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    <fireside:hostname>web02.fireside.fm</fireside:hostname>
    <fireside:genDate>Wed, 08 Apr 2026 10:13:11 -0500</fireside:genDate>
    <generator>Fireside (https://fireside.fm)</generator>
    <title>Poetry For All - Episodes Tagged with “Joy”</title>
    <link>https://poetryforall.fireside.fm/tags/joy</link>
    <pubDate>Fri, 16 Jan 2026 12:15:00 -0500</pubDate>
    <description>This podcast is for those who already love poetry and for those who know very little about it. In this podcast, we read a poem, discuss it, see what makes it tick, learn how it works, grow from it, and then read it one more time.
Introducing our brand new Poetry For All website: https://poetryforallpod.com! Please visit the new website to learn more about our guests, search for thematic episodes (ranging from Black History Month to the season of autumn), and subscribe to our newsletter. 
</description>
    <language>en-us</language>
    <itunes:type>episodic</itunes:type>
    <itunes:subtitle>Finding Our Way Into Great Poems</itunes:subtitle>
    <itunes:author>Joanne Diaz and Abram Van Engen</itunes:author>
    <itunes:summary>This podcast is for those who already love poetry and for those who know very little about it. In this podcast, we read a poem, discuss it, see what makes it tick, learn how it works, grow from it, and then read it one more time.
Introducing our brand new Poetry For All website: https://poetryforallpod.com! Please visit the new website to learn more about our guests, search for thematic episodes (ranging from Black History Month to the season of autumn), and subscribe to our newsletter. 
</itunes:summary>
    <itunes:image href="https://media24.fireside.fm/file/fireside-images-2024/podcasts/images/d/d55a3bfc-6538-4214-882b-a389e71b4bf6/cover.jpg?v=2"/>
    <itunes:explicit>no</itunes:explicit>
    <itunes:keywords>poetry, poems, literature, teaching, education</itunes:keywords>
    <itunes:owner>
      <itunes:name>Joanne Diaz and Abram Van Engen</itunes:name>
      <itunes:email>vanengen@wustl.edu</itunes:email>
    </itunes:owner>
<itunes:category text="Arts"/>
<itunes:category text="Education"/>
<itunes:category text="Society &amp; Culture"/>
<item>
  <title>Episode 103: Dinah Maria Craik, Friendship</title>
  <link>https://poetryforall.fireside.fm/103</link>
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  <pubDate>Fri, 16 Jan 2026 12:15:00 -0500</pubDate>
  <author>Joanne Diaz and Abram Van Engen</author>
  <enclosure url="https://aphid.fireside.fm/d/1437767933/d55a3bfc-6538-4214-882b-a389e71b4bf6/44490b6d-8256-4a47-a142-89ecd2ce8adf.mp3" length="13970832" type="audio/mpeg"/>
  <itunes:episodeType>full</itunes:episodeType>
  <itunes:season>8</itunes:season>
  <itunes:author>Joanne Diaz and Abram Van Engen</itunes:author>
  <itunes:subtitle>In a short, simple, well-loved poem, Dinah Maria Craik names one aspect of friendship that many have found true. A great way to start the new year and launch the season. Find a friend and listen in.</itunes:subtitle>
  <itunes:duration>14:48</itunes:duration>
  <itunes:explicit>no</itunes:explicit>
  <itunes:image href="https://media24.fireside.fm/file/fireside-images-2024/podcasts/images/d/d55a3bfc-6538-4214-882b-a389e71b4bf6/episodes/4/44490b6d-8256-4a47-a142-89ecd2ce8adf/cover.jpg?v=1"/>
  <description>In a short, simple, well-loved poem, Dinah Maria Craik names one aspect of friendship that many have found true. A great way to start the new year and launch the season. Find a friend and listen in.
Friendship
Oh, the comfort—
the inexpressible comfort of feeling safe with a person—
having neither to weigh thoughts nor measure words,
but pouring them all right out,
just as they are,
chaff and grain together;
certain that a faithful hand will take and sift them,
keep what is worth keeping,
and then with the breath of kindness blow the rest away. 
</description>
  <itunes:keywords>19th century, free verse, Women's History Month, Thanksgiving, friendship, joy, gratitude, love</itunes:keywords>
  <content:encoded>
    <![CDATA[<p>In a short, simple, well-loved poem, Dinah Maria Craik names one aspect of friendship that many have found true. A great way to start the new year and launch the season. Find a friend and listen in.</p>

