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    <fireside:hostname>web01.fireside.fm</fireside:hostname>
    <fireside:genDate>Wed, 29 Apr 2026 07:07:05 -0500</fireside:genDate>
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    <title>Poetry For All - Episodes Tagged with “Ars Poetica”</title>
    <link>https://poetryforall.fireside.fm/tags/ars%20poetica</link>
    <pubDate>Wed, 10 Dec 2025 10:00:00 -0500</pubDate>
    <description>This podcast is for those who already love poetry and for those who know very little about it. In this podcast, we read a poem, discuss it, see what makes it tick, learn how it works, grow from it, and then read it one more time.
Introducing our brand new Poetry For All website: https://poetryforallpod.com! Please visit the new website to learn more about our guests, search for thematic episodes (ranging from Black History Month to the season of autumn), and subscribe to our newsletter. 
</description>
    <language>en-us</language>
    <itunes:type>episodic</itunes:type>
    <itunes:subtitle>Finding Our Way Into Great Poems</itunes:subtitle>
    <itunes:author>Joanne Diaz and Abram Van Engen</itunes:author>
    <itunes:summary>This podcast is for those who already love poetry and for those who know very little about it. In this podcast, we read a poem, discuss it, see what makes it tick, learn how it works, grow from it, and then read it one more time.
Introducing our brand new Poetry For All website: https://poetryforallpod.com! Please visit the new website to learn more about our guests, search for thematic episodes (ranging from Black History Month to the season of autumn), and subscribe to our newsletter. 
</itunes:summary>
    <itunes:image href="https://media24.fireside.fm/file/fireside-images-2024/podcasts/images/d/d55a3bfc-6538-4214-882b-a389e71b4bf6/cover.jpg?v=2"/>
    <itunes:explicit>no</itunes:explicit>
    <itunes:keywords>poetry, poems, literature, teaching, education</itunes:keywords>
    <itunes:owner>
      <itunes:name>Joanne Diaz and Abram Van Engen</itunes:name>
      <itunes:email>vanengen@wustl.edu</itunes:email>
    </itunes:owner>
<itunes:category text="Arts"/>
<itunes:category text="Education"/>
<itunes:category text="Society &amp; Culture"/>
<item>
  <title>Episode 102: Phillis Levin, An Anthology of Rain</title>
  <link>https://poetryforall.fireside.fm/102</link>
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  <pubDate>Wed, 10 Dec 2025 10:00:00 -0500</pubDate>
  <author>Joanne Diaz and Abram Van Engen</author>
  <enclosure url="https://aphid.fireside.fm/d/1437767933/d55a3bfc-6538-4214-882b-a389e71b4bf6/0a1db239-bde5-42ca-947f-34151332fb63.mp3" length="31226256" type="audio/mpeg"/>
  <itunes:episodeType>full</itunes:episodeType>
  <itunes:season>7</itunes:season>
  <itunes:author>Joanne Diaz and Abram Van Engen</itunes:author>
  <itunes:subtitle>In this episode, Phillis Levin reads "An Anthology of Rain," the title poem of her new book of poetry. She guides us through the philosophical underpinnings of her poem, how it informs the book as a whole, and how the surfaces of things can tell us so much about their substance. </itunes:subtitle>
  <itunes:duration>27:34</itunes:duration>
  <itunes:explicit>no</itunes:explicit>
  <itunes:image href="https://media24.fireside.fm/file/fireside-images-2024/podcasts/images/d/d55a3bfc-6538-4214-882b-a389e71b4bf6/episodes/0/0a1db239-bde5-42ca-947f-34151332fb63/cover.jpg?v=1"/>
  <description>In this episode, Phillis Levin reads "An Anthology of Rain," the title poem of her newest poetry collection. She guides us through the philosophical underpinnings of her poem, how it informs the book as a whole, and how the surfaces of things can tell us so much about their substance. 
Phillis Levin is the author of six poetry collections, including An Anthology of Rain (https://barrowstreet.org/press/product/an-anthology-of-rain-phillis-levin/). She is also the editor of The Penguin Book of the Sonnet: 500 Years of a Classic Tradition in English (https://www.penguinrandomhouse.com/books/333350/the-penguin-book-of-the-sonnet-by-various/). Levin’s honors include a Fulbright Scholar Award to Slovenia, an Ingram Merrill Grant, the Richard Hugo Prize from Poetry Northwest, and fellowships from the Guggenheim Foundation, the National Endowment for the Arts, and the Trust of Amy Lowell. 
To learn more about Phillis and her work, please visit her website. https://phillislevin.com 
Photo credit: Sigrid Estrada
</description>
  <itunes:keywords>ars poetica</itunes:keywords>
  <content:encoded>
    <![CDATA[<p>In this episode, Phillis Levin reads &quot;An Anthology of Rain,&quot; the title poem of her newest poetry collection. She guides us through the philosophical underpinnings of her poem, how it informs the book as a whole, and how the surfaces of things can tell us so much about their substance. </p>

<p>Phillis Levin is the author of six poetry collections, including <a href="https://barrowstreet.org/press/product/an-anthology-of-rain-phillis-levin/" rel="nofollow">An Anthology of Rain</a>. She is also the editor of <a href="https://www.penguinrandomhouse.com/books/333350/the-penguin-book-of-the-sonnet-by-various/" rel="nofollow">The Penguin Book of the Sonnet: 500 Years of a Classic Tradition in English</a>. Levin’s honors include a Fulbright Scholar Award to Slovenia, an Ingram Merrill Grant, the Richard Hugo Prize from Poetry Northwest, and fellowships from the Guggenheim Foundation, the National Endowment for the Arts, and the Trust of Amy Lowell. </p>

<p>To learn more about Phillis and her work, please visit her website. <a href="https://phillislevin.com" rel="nofollow">https://phillislevin.com</a> </p>

<p>Photo credit: Sigrid Estrada</p>]]>
  </content:encoded>
  <itunes:summary>
    <![CDATA[<p>In this episode, Phillis Levin reads &quot;An Anthology of Rain,&quot; the title poem of her newest poetry collection. She guides us through the philosophical underpinnings of her poem, how it informs the book as a whole, and how the surfaces of things can tell us so much about their substance. </p>

<p>Phillis Levin is the author of six poetry collections, including <a href="https://barrowstreet.org/press/product/an-anthology-of-rain-phillis-levin/" rel="nofollow">An Anthology of Rain</a>. She is also the editor of <a href="https://www.penguinrandomhouse.com/books/333350/the-penguin-book-of-the-sonnet-by-various/" rel="nofollow">The Penguin Book of the Sonnet: 500 Years of a Classic Tradition in English</a>. Levin’s honors include a Fulbright Scholar Award to Slovenia, an Ingram Merrill Grant, the Richard Hugo Prize from Poetry Northwest, and fellowships from the Guggenheim Foundation, the National Endowment for the Arts, and the Trust of Amy Lowell. </p>

