voice provoke the silent dust,<br>
         Or Flatt&#39;ry soothe the dull cold ear of Death?</p>

<p>Perhaps in this neglected spot is laid<br>
         Some heart once pregnant with celestial fire;<br>
Hands, that the rod of empire might have sway&#39;d,<br>
         Or wak&#39;d to ecstasy the living lyre.</p>

<p>But Knowledge to their eyes her ample page<br>
         Rich with the spoils of time did ne&#39;er unroll;<br>
Chill Penury repress&#39;d their noble rage,<br>
         And froze the genial current of the soul.</p>

<p>Full many a gem of purest ray serene,<br>
         The dark unfathom&#39;d caves of ocean bear:<br>
Full many a flow&#39;r is born to blush unseen,<br>
         And waste its sweetness on the desert air.</p>

<p>Some village-Hampden, that with dauntless breast<br>
         The little tyrant of his fields withstood;<br>
Some mute inglorious Milton here may rest,<br>
         Some Cromwell guiltless of his country&#39;s blood.</p>

<p>Th&#39; applause of list&#39;ning senates to command,<br>
         The threats of pain and ruin to despise,<br>
To scatter plenty o&#39;er a smiling land,<br>
         And read their hist&#39;ry in a nation&#39;s eyes,</p>

<p>Their lot forbade: nor circumscrib&#39;d alone<br>
         Their growing virtues, but their crimes confin&#39;d;<br>
Forbade to wade through slaughter to a throne,<br>
         And shut the gates of mercy on mankind,</p>

<p>The struggling pangs of conscious truth to hide,<br>
         To quench the blushes of ingenuous shame,<br>
Or heap the shrine of Luxury and Pride<br>
         With incense kindled at the Muse&#39;s flame.</p>

<p>Far from the madding crowd&#39;s ignoble strife,<br>
         Their sober wishes never learn&#39;d to stray;<br>
Along the cool sequester&#39;d vale of life<br>
         They kept the noiseless tenor of their way.</p>

<p>Yet ev&#39;n these bones from insult to protect,<br>
         Some frail memorial still erected nigh,<br>
With uncouth rhymes and shapeless sculpture deck&#39;d,<br>
         Implores the passing tribute of a sigh.</p>

<p>Their name, their years, spelt by th&#39; unletter&#39;d muse,<br>
         The place of fame and elegy supply:<br>
And many a holy text around she strews,<br>
         That teach the rustic moralist to die.</p>

<p>For who to dumb Forgetfulness a prey,<br>
         This pleasing anxious being e&#39;er resign&#39;d,<br>
Left the warm precincts of the cheerful day,<br>
         Nor cast one longing, ling&#39;ring look behind?</p>

<p>On some fond breast the parting soul relies,<br>
         Some pious drops the closing eye requires;<br>
Ev&#39;n from the tomb the voice of Nature cries,<br>
         Ev&#39;n in our ashes live their wonted fires.</p>

<p>For thee, who mindful of th&#39; unhonour&#39;d Dead<br>
         Dost in these lines their artless tale relate;<br>
If chance, by lonely contemplation led,<br>
         Some kindred spirit shall inquire thy fate,</p>

<p>Haply some hoary-headed swain may say,<br>
         &quot;Oft have we seen him at the peep of dawn<br>
Brushing with hasty steps the dews away<br>
         To meet the sun upon the upland lawn.</p>

<p>&quot;There at the foot of yonder nodding beech<br>
         That wreathes its old fantastic roots so high,<br>
His listless length at noontide would he stretch,<br>
         And pore upon the brook that babbles by.</p>

<p>&quot;Hard by yon wood, now smiling as in scorn,<br>
         Mutt&#39;ring his wayward fancies he would rove,<br>
Now drooping, woeful wan, like one forlorn,<br>
         Or craz&#39;d with care, or cross&#39;d in hopeless love.</p>

<p>&quot;One morn I miss&#39;d him on the custom&#39;d hill,<br>
         Along the heath and near his fav&#39;rite tree;<br>
Another came; nor yet beside the rill,<br>
         Nor up the lawn, nor at the wood was he;</p>

<p>&quot;The next with dirges due in sad array<br>
         Slow thro&#39; the church-way path we saw him borne.<br>
Approach and read (for thou canst read) the lay,<br>
         Grav&#39;d on the stone beneath yon aged thorn.&quot;</p>