<p><strong>Friendship</strong></p>

<p>Oh, the comfort—<br>
the inexpressible comfort of feeling safe with a person—<br>
having neither to weigh thoughts nor measure words,<br>
but pouring them all right out,<br>
just as they are,<br>
chaff and grain together;<br>
certain that a faithful hand will take and sift them,<br>
keep what is worth keeping,<br>
and then with the breath of kindness blow the rest away.</p>]]>
  </content:encoded>
  <itunes:summary>
    <![CDATA[<p>In a short, simple, well-loved poem, Dinah Maria Craik names one aspect of friendship that many have found true. A great way to start the new year and launch the season. Find a friend and listen in.</p>

<p><strong>Friendship</strong></p>

<p>Oh, the comfort—<br>
the inexpressible comfort of feeling safe with a person—<br>
having neither to weigh thoughts nor measure words,<br>
but pouring them all right out,<br>
just as they are,<br>
chaff and grain together;<br>
certain that a faithful hand will take and sift them,<br>
keep what is worth keeping,<br>
and then with the breath of kindness blow the rest away.</p>]]>
  </itunes:summary>
</item>
<item>
  <title>Episode 94: Sumer is icumen in</title>
  <link>https://poetryforall.fireside.fm/94</link>
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  <pubDate>Thu, 19 Jun 2025 08:30:00 -0400</pubDate>
  <author>Joanne Diaz and Abram Van Engen</author>
  <enclosure url="https://aphid.fireside.fm/d/1437767933/d55a3bfc-6538-4214-882b-a389e71b4bf6/9d9978e2-6f2e-4fd0-b71d-6a939430984b.mp3" length="25523929" type="audio/mpeg"/>
  <itunes:episodeType>full</itunes:episodeType>
  <itunes:season>6</itunes:season>
  <itunes:author>Joanne Diaz and Abram Van Engen</itunes:author>
  <itunes:subtitle>In this episode, we offer a close reading of "Sumer is icumen in," a Middle English song that anticipates the abundant joys of summer. </itunes:subtitle>
  <itunes:duration>25:06</itunes:duration>
  <itunes:explicit>no</itunes:explicit>
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  <description>In this episode, we offer a close reading of "Sumer is icumen in," a Middle English song that anticipates the abundant joys of summer. 
Thanks to the Pias Group for granting us permission to share the Hilliard Ensemble's rendition of this song. You can find the manuscript that includes the lyrics and music at the British Library (https://blogs.bl.uk/digitisedmanuscripts/2012/06/sumer-is-icumen-in.html).
</description>
  <itunes:keywords>13th century, nature, joy, round, Middle English</itunes:keywords>
  <content:encoded>
    <![CDATA[<p>In this episode, we offer a close reading of &quot;Sumer is icumen in,&quot; a Middle English song that anticipates the abundant joys of summer. </p>

<p>Thanks to the Pias Group for granting us permission to share the Hilliard Ensemble&#39;s rendition of this song. You can find the manuscript that includes the lyrics and music at the <a href="https://blogs.bl.uk/digitisedmanuscripts/2012/06/sumer-is-icumen-in.html" rel="nofollow">British Library</a>.</p>]]>
  </content:encoded>
  <itunes:summary>
    <![CDATA[<p>In this episode, we offer a close reading of &quot;Sumer is icumen in,&quot; a Middle English song that anticipates the abundant joys of summer. </p>