<p>To learn more about Phillis and her work, please visit her website. <a href="https://phillislevin.com" rel="nofollow">https://phillislevin.com</a> </p>

<p>Photo credit: Sigrid Estrada</p>]]>
  </itunes:summary>
</item>
<item>
  <title>Episode 74: Diane Seuss, [The sonnet, like poverty]</title>
  <link>https://poetryforall.fireside.fm/74</link>
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  <pubDate>Fri, 26 Jul 2024 12:00:00 -0400</pubDate>
  <author>Joanne Diaz and Abram Van Engen</author>
  <enclosure url="https://aphid.fireside.fm/d/1437767933/d55a3bfc-6538-4214-882b-a389e71b4bf6/e3804c86-d429-4836-b0b9-43424ca325a4.mp3" length="19707213" type="audio/mpeg"/>
  <itunes:episodeType>full</itunes:episodeType>
  <itunes:season>6</itunes:season>
  <itunes:author>Joanne Diaz and Abram Van Engen</itunes:author>
  <itunes:subtitle>This remarkable sonnet dives into issues of poverty, poetry, and grief. We talk about the pedagogy of constraint, while exploring the achievements, including the hardbitten gratitude, embedded in this poem.</itunes:subtitle>
  <itunes:duration>24:22</itunes:duration>
  <itunes:explicit>no</itunes:explicit>
  <itunes:image href="https://media24.fireside.fm/file/fireside-images-2024/podcasts/images/d/d55a3bfc-6538-4214-882b-a389e71b4bf6/episodes/e/e3804c86-d429-4836-b0b9-43424ca325a4/cover.jpg?v=1"/>
  <description>This remarkable sonnet dives into issues of poverty, poetry, and grief. We talk about the pedagogy of constraint, while exploring the achievements, including the hardbitten gratitude, embedded in this poem.
Thank you to Graywolf Press for permission to read and discuss the poem. Diane Seuss's "[The sonnet, like poverty, teaches you what you can do]" was published in her collection titled frank: sonnets (Graywolf, 2021). 
See the work (and buy it!) here: https://www.graywolfpress.org/books/frank-sonnets
For more on Diane Seuss, see here: https://www.poetryfoundation.org/poets/diane-seuss
For more on the Sealey Challenge, see here: https://www.thesealeychallenge.com/ 
</description>
  <itunes:keywords>21st century, sonnet, ars poetica, elegy, Labor Day, repetition or refrain, laborers, gratitude, grief and loss</itunes:keywords>
  <content:encoded>
    <![CDATA[<p>This remarkable sonnet dives into issues of poverty, poetry, and grief. We talk about the pedagogy of constraint, while exploring the achievements, including the hardbitten gratitude, embedded in this poem.</p>

<p>Thank you to Graywolf Press for permission to read and discuss the poem. Diane Seuss&#39;s &quot;[The sonnet, like poverty, teaches you what you can do]&quot; was published in her collection titled <em>frank: sonnets</em> (Graywolf, 2021). </p>

<p>See the work (and buy it!) here: <a href="https://www.graywolfpress.org/books/frank-sonnets" rel="nofollow">https://www.graywolfpress.org/books/frank-sonnets</a></p>

<p>For more on Diane Seuss, see here: <a href="https://www.poetryfoundation.org/poets/diane-seuss" rel="nofollow">https://www.poetryfoundation.org/poets/diane-seuss</a></p>

<p>For more on the Sealey Challenge, see here: <a href="https://www.thesealeychallenge.com/" rel="nofollow">https://www.thesealeychallenge.com/</a></p>]]>
  </content:encoded>
  <itunes:summary>
    <![CDATA[<p>This remarkable sonnet dives into issues of poverty, poetry, and grief. We talk about the pedagogy of constraint, while exploring the achievements, including the hardbitten gratitude, embedded in this poem.</p>

<p>Thank you to Graywolf Press for permission to read and discuss the poem. Diane Seuss&#39;s &quot;[The sonnet, like poverty, teaches you what you can do]&quot; was published in her collection titled <em>frank: sonnets</em> (Graywolf, 2021). </p>

<p>See the work (and buy it!) here: <a href="https://www.graywolfpress.org/books/frank-sonnets" rel="nofollow">https://www.graywolfpress.org/books/frank-sonnets</a></p>

<p>For more on Diane Seuss, see here: <a href="https://www.poetryfoundation.org/poets/diane-seuss" rel="nofollow">https://www.poetryfoundation.org/poets/diane-seuss</a></p>

<p>For more on the Sealey Challenge, see here: <a href="https://www.thesealeychallenge.com/" rel="nofollow">https://www.thesealeychallenge.com/</a></p>]]>
  </itunes:summary>
</item>
<item>
  <title>Episode 69: Live with Marilyn Nelson!</title>
  <link>https://poetryforall.fireside.fm/69</link>
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  <pubDate>Sun, 11 Feb 2024 09:00:00 -0500</pubDate>
  <author>Joanne Diaz and Abram Van Engen</author>
  <enclosure url="https://aphid.fireside.fm/d/1437767933/d55a3bfc-6538-4214-882b-a389e71b4bf6/e34d9b5f-adbe-4eeb-aa6c-38fb205a1215.mp3" length="67923806" type="audio/mpeg"/>
  <itunes:episodeType>full</itunes:episodeType>
  <itunes:season>6</itunes:season>
  <itunes:author>Joanne Diaz and Abram Van Engen</itunes:author>
  <itunes:subtitle>Our first live performance of the podcast, featuring Marilyn Nelson and a discussion or her amazing poem "How I Discovered Poetry."</itunes:subtitle>
  <itunes:duration>55:17</itunes:duration>
  <itunes:explicit>no</itunes:explicit>
  <itunes:image href="https://media24.fireside.fm/file/fireside-images-2024/podcasts/images/d/d55a3bfc-6538-4214-882b-a389e71b4bf6/episodes/e/e34d9b5f-adbe-4eeb-aa6c-38fb205a1215/cover.jpg?v=2"/>
  <description>Our first live performance of the podcast, featuring Marilyn Nelson and a discussion or her amazing poem "How I Discovered Poetry."
On January 31, we met at Calvin University for its January Series and spoke with Marilyn Nelson about poetry and her work for a live audience.
For more on Marilyn Nelson, visit her website (https://marilyn-nelson.com/) or The Poetry Foundation (https://www.poetryfoundation.org/poets/marilyn-nelson).
This poem is the title poem of an extraordinary book called How I Discovered Poetry (https://a.co/d/6xrZVm9)
It was originally published in The Fields of Praise: New and Selected Poems (https://a.co/d/0iajt2m)
Thank you to LSU Press for permission to read and discussion this poem on our podcast. 
</description>
  <itunes:keywords>guest on the show, 21st century, sonnet, ars poetica, black history month, poet laureate, children, wonder, surprise, anger</itunes:keywords>
  <content:encoded>
    <![CDATA[<p>Our first live performance of the podcast, featuring Marilyn Nelson and a discussion or her amazing poem &quot;How I Discovered Poetry.&quot;</p>