<p>THE EPITAPH</p>

<p>Here rests his head upon the lap of Earth<br>
       A youth to Fortune and to Fame unknown.<br>
Fair Science frown&#39;d not on his humble birth,<br>
       And Melancholy mark&#39;d him for her own.</p>

<p>Large was his bounty, and his soul sincere,<br>
       Heav&#39;n did a recompense as largely send:<br>
He gave to Mis&#39;ry all he had, a tear,<br>
       He gain&#39;d from Heav&#39;n (&#39;twas all he wish&#39;d) a friend.</p>

<p>No farther seek his merits to disclose,<br>
       Or draw his frailties from their dread abode,<br>
(There they alike in trembling hope repose)<br>
       The bosom of his Father and his God.</p>]]>
  </content:encoded>
  <itunes:summary>
    <![CDATA[<p>This episode takes us to a graveyard for Halloween and explores one of the most canonical poems in the English language, poised between two huge eras of poetry as it meditates on how &quot;the paths of glory lead but to the grave.&quot;</p>

<p>The whole  poem can be found below. </p>

<p>The image is of Thomas Gray&#39;s monument in Stoke Poges, inscribed with his elegy. Photo by UKgeofan at English Wikipedia, CC BY-SA 3.0, <a href="https://commons.wikimedia.org/w/index.php?curid=10552507" rel="nofollow">https://commons.wikimedia.org/w/index.php?curid=10552507</a></p>

<p>For more on Thomas Gray, see <a href="https://www.poetryfoundation.org/poets/thomas-gray" rel="nofollow">The Poetry Foundation</a>.</p>

<p><strong>Elegy Written in a Country Churchyard</strong></p>

<p><em>By Thomas Gray</em></p>

<p>The curfew tolls the knell of parting day,<br>
         The lowing herd wind slowly o&#39;er the lea,<br>
The plowman homeward plods his weary way,<br>
         And leaves the world to darkness and to me.</p>

<p>Now fades the glimm&#39;ring landscape on the sight,<br>
         And all the air a solemn stillness holds,<br>
Save where the beetle wheels his droning flight,<br>
         And drowsy tinklings lull the distant folds;</p>

<p>Save that from yonder ivy-mantled tow&#39;r<br>
         The moping owl does to the moon complain<br>
Of such, as wand&#39;ring near her secret bow&#39;r,<br>
         Molest her ancient solitary reign.</p>

<p>Beneath those rugged elms, that yew-tree&#39;s shade,<br>
         Where heaves the turf in many a mould&#39;ring heap,<br>
Each in his narrow cell for ever laid,<br>
         The rude forefathers of the hamlet sleep.</p>

<p>The breezy call of incense-breathing Morn,<br>
         The swallow twitt&#39;ring from the straw-built shed,<br>
The cock&#39;s shrill clarion, or the echoing horn,<br>
         No more shall rouse them from their lowly bed.</p>

<p>For them no more the blazing hearth shall burn,<br>
         Or busy housewife ply her evening care:<br>
No children run to lisp their sire&#39;s return,<br>
         Or climb his knees the envied kiss to share.</p>

<p>Oft did the harvest to their sickle yield,<br>
         Their furrow oft the stubborn glebe has broke;<br>
How jocund did they drive their team afield!<br>
         How bow&#39;d the woods beneath their sturdy stroke!</p>

<p>Let not Ambition mock their useful toil,<br>
         Their homely joys, and destiny obscure;<br>
Nor Grandeur hear with a disdainful smile<br>
         The short and simple annals of the poor.</p>

<p>The boast of heraldry, the pomp of pow&#39;r,<br>
         And all that beauty, all that wealth e&#39;er gave,<br>
Awaits alike th&#39; inevitable hour.<br>
         The paths of glory lead but to the grave.</p>

<p>Nor you, ye proud, impute to these the fault,<br>
         If Mem&#39;ry o&#39;er their tomb no trophies raise,<br>
Where thro&#39; the long-drawn aisle and fretted vault<br>
         The pealing anthem swells the note of praise.</p>

<p>Can storied urn or animated bust<br>
         Back to its mansion call the fleeting breath?<br>
Can Honour&#39;s voice provoke the silent dust,<br>
         Or Flatt&#39;ry soothe the dull cold ear of Death?</p>

<p>Perhaps in this neglected spot is laid<br>
         Some heart once pregnant with celestial fire;<br>
Hands, that the rod of empire might have sway&#39;d,<br>
         Or wak&#39;d to ecstasy the living lyre.</p>