<p>Thanks to the Pias Group for granting us permission to share the Hilliard Ensemble&#39;s rendition of this song. You can find the manuscript that includes the lyrics and music at the <a href="https://blogs.bl.uk/digitisedmanuscripts/2012/06/sumer-is-icumen-in.html" rel="nofollow">British Library</a>.</p>]]>
  </itunes:summary>
</item>
<item>
  <title>Episode 92: Dorianne Laux, Singer</title>
  <link>https://poetryforall.fireside.fm/92</link>
  <guid isPermaLink="false">9e724688-8da5-4d8f-af77-d678fc0e4b77</guid>
  <pubDate>Thu, 08 May 2025 08:00:00 -0400</pubDate>
  <author>Joanne Diaz and Abram Van Engen</author>
  <enclosure url="https://aphid.fireside.fm/d/1437767933/d55a3bfc-6538-4214-882b-a389e71b4bf6/9e724688-8da5-4d8f-af77-d678fc0e4b77.mp3" length="25278312" type="audio/mpeg"/>
  <itunes:episodeType>full</itunes:episodeType>
  <itunes:season>6</itunes:season>
  <itunes:author>Joanne Diaz and Abram Van Engen</itunes:author>
  <itunes:subtitle>In this episode, we read and discuss "Singer," a narrative poem that creates a catalog of details that celebrates the poetic speaker's mother in all of her complexity. </itunes:subtitle>
  <itunes:duration>25:44</itunes:duration>
  <itunes:explicit>no</itunes:explicit>
  <itunes:image href="https://media24.fireside.fm/file/fireside-images-2024/podcasts/images/d/d55a3bfc-6538-4214-882b-a389e71b4bf6/episodes/9/9e724688-8da5-4d8f-af77-d678fc0e4b77/cover.jpg?v=1"/>
  <description>In this episode, we read and discuss "Singer," a narrative poem that celebrates the poetic speaker's mother in all of her complexity. 
Dorianne Laux is the author of numerous books of poetry, including Life on Earth (https://wwnorton.com/books/9781324065821), which was a finalist for the National Book Award, and Only As the Day is Long: New and Selected Poems (https://wwnorton.com/books/9780393652338) which was a finalist for the Pulitzer Prize. She is also the author of a new craft book titled Finger Exercises for Poets (https://wwnorton.com/books/9781324050667/).
“Singer” appears in LIFE ON EARTH by Dorianne Laux. Copyright © 2024 by Dorianne Laux. Used by permission of W. W. Norton &amp;amp; Company, Inc. 
</description>
  <itunes:keywords>narrative, 21st century, free verse, elegy, ode, women's history month, mother's day, joy, gratitude, love</itunes:keywords>
  <content:encoded>
    <![CDATA[<p>In this episode, we read and discuss &quot;Singer,&quot; a narrative poem that celebrates the poetic speaker&#39;s mother in all of her complexity. </p>

<p>Dorianne Laux is the author of numerous books of poetry, including <a href="https://wwnorton.com/books/9781324065821" rel="nofollow"><em>Life on Earth</em></a>, which was a finalist for the National Book Award, and <em><a href="https://wwnorton.com/books/9780393652338" rel="nofollow">Only As the Day is Long: New and Selected Poems</a></em> which was a finalist for the Pulitzer Prize. She is also the author of a new craft book titled <em><a href="https://wwnorton.com/books/9781324050667/" rel="nofollow">Finger Exercises for Poets</a></em>.</p>

<p>“Singer” appears in <em>LIFE ON EARTH</em> by Dorianne Laux. Copyright © 2024 by Dorianne Laux. Used by permission of W. W. Norton &amp; Company, Inc.</p>]]>
  </content:encoded>
  <itunes:summary>
    <![CDATA[<p>In this episode, we read and discuss &quot;Singer,&quot; a narrative poem that celebrates the poetic speaker&#39;s mother in all of her complexity. </p>