<p>On January 31, we met at Calvin University for its January Series and spoke with Marilyn Nelson about poetry and her work for a live audience.</p>

<p>For more on Marilyn Nelson, visit <a href="https://marilyn-nelson.com/" rel="nofollow">her website</a> or <a href="https://www.poetryfoundation.org/poets/marilyn-nelson" rel="nofollow">The Poetry Foundation</a>.</p>

<p>This poem is the title poem of an extraordinary book called <em><a href="https://a.co/d/6xrZVm9" rel="nofollow">How I Discovered Poetry</a></em></p>

<p>It was originally published in <em><a href="https://a.co/d/0iajt2m" rel="nofollow">The Fields of Praise: New and Selected Poems</a></em></p>

<p>Thank you to LSU Press for permission to read and discussion this poem on our podcast.</p>]]>
  </content:encoded>
  <itunes:summary>
    <![CDATA[<p>Our first live performance of the podcast, featuring Marilyn Nelson and a discussion or her amazing poem &quot;How I Discovered Poetry.&quot;</p>

<p>On January 31, we met at Calvin University for its January Series and spoke with Marilyn Nelson about poetry and her work for a live audience.</p>

<p>For more on Marilyn Nelson, visit <a href="https://marilyn-nelson.com/" rel="nofollow">her website</a> or <a href="https://www.poetryfoundation.org/poets/marilyn-nelson" rel="nofollow">The Poetry Foundation</a>.</p>

<p>This poem is the title poem of an extraordinary book called <em><a href="https://a.co/d/6xrZVm9" rel="nofollow">How I Discovered Poetry</a></em></p>

<p>It was originally published in <em><a href="https://a.co/d/0iajt2m" rel="nofollow">The Fields of Praise: New and Selected Poems</a></em></p>

<p>Thank you to LSU Press for permission to read and discussion this poem on our podcast.</p>]]>
  </itunes:summary>
</item>
<item>
  <title>Episode 49: Lisel Mueller, When I am Asked</title>
  <link>https://poetryforall.fireside.fm/49</link>
  <guid isPermaLink="false">0804192b-db4a-4576-ac09-113567690760</guid>
  <pubDate>Mon, 12 Sep 2022 12:00:00 -0400</pubDate>
  <author>Joanne Diaz and Abram Van Engen</author>
  <enclosure url="https://aphid.fireside.fm/d/1437767933/d55a3bfc-6538-4214-882b-a389e71b4bf6/0804192b-db4a-4576-ac09-113567690760.mp3" length="16116082" type="audio/mpeg"/>
  <itunes:episodeType>full</itunes:episodeType>
  <itunes:season>5</itunes:season>
  <itunes:author>Joanne Diaz and Abram Van Engen</itunes:author>
  <itunes:subtitle>In this episode, we closely read Lisel Mueller's "When I am Asked" in order to better understand grief as a deep source of artistic expression. </itunes:subtitle>
  <itunes:duration>19:57</itunes:duration>
  <itunes:explicit>no</itunes:explicit>
  <itunes:image href="https://media24.fireside.fm/file/fireside-images-2024/podcasts/images/d/d55a3bfc-6538-4214-882b-a389e71b4bf6/episodes/0/0804192b-db4a-4576-ac09-113567690760/cover.jpg?v=1"/>
  <description>In this episode, we closely read Lisel Mueller's "When I am Asked" in order to better understand grief as a deep source of artistic expression. We look at language as a source of connection and hope, even in the midst of sorrow and solitude. With this poem about the making of poetry (an_ ars poetica_), we come to see how one artist turned to the intricacies of language in the face of a nature that seemed indifferent to her loss.
"When I Am Asked" appears in Alive Together: New and Selected Poems, published by Louisiana State University Press (1996). Thanks to LSU Press for granting us permission to read this poem on the podcast.
For the text of the poem, click here: "When I Am Asked (https://www.poetryfoundation.org/poetrymagazine/poems/36931/when-i-am-asked)"
Note: When out of copyright, we reproduce the text of the poem ourselves. When still in copyright, we link to the text of the poem elsewhere.
For more on Lisel Mueller (https://www.poetryfoundation.org/poets/lisel-mueller), see the Poetry Foundation. 
</description>
  <itunes:keywords>20th century, ars poetica, elegy, free verse, grief and loss, repetition or refrain</itunes:keywords>
  <content:encoded>
    <![CDATA[<p>In this episode, we closely read Lisel Mueller&#39;s &quot;When I am Asked&quot; in order to better understand grief as a deep source of artistic expression. We look at language as a source of connection and hope, even in the midst of sorrow and solitude. With this poem about the making of poetry (an_ ars poetica_), we come to see how one artist turned to the intricacies of language in the face of a nature that seemed indifferent to her loss.</p>

<p>&quot;When I Am Asked&quot; appears in <em>Alive Together: New and Selected Poems</em>, published by Louisiana State University Press (1996). Thanks to LSU Press for granting us permission to read this poem on the podcast.</p>

<p>For the text of the poem, click here: &quot;<a href="https://www.poetryfoundation.org/poetrymagazine/poems/36931/when-i-am-asked" rel="nofollow">When I Am Asked</a>&quot;</p>

<p><em>Note: When out of copyright, we reproduce the text of the poem ourselves. When still in copyright, we link to the text of the poem elsewhere.</em></p>

<p>For more on <a href="https://www.poetryfoundation.org/poets/lisel-mueller" rel="nofollow">Lisel Mueller</a>, see the Poetry Foundation.</p>]]>
  </content:encoded>
  <itunes:summary>
    <![CDATA[<p>In this episode, we closely read Lisel Mueller&#39;s &quot;When I am Asked&quot; in order to better understand grief as a deep source of artistic expression. We look at language as a source of connection and hope, even in the midst of sorrow and solitude. With this poem about the making of poetry (an_ ars poetica_), we come to see how one artist turned to the intricacies of language in the face of a nature that seemed indifferent to her loss.</p>

<p>&quot;When I Am Asked&quot; appears in <em>Alive Together: New and Selected Poems</em>, published by Louisiana State University Press (1996). Thanks to LSU Press for granting us permission to read this poem on the podcast.</p>