<p>But Knowledge to their eyes her ample page<br>
         Rich with the spoils of time did ne&#39;er unroll;<br>
Chill Penury repress&#39;d their noble rage,<br>
         And froze the genial current of the soul.</p>

<p>Full many a gem of purest ray serene,<br>
         The dark unfathom&#39;d caves of ocean bear:<br>
Full many a flow&#39;r is born to blush unseen,<br>
         And waste its sweetness on the desert air.</p>

<p>Some village-Hampden, that with dauntless breast<br>
         The little tyrant of his fields withstood;<br>
Some mute inglorious Milton here may rest,<br>
         Some Cromwell guiltless of his country&#39;s blood.</p>

<p>Th&#39; applause of list&#39;ning senates to command,<br>
         The threats of pain and ruin to despise,<br>
To scatter plenty o&#39;er a smiling land,<br>
         And read their hist&#39;ry in a nation&#39;s eyes,</p>

<p>Their lot forbade: nor circumscrib&#39;d alone<br>
         Their growing virtues, but their crimes confin&#39;d;<br>
Forbade to wade through slaughter to a throne,<br>
         And shut the gates of mercy on mankind,</p>

<p>The struggling pangs of conscious truth to hide,<br>
         To quench the blushes of ingenuous shame,<br>
Or heap the shrine of Luxury and Pride<br>
         With incense kindled at the Muse&#39;s flame.</p>

<p>Far from the madding crowd&#39;s ignoble strife,<br>
         Their sober wishes never learn&#39;d to stray;<br>
Along the cool sequester&#39;d vale of life<br>
         They kept the noiseless tenor of their way.</p>

<p>Yet ev&#39;n these bones from insult to protect,<br>
         Some frail memorial still erected nigh,<br>
With uncouth rhymes and shapeless sculpture deck&#39;d,<br>
         Implores the passing tribute of a sigh.</p>

<p>Their name, their years, spelt by th&#39; unletter&#39;d muse,<br>
         The place of fame and elegy supply:<br>
And many a holy text around she strews,<br>
         That teach the rustic moralist to die.</p>

<p>For who to dumb Forgetfulness a prey,<br>
         This pleasing anxious being e&#39;er resign&#39;d,<br>
Left the warm precincts of the cheerful day,<br>
         Nor cast one longing, ling&#39;ring look behind?</p>

<p>On some fond breast the parting soul relies,<br>
         Some pious drops the closing eye requires;<br>
Ev&#39;n from the tomb the voice of Nature cries,<br>
         Ev&#39;n in our ashes live their wonted fires.</p>

<p>For thee, who mindful of th&#39; unhonour&#39;d Dead<br>
         Dost in these lines their artless tale relate;<br>
If chance, by lonely contemplation led,<br>
         Some kindred spirit shall inquire thy fate,</p>

<p>Haply some hoary-headed swain may say,<br>
         &quot;Oft have we seen him at the peep of dawn<br>
Brushing with hasty steps the dews away<br>
         To meet the sun upon the upland lawn.</p>

<p>&quot;There at the foot of yonder nodding beech<br>
         That wreathes its old fantastic roots so high,<br>
His listless length at noontide would he stretch,<br>
         And pore upon the brook that babbles by.</p>

<p>&quot;Hard by yon wood, now smiling as in scorn,<br>
         Mutt&#39;ring his wayward fancies he would rove,<br>
Now drooping, woeful wan, like one forlorn,<br>
         Or craz&#39;d with care, or cross&#39;d in hopeless love.</p>

<p>&quot;One morn I miss&#39;d him on the custom&#39;d hill,<br>
         Along the heath and near his fav&#39;rite tree;<br>
Another came; nor yet beside the rill,<br>
         Nor up the lawn, nor at the wood was he;</p>

<p>&quot;The next with dirges due in sad array<br>
         Slow thro&#39; the church-way path we saw him borne.<br>
Approach and read (for thou canst read) the lay,<br>
         Grav&#39;d on the stone beneath yon aged thorn.&quot;</p>

<p>THE EPITAPH</p>

<p>Here rests his head upon the lap of Earth<br>
       A youth to Fortune and to Fame unknown.<br>
Fair Science frown&#39;d not on his humble birth,<br>
       And Melancholy mark&#39;d him for her own.</p>

