web02.fireside.fm Wed, 08 Apr 2026 23:39:36 -0500 Fireside (https://fireside.fm) Poetry For All - Episodes Tagged with “Filipino American Literature” https://poetryforall.fireside.fm/tags/filipino%20american%20literature Wed, 15 Oct 2025 10:30:00 -0400 This podcast is for those who already love poetry and for those who know very little about it. In this podcast, we read a poem, discuss it, see what makes it tick, learn how it works, grow from it, and then read it one more time. Introducing our brand new Poetry For All website: https://poetryforallpod.com! Please visit the new website to learn more about our guests, search for thematic episodes (ranging from Black History Month to the season of autumn), and subscribe to our newsletter. en-us episodic Finding Our Way Into Great Poems Joanne Diaz and Abram Van Engen This podcast is for those who already love poetry and for those who know very little about it. In this podcast, we read a poem, discuss it, see what makes it tick, learn how it works, grow from it, and then read it one more time. Introducing our brand new Poetry For All website: https://poetryforallpod.com! Please visit the new website to learn more about our guests, search for thematic episodes (ranging from Black History Month to the season of autumn), and subscribe to our newsletter. no poetry, poems, literature, teaching, education Joanne Diaz and Abram Van Engen vanengen@wustl.edu Episode 99: Oliver de la Paz, Pantoum Beginning and Ending with Thorns https://poetryforall.fireside.fm/99 091eb410-baf2-405c-a10a-90128bb1fcac Wed, 15 Oct 2025 10:30:00 -0400 Joanne Diaz and Abram Van Engen full 7 Joanne Diaz and Abram Van Engen In this third episode in our series on the pantoum, we read and discuss Oliver de la Paz's "Pantoum Beginning and Ending with Thorns," a poem that draws its inspiration from a visual art object as well as the story of migration that shapes the poetic speaker's lived experience. 33:03 no In this third episode in our series on the pantoum, we read and discuss Oliver de la Paz's "Pantoum Beginning and Ending with Thorns," a poem that draws its inspiration from a visual art object as well as the story of migration that shapes the poetic speaker's lived experience. To learn more about Oliver de la Paz, visit his website (https://www.oliverdelapaz.com/). If you love this poem as much as we do, please purchase a copy of The Diaspora Sonnets (https://wwnorton.com/books/9781324092988) (Liveright Publishing Corporation, 2023), which was long-listed for the 2023 National Book Award in Poetry and a finalist for the 2024 Paterson Poetry Prize. Thanks to Liveright and W. W. Norton for granting us permission to read this poem. diaspora, pantoum, poetic form, Asian American literature, Filipino American literature, exile, migration, immigrant experience In this third episode in our series on the pantoum, we read and discuss Oliver de la Paz's "Pantoum Beginning and Ending with Thorns," a poem that draws its inspiration from a visual art object as well as the story of migration that shapes the poetic speaker's lived experience.

To learn more about Oliver de la Paz, visit his website.

If you love this poem as much as we do, please purchase a copy of The Diaspora Sonnets (Liveright Publishing Corporation, 2023), which was long-listed for the 2023 National Book Award in Poetry and a finalist for the 2024 Paterson Poetry Prize. Thanks to Liveright and W. W. Norton for granting us permission to read this poem.

]]> In this third episode in our series on the pantoum, we read and discuss Oliver de la Paz's "Pantoum Beginning and Ending with Thorns," a poem that draws its inspiration from a visual art object as well as the story of migration that shapes the poetic speaker's lived experience.

To learn more about Oliver de la Paz, visit his website.

If you love this poem as much as we do, please purchase a copy of The Diaspora Sonnets (Liveright Publishing Corporation, 2023), which was long-listed for the 2023 National Book Award in Poetry and a finalist for the 2024 Paterson Poetry Prize. Thanks to Liveright and W. W. Norton for granting us permission to read this poem.

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