<p>For the text of the poem, click here: &quot;<a href="https://www.poetryfoundation.org/poetrymagazine/poems/36931/when-i-am-asked" rel="nofollow">When I Am Asked</a>&quot;</p>

<p><em>Note: When out of copyright, we reproduce the text of the poem ourselves. When still in copyright, we link to the text of the poem elsewhere.</em></p>

<p>For more on <a href="https://www.poetryfoundation.org/poets/lisel-mueller" rel="nofollow">Lisel Mueller</a>, see the Poetry Foundation.</p>]]>
  </itunes:summary>
</item>
<item>
  <title>Episode 47: Walt Whitman, Leaves of Grass</title>
  <link>https://poetryforall.fireside.fm/47</link>
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  <pubDate>Fri, 22 Apr 2022 12:00:00 -0400</pubDate>
  <author>Joanne Diaz and Abram Van Engen</author>
  <enclosure url="https://aphid.fireside.fm/d/1437767933/d55a3bfc-6538-4214-882b-a389e71b4bf6/ff2b3c76-2f14-4292-87a3-41e34909d0ea.mp3" length="19625015" type="audio/mpeg"/>
  <itunes:episodeType>full</itunes:episodeType>
  <itunes:season>4</itunes:season>
  <itunes:author>Joanne Diaz and Abram Van Engen</itunes:author>
  <itunes:subtitle>In this episode, Christopher Hanlon joins us to discuss an excerpt from Walt Whitman's Leaves of Grass. We discuss the poem's prophetic voice, its patterns of repetition, the connective tissue that binds his ideas and invites readers in, and the cultural context in which Whitman produced his work.</itunes:subtitle>
  <itunes:duration>26:39</itunes:duration>
  <itunes:explicit>no</itunes:explicit>
  <itunes:image href="https://media24.fireside.fm/file/fireside-images-2024/podcasts/images/d/d55a3bfc-6538-4214-882b-a389e71b4bf6/episodes/f/ff2b3c76-2f14-4292-87a3-41e34909d0ea/cover.jpg?v=1"/>
  <description>In this episode, Christopher Hanlon joins us to discuss an excerpt from Walt Whitman's Leaves of Grass. We discuss the poem's prophetic voice, its patterns of repetition, the connective tissue that binds his ideas and invites readers in, and the cultural context in which Whitman produced his work.
To read the text of this poem, click here (https://poets.org/poem/song-myself-6-child-said-what-grass) or see below:
To learn more about Walt Whitman and his work, visit the Walt Whitman Archive (https://whitmanarchive.org/), a magnificent compendium of information about Whitman's life, cultural context, and editions of Leaves of Grass.
To learn more about scholar Christopher Hanlon, click here (https://newcollege.asu.edu/christopher-hanlon).
Text from Leaves of Grass:
A child said What is the grass? fetching it to me with full hands; 
How could I answer the child? I do not know what it is any more than he. 
I guess it must be the flag of my disposition, out of hopeful green stuff woven. 
Or I guess it is the handkerchief of the Lord, 
A scented gift and remembrancer designedly dropt, 
Bearing the owner's name someway in the corners, that we may see and remark, and say Whose? 
Or I guess the grass is itself a child, the produced babe of the vegetation. 
Or I guess it is a uniform hieroglyphic, 
And it means, Sprouting alike in broad zones and narrow zones, 
Growing among black folks as among white, 
Kanuck, Tuckahoe, Congressman, Cuff, I give them the same, I receive them the same. 
And now it seems to me the beautiful uncut hair of graves. 
Tenderly will I use you curling grass, 
It may be you transpire from the breasts of young men, 
It may be you are from old people, or from offspring taken,
It may be if I had known them I would have loved them, soon out of their mothers' laps, 
And here you are the mothers' laps. 
This grass is very dark to be from the white heads of old mothers, 
Darker than the colorless beards of old men, 
Dark to come from under the faint red roofs of mouths. 
O I perceive after all so many uttering tongues, 
And I perceive they do not come from the roofs of mouths for nothing. 
I wish I could translate the hints about the dead young men and women, 
And the hints about old men and mothers, and the offspring taken soon out of their laps. 
What do you think has become of the young and old men? 
And what do you think has become of the women and children? 
They are alive and well somewhere, 
The smallest sprout shows there is really no death, 
And if ever there was it led forward life, and does not wait at the end to arrest it, 
And ceas'd the moment life appear'd. 
All goes onward and outward, nothing collapses, 
And to die is different from what any one supposed, and luckier. 
</description>
  <itunes:keywords>19th century, ars poetica, children, free verse, guest on the show, nature poetry, repetition or refrain, spirituality, wonder</itunes:keywords>
  <content:encoded>
    <![CDATA[<p>In this episode, Christopher Hanlon joins us to discuss an excerpt from Walt Whitman&#39;s Leaves of Grass. We discuss the poem&#39;s prophetic voice, its patterns of repetition, the connective tissue that binds his ideas and invites readers in, and the cultural context in which Whitman produced his work.</p>

<p>To read the text of this poem, click <a href="https://poets.org/poem/song-myself-6-child-said-what-grass" rel="nofollow">here</a> or see below:</p>

<p>To learn more about Walt Whitman and his work, visit the <a href="https://whitmanarchive.org/" rel="nofollow">Walt Whitman Archive</a>, a magnificent compendium of information about Whitman&#39;s life, cultural context, and editions of <em>Leaves of Grass.</em></p>

<p>To learn more about scholar Christopher Hanlon, click <a href="https://newcollege.asu.edu/christopher-hanlon" rel="nofollow">here</a>.</p>

<p><strong>Text from Leaves of Grass:</strong></p>

<p>A child said <em>What is the grass?</em> fetching it to me with full hands; <br>
How could I answer the child? I do not know what it is any more than he. <br>
I guess it must be the flag of my disposition, out of hopeful green stuff woven. </p>

<p>Or I guess it is the handkerchief of the Lord, <br>
A scented gift and remembrancer designedly dropt, <br>
Bearing the owner&#39;s name someway in the corners, that we may see and remark, and say <em>Whose?</em> </p>

<p>Or I guess the grass is itself a child, the produced babe of the vegetation. </p>

<p>Or I guess it is a uniform hieroglyphic, <br>
And it means, Sprouting alike in broad zones and narrow zones, <br>
Growing among black folks as among white, <br>
Kanuck, Tuckahoe, Congressman, Cuff, I give them the same, I receive them the same. </p>

<p>And now it seems to me the beautiful uncut hair of graves. </p>

<p>Tenderly will I use you curling grass, <br>
It may be you transpire from the breasts of young men, <br>
It may be you are from old people, or from offspring taken,<br>
It may be if I had known them I would have loved them, soon out of their mothers&#39; laps, <br>
And here you are the mothers&#39; laps. </p>