<p>Large was his bounty, and his soul sincere,<br>
       Heav&#39;n did a recompense as largely send:<br>
He gave to Mis&#39;ry all he had, a tear,<br>
       He gain&#39;d from Heav&#39;n (&#39;twas all he wish&#39;d) a friend.</p>

<p>No farther seek his merits to disclose,<br>
       Or draw his frailties from their dread abode,<br>
(There they alike in trembling hope repose)<br>
       The bosom of his Father and his God.</p>]]>
  </itunes:summary>
</item>
<item>
  <title>Episode 62: Kobayashi Issa, Haiku</title>
  <link>https://poetryforall.fireside.fm/62</link>
  <guid isPermaLink="false">97e0b752-34cd-4447-99a9-1ee5a2db6a62</guid>
  <pubDate>Fri, 11 Aug 2023 10:00:00 -0400</pubDate>
  <author>Joanne Diaz and Abram Van Engen</author>
  <enclosure url="https://aphid.fireside.fm/d/1437767933/d55a3bfc-6538-4214-882b-a389e71b4bf6/97e0b752-34cd-4447-99a9-1ee5a2db6a62.mp3" length="14140516" type="audio/mpeg"/>
  <itunes:episodeType>full</itunes:episodeType>
  <itunes:season>6</itunes:season>
  <itunes:author>Joanne Diaz and Abram Van Engen</itunes:author>
  <itunes:subtitle>What makes haiku "the perfect poetic form"? This episode reads three wonderful haiku by Kobayashi Issa and explores what makes them so moving and fun.</itunes:subtitle>
  <itunes:duration>17:19</itunes:duration>
  <itunes:explicit>no</itunes:explicit>
  <itunes:image href="https://media24.fireside.fm/file/fireside-images-2024/podcasts/images/d/d55a3bfc-6538-4214-882b-a389e71b4bf6/episodes/9/97e0b752-34cd-4447-99a9-1ee5a2db6a62/cover.jpg?v=1"/>
  <description>What makes haiku "the perfect poetic form"? This episode reads three wonderful haiku by Kobayashi Issa and explores what makes them so moving and fun.
We use the beautiful translations of award-winning poet Robert Haas in The Essential Haiku: Versions of Basho, Buson, and Issa. To see these haiku and others online, visit The Poetry Foundation here (https://www.poetryfoundation.org/poems/50983/selected-haiku-by-issa).
To see (and purchase) the book, see HarperCollins here (https://www.harpercollins.com/products/essential-haiku-volume-20-hass?variant=32118145876002).
Thank you to HarperCollins for permission to read these translations on our podcast.
For more on Kobayashi Issa, visit the Poetry Foundation here (https://www.poetryfoundation.org/poets/kobayashi-issa). 
</description>
  <itunes:keywords>18th century, haiku, joy, poet laureate, poetry in translation, spring, surprise, world poetry</itunes:keywords>
  <content:encoded>
    <![CDATA[<p>What makes haiku &quot;the perfect poetic form&quot;? This episode reads three wonderful haiku by Kobayashi Issa and explores what makes them so moving and fun.</p>

<p>We use the beautiful translations of award-winning poet Robert Haas in <em>The Essential Haiku: Versions of Basho, Buson, and Issa</em>. To see these haiku and others online, <a href="https://www.poetryfoundation.org/poems/50983/selected-haiku-by-issa" rel="nofollow">visit The Poetry Foundation here</a>.</p>

<p>To see (and purchase) the book, <a href="https://www.harpercollins.com/products/essential-haiku-volume-20-hass?variant=32118145876002" rel="nofollow">see HarperCollins here</a>.</p>

<p>Thank you to HarperCollins for permission to read these translations on our podcast.</p>

<p>For more on Kobayashi Issa, <a href="https://www.poetryfoundation.org/poets/kobayashi-issa" rel="nofollow">visit the Poetry Foundation here</a>.</p>]]>
  </content:encoded>
  <itunes:summary>
    <![CDATA[<p>What makes haiku &quot;the perfect poetic form&quot;? This episode reads three wonderful haiku by Kobayashi Issa and explores what makes them so moving and fun.</p>

<p>We use the beautiful translations of award-winning poet Robert Haas in <em>The Essential Haiku: Versions of Basho, Buson, and Issa</em>. To see these haiku and others online, <a href="https://www.poetryfoundation.org/poems/50983/selected-haiku-by-issa" rel="nofollow">visit The Poetry Foundation here</a>.</p>