<p>This grass is very dark to be from the white heads of old mothers, <br>
Darker than the colorless beards of old men, <br>
Dark to come from under the faint red roofs of mouths. </p>

<p>O I perceive after all so many uttering tongues, <br>
And I perceive they do not come from the roofs of mouths for nothing. </p>

<p>I wish I could translate the hints about the dead young men and women, <br>
And the hints about old men and mothers, and the offspring taken soon out of their laps. <br>
What do you think has become of the young and old men? <br>
And what do you think has become of the women and children? </p>

<p>They are alive and well somewhere, <br>
The smallest sprout shows there is really no death, <br>
And if ever there was it led forward life, and does not wait at the end to arrest it, <br>
And ceas&#39;d the moment life appear&#39;d. </p>

<p>All goes onward and outward, nothing collapses, <br>
And to die is different from what any one supposed, and luckier.</p>]]>
  </content:encoded>
  <itunes:summary>
    <![CDATA[<p>In this episode, Christopher Hanlon joins us to discuss an excerpt from Walt Whitman&#39;s Leaves of Grass. We discuss the poem&#39;s prophetic voice, its patterns of repetition, the connective tissue that binds his ideas and invites readers in, and the cultural context in which Whitman produced his work.</p>

<p>To read the text of this poem, click <a href="https://poets.org/poem/song-myself-6-child-said-what-grass" rel="nofollow">here</a> or see below:</p>

<p>To learn more about Walt Whitman and his work, visit the <a href="https://whitmanarchive.org/" rel="nofollow">Walt Whitman Archive</a>, a magnificent compendium of information about Whitman&#39;s life, cultural context, and editions of <em>Leaves of Grass.</em></p>

<p>To learn more about scholar Christopher Hanlon, click <a href="https://newcollege.asu.edu/christopher-hanlon" rel="nofollow">here</a>.</p>

<p><strong>Text from Leaves of Grass:</strong></p>

<p>A child said <em>What is the grass?</em> fetching it to me with full hands; <br>
How could I answer the child? I do not know what it is any more than he. <br>
I guess it must be the flag of my disposition, out of hopeful green stuff woven. </p>

<p>Or I guess it is the handkerchief of the Lord, <br>
A scented gift and remembrancer designedly dropt, <br>
Bearing the owner&#39;s name someway in the corners, that we may see and remark, and say <em>Whose?</em> </p>

<p>Or I guess the grass is itself a child, the produced babe of the vegetation. </p>

<p>Or I guess it is a uniform hieroglyphic, <br>
And it means, Sprouting alike in broad zones and narrow zones, <br>
Growing among black folks as among white, <br>
Kanuck, Tuckahoe, Congressman, Cuff, I give them the same, I receive them the same. </p>

<p>And now it seems to me the beautiful uncut hair of graves. </p>

<p>Tenderly will I use you curling grass, <br>
It may be you transpire from the breasts of young men, <br>
It may be you are from old people, or from offspring taken,<br>
It may be if I had known them I would have loved them, soon out of their mothers&#39; laps, <br>
And here you are the mothers&#39; laps. </p>

<p>This grass is very dark to be from the white heads of old mothers, <br>
Darker than the colorless beards of old men, <br>
Dark to come from under the faint red roofs of mouths. </p>

<p>O I perceive after all so many uttering tongues, <br>
And I perceive they do not come from the roofs of mouths for nothing. </p>

<p>I wish I could translate the hints about the dead young men and women, <br>
And the hints about old men and mothers, and the offspring taken soon out of their laps. <br>
What do you think has become of the young and old men? <br>
And what do you think has become of the women and children? </p>

<p>They are alive and well somewhere, <br>
The smallest sprout shows there is really no death, <br>
And if ever there was it led forward life, and does not wait at the end to arrest it, <br>
And ceas&#39;d the moment life appear&#39;d. </p>

<p>All goes onward and outward, nothing collapses, <br>
And to die is different from what any one supposed, and luckier.</p>]]>
  </itunes:summary>
</item>
<item>
  <title>Episode 33: Adrienne Rich, Power</title>
  <link>https://poetryforall.fireside.fm/33</link>
  <guid isPermaLink="false">bb559292-e935-448d-9d92-91c2717b2617</guid>
  <pubDate>Wed, 10 Nov 2021 13:00:00 -0500</pubDate>
  <author>Joanne Diaz and Abram Van Engen</author>
  <enclosure url="https://aphid.fireside.fm/d/1437767933/d55a3bfc-6538-4214-882b-a389e71b4bf6/bb559292-e935-448d-9d92-91c2717b2617.mp3" length="11082290" type="audio/mpeg"/>
  <itunes:episodeType>full</itunes:episodeType>
  <itunes:season>3</itunes:season>
  <itunes:author>Joanne Diaz and Abram Van Engen</itunes:author>
  <itunes:subtitle>This week, the poet and scholar Stephanie Burt joins us to discuss the extraordinary power of Adrienne Rich. We think through how the spacing and stanzas of a poem can draw out denials and divulgences, while also exploring the life and writing of Rich.</itunes:subtitle>
  <itunes:duration>17:21</itunes:duration>
  <itunes:explicit>no</itunes:explicit>
  <itunes:image href="https://media24.fireside.fm/file/fireside-images-2024/podcasts/images/d/d55a3bfc-6538-4214-882b-a389e71b4bf6/episodes/b/bb559292-e935-448d-9d92-91c2717b2617/cover.jpg?v=2"/>
  <description>This week, the poet and scholar Stephanie Burt joins us to discuss the extraordinary power of Adrienne Rich. We think through how the spacing and stanzas of a poem can draw out denials and divulgences, while also exploring the life and writing of Rich.
Stephanie Burt's excellent book Don't Read Poetry  (https://www.basicbooks.com/titles/stephanie-burt/dont-read-poetry/9780465094516/)ends with an examination of this poem by Adrienne Rich. The book, which can be found at the link, offers an introduction to reading poems and different ways of approaching them.
For the text of the poem, see here (https://allpoetry.com/poem/11641436-Power-by-Adrienne-Rich).
For more on Adrienne Rich (https://www.poetryfoundation.org/poets/adrienne-rich), please see the Poetry Foundation.
For more on Stephanie Burt (https://www.poetryfoundation.org/poets/stephanie-burt), please see the Poetry Foundation.
Photograph (https://digitalcollections.nypl.org/items/5e66b3e8-c127-d471-e040-e00a180654d7) of Adrienne Rich by Robert Giard.
</description>
  <itunes:keywords>20th century, ars poetica, body in pain, free verse, guest on the show, lgbtqia month, science and medicine, social justice and advocacy, women's history month</itunes:keywords>
  <content:encoded>
    <![CDATA[<p>This week, the poet and scholar Stephanie Burt joins us to discuss the extraordinary power of Adrienne Rich. We think through how the spacing and stanzas of a poem can draw out denials and divulgences, while also exploring the life and writing of Rich.</p>