<p>To see (and purchase) the book, <a href="https://www.harpercollins.com/products/essential-haiku-volume-20-hass?variant=32118145876002" rel="nofollow">see HarperCollins here</a>.</p>

<p>Thank you to HarperCollins for permission to read these translations on our podcast.</p>

<p>For more on Kobayashi Issa, <a href="https://www.poetryfoundation.org/poets/kobayashi-issa" rel="nofollow">visit the Poetry Foundation here</a>.</p>]]>
  </itunes:summary>
</item>
<item>
  <title>Episode 3: Phillis Wheatley, On Being Brought from Africa to America</title>
  <link>https://poetryforall.fireside.fm/3</link>
  <guid isPermaLink="false">1f9de9eb-fda2-4472-b9c0-2a84e635c9b7</guid>
  <pubDate>Tue, 15 Sep 2020 09:00:00 -0400</pubDate>
  <author>Joanne Diaz and Abram Van Engen</author>
  <enclosure url="https://aphid.fireside.fm/d/1437767933/d55a3bfc-6538-4214-882b-a389e71b4bf6/1f9de9eb-fda2-4472-b9c0-2a84e635c9b7.mp3" length="9517753" type="audio/mpeg"/>
  <itunes:episodeType>full</itunes:episodeType>
  <itunes:season>1</itunes:season>
  <itunes:author>Joanne Diaz and Abram Van Engen</itunes:author>
  <itunes:subtitle>This episode examines a short, incredible, difficult and important poem by one of the founding figures of African American literary traditions, Phillis Wheatley.</itunes:subtitle>
  <itunes:duration>14:09</itunes:duration>
  <itunes:explicit>no</itunes:explicit>
  <itunes:image href="https://media24.fireside.fm/file/fireside-images-2024/podcasts/images/d/d55a3bfc-6538-4214-882b-a389e71b4bf6/episodes/1/1f9de9eb-fda2-4472-b9c0-2a84e635c9b7/cover.jpg?v=4"/>
  <description>To view the poem, please see: https://www.poetryfoundation.org/poems/45465/on-being-brought-from-africa-to-america
To hear Cornelius Eady reading the poem and discussing it, see here: https://www.youtube.com/watch?v=6QezAVP_HiY
For a foundational essay about Phillis Wheatley and her work, please see June Jordan's essay, "The Difficult Miracle of Black Poetry in America (https://www.poetryfoundation.org/articles/68628/the-difficult-miracle-of-black-poetry-in-america)."
For two examples of the way Wheatley has inspired other artists and writers, please see the work of Cornelius Eady and Honoree Fanonne Jeffers.
Eady, "Diabolic (https://poets.org/poem/diabolic)"
Eady, "To Phillis Wheatley's Mother (https://www.harvardreview.org/content/to-phillis-wheatleys-mother/)"
Eady, Interview (https://barelysouthreview.com/interview-with-cornelius-eady-interview/)
Jeffers, The Age of Phillis (https://www.hfsbooks.com/books/the-age-of-phillis-jeffers/) 
</description>
  <itunes:keywords>18th century, anger, black history month, christianity, hope, rhymed verse, social justice and advocacy, surprise</itunes:keywords>
  <content:encoded>
    <![CDATA[<p>To view the poem, please see: <a href="https://www.poetryfoundation.org/poems/45465/on-being-brought-from-africa-to-america" rel="nofollow">https://www.poetryfoundation.org/poems/45465/on-being-brought-from-africa-to-america</a></p>

<p>To hear Cornelius Eady reading the poem and discussing it, see here: <a href="https://www.youtube.com/watch?v=6QezAVP_HiY" rel="nofollow">https://www.youtube.com/watch?v=6QezAVP_HiY</a></p>

<p>For a foundational essay about Phillis Wheatley and her work, please see June Jordan&#39;s essay, &quot;<a href="https://www.poetryfoundation.org/articles/68628/the-difficult-miracle-of-black-poetry-in-america" rel="nofollow">The Difficult Miracle of Black Poetry in America</a>.&quot;</p>

<p>For two examples of the way Wheatley has inspired other artists and writers, please see the work of Cornelius Eady and Honoree Fanonne Jeffers.</p>