<p>Stephanie Burt&#39;s excellent book <a href="https://www.basicbooks.com/titles/stephanie-burt/dont-read-poetry/9780465094516/" rel="nofollow"><em>Don&#39;t Read Poetry</em> </a>ends with an examination of this poem by Adrienne Rich. The book, which can be found at the link, offers an introduction to reading poems and different ways of approaching them.</p>

<p>For the text of the poem, <a href="https://allpoetry.com/poem/11641436-Power-by-Adrienne-Rich" rel="nofollow">see here</a>.</p>

<p>For more on <a href="https://www.poetryfoundation.org/poets/adrienne-rich" rel="nofollow">Adrienne Rich</a>, please see the Poetry Foundation.</p>

<p>For more on <a href="https://www.poetryfoundation.org/poets/stephanie-burt" rel="nofollow">Stephanie Burt</a>, please see the Poetry Foundation.</p>

<p><a href="https://digitalcollections.nypl.org/items/5e66b3e8-c127-d471-e040-e00a180654d7" rel="nofollow">Photograph</a> of Adrienne Rich by Robert Giard.</p><p>Links:</p><ul><li><a title="Power by Adrienne Rich - Famous poems, famous poets. - All Poetry" rel="nofollow" href="https://allpoetry.com/poem/11641436-Power-by-Adrienne-Rich">Power by Adrienne Rich - Famous poems, famous poets. - All Poetry</a></li><li><a title="Adrienne Rich | Poetry Foundation" rel="nofollow" href="https://www.poetryfoundation.org/poets/adrienne-rich">Adrienne Rich | Poetry Foundation</a></li><li><a title="Stephanie Burt | Poetry Foundation" rel="nofollow" href="https://www.poetryfoundation.org/poets/stephanie-burt">Stephanie Burt | Poetry Foundation</a></li></ul>]]>
  </content:encoded>
  <itunes:summary>
    <![CDATA[<p>This week, the poet and scholar Stephanie Burt joins us to discuss the extraordinary power of Adrienne Rich. We think through how the spacing and stanzas of a poem can draw out denials and divulgences, while also exploring the life and writing of Rich.</p>

<p>Stephanie Burt&#39;s excellent book <a href="https://www.basicbooks.com/titles/stephanie-burt/dont-read-poetry/9780465094516/" rel="nofollow"><em>Don&#39;t Read Poetry</em> </a>ends with an examination of this poem by Adrienne Rich. The book, which can be found at the link, offers an introduction to reading poems and different ways of approaching them.</p>

<p>For the text of the poem, <a href="https://allpoetry.com/poem/11641436-Power-by-Adrienne-Rich" rel="nofollow">see here</a>.</p>

<p>For more on <a href="https://www.poetryfoundation.org/poets/adrienne-rich" rel="nofollow">Adrienne Rich</a>, please see the Poetry Foundation.</p>

<p>For more on <a href="https://www.poetryfoundation.org/poets/stephanie-burt" rel="nofollow">Stephanie Burt</a>, please see the Poetry Foundation.</p>

<p><a href="https://digitalcollections.nypl.org/items/5e66b3e8-c127-d471-e040-e00a180654d7" rel="nofollow">Photograph</a> of Adrienne Rich by Robert Giard.</p><p>Links:</p><ul><li><a title="Power by Adrienne Rich - Famous poems, famous poets. - All Poetry" rel="nofollow" href="https://allpoetry.com/poem/11641436-Power-by-Adrienne-Rich">Power by Adrienne Rich - Famous poems, famous poets. - All Poetry</a></li><li><a title="Adrienne Rich | Poetry Foundation" rel="nofollow" href="https://www.poetryfoundation.org/poets/adrienne-rich">Adrienne Rich | Poetry Foundation</a></li><li><a title="Stephanie Burt | Poetry Foundation" rel="nofollow" href="https://www.poetryfoundation.org/poets/stephanie-burt">Stephanie Burt | Poetry Foundation</a></li></ul>]]>
  </itunes:summary>
</item>
<item>
  <title>Episode 27: Marianne Moore, Poetry</title>
  <link>https://poetryforall.fireside.fm/27</link>
  <guid isPermaLink="false">7929c82a-11d1-4e7a-ab66-7e865e7c8bd1</guid>
  <pubDate>Wed, 22 Sep 2021 12:00:00 -0400</pubDate>
  <author>Joanne Diaz and Abram Van Engen</author>
  <enclosure url="https://aphid.fireside.fm/d/1437767933/d55a3bfc-6538-4214-882b-a389e71b4bf6/7929c82a-11d1-4e7a-ab66-7e865e7c8bd1.mp3" length="16716546" type="audio/mpeg"/>
  <itunes:episodeType>full</itunes:episodeType>
  <itunes:season>3</itunes:season>
  <itunes:author>Joanne Diaz and Abram Van Engen</itunes:author>
  <itunes:subtitle>In this episode, we read and discuss the influential modernist poet Marianne Moore and her witty, wonderful poem called "Poetry," a classic ars poetica (a poem about writing poetry).</itunes:subtitle>
  <itunes:duration>21:11</itunes:duration>
  <itunes:explicit>no</itunes:explicit>
  <itunes:image href="https://media24.fireside.fm/file/fireside-images-2024/podcasts/images/d/d55a3bfc-6538-4214-882b-a389e71b4bf6/episodes/7/7929c82a-11d1-4e7a-ab66-7e865e7c8bd1/cover.jpg?v=2"/>
  <description>In this episode, we read and discuss the influential modernist poet Marianne Moore and her witty, wonderful poem called "Poetry," a classic ars poetica (a poem about writing poetry). This poem has gone through many different editions. We take an earlier, longer version and ask how it participated in the modernist practice of "making it new" in the early 1900s. 
Marianne Moore was a technical master with widespread influence who was at the very center of American modernism -- friends with William Carlos Williams (see episode 25), Ezra Pound, H.D., and many others, as well as a mentor to Elizabeth Bishop (who we'll have an episode on soon!). An ardent Presbyterian who wore a cape and tri-cornered hat and who carefully curated her public image, Marianne Moore became a sought-after celebrity in her own day. 
For more on Marianne Moore, see the Poetry Foundation (https://www.poetryfoundation.org/poets/marianne-moore).
For the text of "Poetry," see here (https://poets.org/poem/poetry). 
</description>
  <itunes:keywords>20th century, ars poetica, christianity, modernism, rhymed verse, women's history month</itunes:keywords>
  <content:encoded>
    <![CDATA[<p>In this episode, we read and discuss the influential modernist poet Marianne Moore and her witty, wonderful poem called &quot;Poetry,&quot; a classic ars poetica (a poem about writing poetry). This poem has gone through many different editions. We take an earlier, longer version and ask how it participated in the modernist practice of &quot;making it new&quot; in the early 1900s. </p>

<p>Marianne Moore was a technical master with widespread influence who was at the very center of American modernism -- friends with William Carlos Williams (see episode 25), Ezra Pound, H.D., and many others, as well as a mentor to Elizabeth Bishop (who we&#39;ll have an episode on soon!). An ardent Presbyterian who wore a cape and tri-cornered hat and who carefully curated her public image, Marianne Moore became a sought-after celebrity in her own day. </p>

<p>For more on Marianne Moore, see <a href="https://www.poetryfoundation.org/poets/marianne-moore" rel="nofollow">the Poetry Foundation</a>.</p>

<p>For the text of &quot;Poetry,&quot; <a href="https://poets.org/poem/poetry" rel="nofollow">see here</a>.</p><p>Links:</p><ul><li><a title="Marianne Moore | Poetry Foundation" rel="nofollow" href="https://www.poetryfoundation.org/poets/marianne-moore">Marianne Moore | Poetry Foundation</a></li><li><a title="Poetry by Marianne Moore - Poems | Academy of American Poets" rel="nofollow" href="https://poets.org/poem/poetry">Poetry by Marianne Moore - Poems | Academy of American Poets</a></li></ul>]]>
  </content:encoded>
  <itunes:summary>
    <![CDATA[<p>In this episode, we read and discuss the influential modernist poet Marianne Moore and her witty, wonderful poem called &quot;Poetry,&quot; a classic ars poetica (a poem about writing poetry). This poem has gone through many different editions. We take an earlier, longer version and ask how it participated in the modernist practice of &quot;making it new&quot; in the early 1900s. </p>

<p>Marianne Moore was a technical master with widespread influence who was at the very center of American modernism -- friends with William Carlos Williams (see episode 25), Ezra Pound, H.D., and many others, as well as a mentor to Elizabeth Bishop (who we&#39;ll have an episode on soon!). An ardent Presbyterian who wore a cape and tri-cornered hat and who carefully curated her public image, Marianne Moore became a sought-after celebrity in her own day. </p>

<p>For more on Marianne Moore, see <a href="https://www.poetryfoundation.org/poets/marianne-moore" rel="nofollow">the Poetry Foundation</a>.</p>

<p>For the text of &quot;Poetry,&quot; <a href="https://poets.org/poem/poetry" rel="nofollow">see here</a>.</p><p>Links:</p><ul><li><a title="Marianne Moore | Poetry Foundation" rel="nofollow" href="https://www.poetryfoundation.org/poets/marianne-moore">Marianne Moore | Poetry Foundation</a></li><li><a title="Poetry by Marianne Moore - Poems | Academy of American Poets" rel="nofollow" href="https://poets.org/poem/poetry">Poetry by Marianne Moore - Poems | Academy of American Poets</a></li></ul>]]>
  </itunes:summary>
</item>
<item>
  <title>Episode 2: Emily Dickinson, Tell all the truth</title>
  <link>https://poetryforall.fireside.fm/2</link>
  <guid isPermaLink="false">56332c0e-1cc3-402a-9f17-cf36ba09dfbc</guid>
  <pubDate>Thu, 10 Sep 2020 07:00:00 -0400</pubDate>
  <author>Joanne Diaz and Abram Van Engen</author>
  <enclosure url="https://aphid.fireside.fm/d/1437767933/d55a3bfc-6538-4214-882b-a389e71b4bf6/56332c0e-1cc3-402a-9f17-cf36ba09dfbc.mp3" length="11334417" type="audio/mpeg"/>
  <itunes:episodeType>full</itunes:episodeType>
  <itunes:season>1</itunes:season>
  <itunes:author>Joanne Diaz and Abram Van Engen</itunes:author>
  <itunes:subtitle>What does it mean to tell the truth "slant"? Is this a ballad, a hymn? What is "ars poetica" and is this an example? Join us for a discussion of this great, short, fun, rich poem by Dickinson.</itunes:subtitle>
  <itunes:duration>14:13</itunes:duration>
  <itunes:explicit>no</itunes:explicit>
  <itunes:image href="https://media24.fireside.fm/file/fireside-images-2024/podcasts/images/d/d55a3bfc-6538-4214-882b-a389e71b4bf6/episodes/5/56332c0e-1cc3-402a-9f17-cf36ba09dfbc/cover.jpg?v=3"/>
  <description>Full poem (https://www.poetryfoundation.org/poems/56824/tell-all-the-truth-but-tell-it-slant-1263):
Tell all the truth but tell it slant — (1263)
by Emily Dickinson
Tell all the truth but tell it slant —
Success in Circuit lies
Too bright for our infirm Delight
The Truth's superb surprise
As Lightning to the Children eased
With explanation kind
The Truth must dazzle gradually
Or every man be blind —
For more on Emily Dickinson, see https://www.poetryfoundation.org/poets/emily-dickinson 
</description>
  <itunes:keywords>19th century, ars poetica, rhymed verse, spirituality, surprise, women's history month</itunes:keywords>
  <content:encoded>
    <![CDATA[<p><a href="https://www.poetryfoundation.org/poems/56824/tell-all-the-truth-but-tell-it-slant-1263" rel="nofollow">Full poem</a>:</p>

<p>Tell all the truth but tell it slant — (1263)<br>
by Emily Dickinson</p>

<p>Tell all the truth but tell it slant —<br>
Success in Circuit lies<br>
Too bright for our infirm Delight<br>
The Truth&#39;s superb surprise<br>
As Lightning to the Children eased<br>
With explanation kind<br>
The Truth must dazzle gradually<br>
Or every man be blind —</p>

<p>For more on Emily Dickinson, see <a href="https://www.poetryfoundation.org/poets/emily-dickinson" rel="nofollow">https://www.poetryfoundation.org/poets/emily-dickinson</a></p><p>Links:</p><ul><li><a title="Emily Dickons, Tell all the truth but tell it slant --" rel="nofollow" href="https://www.poetryfoundation.org/poems/56824/tell-all-the-truth-but-tell-it-slant-1263">Emily Dickons, Tell all the truth but tell it slant --</a></li><li><a title="Emily Dickinson | Poetry Foundation" rel="nofollow" href="https://www.poetryfoundation.org/poets/emily-dickinson">Emily Dickinson | Poetry Foundation</a></li></ul>]]>
  </content:encoded>
  <itunes:summary>
    <![CDATA[<p><a href="https://www.poetryfoundation.org/poems/56824/tell-all-the-truth-but-tell-it-slant-1263" rel="nofollow">Full poem</a>:</p>