<p>Eady, &quot;<a href="https://poets.org/poem/diabolic" rel="nofollow">Diabolic</a>&quot;<br>
Eady, &quot;<a href="https://www.harvardreview.org/content/to-phillis-wheatleys-mother/" rel="nofollow">To Phillis Wheatley&#39;s Mother</a>&quot;<br>
Eady, <a href="https://barelysouthreview.com/interview-with-cornelius-eady-interview/" rel="nofollow">Interview</a></p>

<p>Jeffers, <a href="https://www.hfsbooks.com/books/the-age-of-phillis-jeffers/" rel="nofollow">The Age of Phillis</a></p><p>Links:</p><ul><li><a title="The Difficult Miracle of Black Poetry in America… | Poetry Foundation" rel="nofollow" href="https://www.poetryfoundation.org/articles/68628/the-difficult-miracle-of-black-poetry-in-america">The Difficult Miracle of Black Poetry in America… | Poetry Foundation</a></li><li><a title="Cornelius Eady Reading and Discussing Phillis Wheatley&#39;s &quot;On Being Brought from Africa to America&quot; Read by Cornelius Eady - YouTube" rel="nofollow" href="https://www.youtube.com/watch?v=6QezAVP_HiY">Cornelius Eady Reading and Discussing Phillis Wheatley's "On Being Brought from Africa to America" Read by Cornelius Eady - YouTube</a></li><li><a title="Honoree Fanonne Jeffers, The Age of Phillis – HFS Books" rel="nofollow" href="https://www.hfsbooks.com/books/the-age-of-phillis-jeffers/">Honoree Fanonne Jeffers, The Age of Phillis – HFS Books</a></li></ul>]]>
  </content:encoded>
  <itunes:summary>
    <![CDATA[<p>To view the poem, please see: <a href="https://www.poetryfoundation.org/poems/45465/on-being-brought-from-africa-to-america" rel="nofollow">https://www.poetryfoundation.org/poems/45465/on-being-brought-from-africa-to-america</a></p>

<p>To hear Cornelius Eady reading the poem and discussing it, see here: <a href="https://www.youtube.com/watch?v=6QezAVP_HiY" rel="nofollow">https://www.youtube.com/watch?v=6QezAVP_HiY</a></p>

<p>For a foundational essay about Phillis Wheatley and her work, please see June Jordan&#39;s essay, &quot;<a href="https://www.poetryfoundation.org/articles/68628/the-difficult-miracle-of-black-poetry-in-america" rel="nofollow">The Difficult Miracle of Black Poetry in America</a>.&quot;</p>

<p>For two examples of the way Wheatley has inspired other artists and writers, please see the work of Cornelius Eady and Honoree Fanonne Jeffers.</p>

<p>Eady, &quot;<a href="https://poets.org/poem/diabolic" rel="nofollow">Diabolic</a>&quot;<br>
Eady, &quot;<a href="https://www.harvardreview.org/content/to-phillis-wheatleys-mother/" rel="nofollow">To Phillis Wheatley&#39;s Mother</a>&quot;<br>
Eady, <a href="https://barelysouthreview.com/interview-with-cornelius-eady-interview/" rel="nofollow">Interview</a></p>

<p>Jeffers, <a href="https://www.hfsbooks.com/books/the-age-of-phillis-jeffers/" rel="nofollow">The Age of Phillis</a></p><p>Links:</p><ul><li><a title="The Difficult Miracle of Black Poetry in America… | Poetry Foundation" rel="nofollow" href="https://www.poetryfoundation.org/articles/68628/the-difficult-miracle-of-black-poetry-in-america">The Difficult Miracle of Black Poetry in America… | Poetry Foundation</a></li><li><a title="Cornelius Eady Reading and Discussing Phillis Wheatley&#39;s &quot;On Being Brought from Africa to America&quot; Read by Cornelius Eady - YouTube" rel="nofollow" href="https://www.youtube.com/watch?v=6QezAVP_HiY">Cornelius Eady Reading and Discussing Phillis Wheatley's "On Being Brought from Africa to America" Read by Cornelius Eady - YouTube</a></li><li><a title="Honoree Fanonne Jeffers, The Age of Phillis – HFS Books" rel="nofollow" href="https://www.hfsbooks.com/books/the-age-of-phillis-jeffers/">Honoree Fanonne Jeffers, The Age of Phillis – HFS Books</a></li></ul>]]>
  </itunes:summary>
</item>
  </channel>
</rss>