<p>Tell all the truth but tell it slant — (1263)<br>
by Emily Dickinson</p>

<p>Tell all the truth but tell it slant —<br>
Success in Circuit lies<br>
Too bright for our infirm Delight<br>
The Truth&#39;s superb surprise<br>
As Lightning to the Children eased<br>
With explanation kind<br>
The Truth must dazzle gradually<br>
Or every man be blind —</p>

<p>For more on Emily Dickinson, see <a href="https://www.poetryfoundation.org/poets/emily-dickinson" rel="nofollow">https://www.poetryfoundation.org/poets/emily-dickinson</a></p><p>Links:</p><ul><li><a title="Emily Dickons, Tell all the truth but tell it slant --" rel="nofollow" href="https://www.poetryfoundation.org/poems/56824/tell-all-the-truth-but-tell-it-slant-1263">Emily Dickons, Tell all the truth but tell it slant --</a></li><li><a title="Emily Dickinson | Poetry Foundation" rel="nofollow" href="https://www.poetryfoundation.org/poets/emily-dickinson">Emily Dickinson | Poetry Foundation</a></li></ul>]]>
  </itunes:summary>
</item>
<item>
  <title>Episode 1: Seamus Heaney, Digging</title>
  <link>https://poetryforall.fireside.fm/1</link>
  <guid isPermaLink="false">f3ee8c5e-d400-41d1-bd00-cb5e68ad530d</guid>
  <pubDate>Mon, 31 Aug 2020 12:00:00 -0400</pubDate>
  <author>Joanne Diaz and Abram Van Engen</author>
  <enclosure url="https://aphid.fireside.fm/d/1437767933/d55a3bfc-6538-4214-882b-a389e71b4bf6/f3ee8c5e-d400-41d1-bd00-cb5e68ad530d.mp3" length="11475646" type="audio/mpeg"/>
  <itunes:episodeType>full</itunes:episodeType>
  <itunes:season>1</itunes:season>
  <itunes:author>Joanne Diaz and Abram Van Engen</itunes:author>
  <itunes:subtitle>We begin Poetry for All by teaching and talking about a great poem on poetry itself: Seamus Heaney's "Digging."</itunes:subtitle>
  <itunes:duration>14:44</itunes:duration>
  <itunes:explicit>no</itunes:explicit>
  <itunes:image href="https://media24.fireside.fm/file/fireside-images-2024/podcasts/images/d/d55a3bfc-6538-4214-882b-a389e71b4bf6/episodes/f/f3ee8c5e-d400-41d1-bd00-cb5e68ad530d/cover.jpg?v=4"/>
  <description>In this episode, we begin learning about poetry through Seamus Heaney's great poem "Digging."
For the text of Heaney's poem, please see: https://www.poetryfoundation.org/poems/47555/digging
To hear Seamus Heaney reading this poem himself, please see: https://www.youtube.com/watch?v=KNRkPU1LSUg
For more on Seamus Heaney, please visit: https://www.poetryfoundation.org/poets/seamus-heaney 
</description>
  <itunes:keywords>20th century, ars poetica, free verse, laborers, wonder</itunes:keywords>
  <content:encoded>
    <![CDATA[<p>In this episode, we begin learning about poetry through Seamus Heaney&#39;s great poem &quot;Digging.&quot;</p>

<p>For the text of Heaney&#39;s poem, please see: <a href="https://www.poetryfoundation.org/poems/47555/digging" rel="nofollow">https://www.poetryfoundation.org/poems/47555/digging</a></p>

<p>To hear Seamus Heaney reading this poem himself, please see: <a href="https://www.youtube.com/watch?v=KNRkPU1LSUg" rel="nofollow">https://www.youtube.com/watch?v=KNRkPU1LSUg</a></p>

<p>For more on Seamus Heaney, please visit: <a href="https://www.poetryfoundation.org/poets/seamus-heaney" rel="nofollow">https://www.poetryfoundation.org/poets/seamus-heaney</a></p><p>Links:</p><ul><li><a title="Digging by Seamus Heaney | Poetry Foundation" rel="nofollow" href="https://www.poetryfoundation.org/poems/47555/digging">Digging by Seamus Heaney | Poetry Foundation</a></li><li><a title="Seamus Heaney reading &quot;Digging&quot;" rel="nofollow" href="https://www.youtube.com/watch?v=KNRkPU1LSUg">Seamus Heaney reading "Digging"</a></li><li><a title="More on Seamus Heaney" rel="nofollow" href="https://www.poetryfoundation.org/poets/seamus-heaney">More on Seamus Heaney</a></li><li><a title="Seamus Heaney, Death of a Naturalist" rel="nofollow" href="https://www.amazon.com/Death-Naturalist-Poetry-Seamus-Heaney/dp/0571230830">Seamus Heaney, Death of a Naturalist</a></li></ul>]]>
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    <![CDATA[<p>In this episode, we begin learning about poetry through Seamus Heaney&#39;s great poem &quot;Digging.&quot;</p>

<p>For the text of Heaney&#39;s poem, please see: <a href="https://www.poetryfoundation.org/poems/47555/digging" rel="nofollow">https://www.poetryfoundation.org/poems/47555/digging</a></p>

<p>To hear Seamus Heaney reading this poem himself, please see: <a href="https://www.youtube.com/watch?v=KNRkPU1LSUg" rel="nofollow">https://www.youtube.com/watch?v=KNRkPU1LSUg</a></p>

<p>For more on Seamus Heaney, please visit: <a href="https://www.poetryfoundation.org/poets/seamus-heaney" rel="nofollow">https://www.poetryfoundation.org/poets/seamus-heaney</a></p><p>Links:</p><ul><li><a title="Digging by Seamus Heaney | Poetry Foundation" rel="nofollow" href="https://www.poetryfoundation.org/poems/47555/digging">Digging by Seamus Heaney | Poetry Foundation</a></li><li><a title="Seamus Heaney reading &quot;Digging&quot;" rel="nofollow" href="https://www.youtube.com/watch?v=KNRkPU1LSUg">Seamus Heaney reading "Digging"</a></li><li><a title="More on Seamus Heaney" rel="nofollow" href="https://www.poetryfoundation.org/poets/seamus-heaney">More on Seamus Heaney</a></li><li><a title="Seamus Heaney, Death of a Naturalist" rel="nofollow" href="https://www.amazon.com/Death-Naturalist-Poetry-Seamus-Heaney/dp/0571230830">Seamus Heaney, Death of a Naturalist</a></li></ul>]]>
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