<p>Dorianne Laux is the author of numerous books of poetry, including <a href="https://wwnorton.com/books/9781324065821" rel="nofollow"><em>Life on Earth</em></a>, which was a finalist for the National Book Award, and <em><a href="https://wwnorton.com/books/9780393652338" rel="nofollow">Only As the Day is Long: New and Selected Poems</a></em> which was a finalist for the Pulitzer Prize. She is also the author of a new craft book titled <em><a href="https://wwnorton.com/books/9781324050667/" rel="nofollow">Finger Exercises for Poets</a></em>.</p>

<p>“Singer” appears in <em>LIFE ON EARTH</em> by Dorianne Laux. Copyright © 2024 by Dorianne Laux. Used by permission of W. W. Norton &amp; Company, Inc.</p>]]>
  </itunes:summary>
</item>
<item>
  <title>Episode 90: N. Scott Momaday, The Delight Song of Tsoai-talee</title>
  <link>https://poetryforall.fireside.fm/90</link>
  <guid isPermaLink="false">c52fdbea-5c04-4d13-904f-3fa684e55e96</guid>
  <pubDate>Wed, 16 Apr 2025 07:00:00 -0400</pubDate>
  <author>Joanne Diaz and Abram Van Engen</author>
  <enclosure url="https://aphid.fireside.fm/d/1437767933/d55a3bfc-6538-4214-882b-a389e71b4bf6/c52fdbea-5c04-4d13-904f-3fa684e55e96.mp3" length="20440476" type="audio/mpeg"/>
  <itunes:episodeType>full</itunes:episodeType>
  <itunes:season>6</itunes:season>
  <itunes:author>Joanne Diaz and Abram Van Engen</itunes:author>
  <itunes:subtitle>This episode explores the incantation and mystic union of Momaday's famous delight poem, ending with a recorded recitation in his own rich voice.</itunes:subtitle>
  <itunes:duration>20:23</itunes:duration>
  <itunes:explicit>no</itunes:explicit>
  <itunes:image href="https://media24.fireside.fm/file/fireside-images-2024/podcasts/images/d/d55a3bfc-6538-4214-882b-a389e71b4bf6/episodes/c/c52fdbea-5c04-4d13-904f-3fa684e55e96/cover.jpg?v=2"/>
  <description>This episode explores the incantation and mystic union of Momaday's famous delight poem, ending with a recorded recitation in his own rich voice. We explain anaphora and explore its power, and we trace the links and connections from one thought to the next throughout the poem.
Special thanks to Universty of California Television (UCTV) for permission to share the audio of Momaday's reading. For the interview with Momaday from which this reading has been pulled, see "A Conversation with N. Scott Momaday -- Writer's Symposium by the Sea 2023 (https://www.youtube.com/watch?v=2PA3PZqeIuc)" on Youtube. "The Delight Song of Tsoai-talee" appears in In the Presence of the Sun by N. Scott Momaday. Copyright © 2009 University of New Mexico Press (https://www.unmpress.com/), 2009.
For the text of the poem, see The Poetry Foundation here (https://www.poetryfoundation.org/poems/46558/the-delight-song-of-tsoai-talee).
For more on Momaday, see his biography (https://www.poetryfoundation.org/poets/n-scott-momaday) at the Poetry Foundation.
</description>
  <itunes:keywords>21st century, free verse, Native American Heritage Month, spirituality, repetition or refrain, joy, wonder</itunes:keywords>
  <content:encoded>
    <![CDATA[<p>This episode explores the incantation and mystic union of Momaday&#39;s famous delight poem, ending with a recorded recitation in his own rich voice. We explain anaphora and explore its power, and we trace the links and connections from one thought to the next throughout the poem.</p>

<p>Special thanks to Universty of California Television (UCTV) for permission to share the audio of Momaday&#39;s reading. For the interview with Momaday from which this reading has been pulled, see &quot;<a href="https://www.youtube.com/watch?v=2PA3PZqeIuc" rel="nofollow">A Conversation with N. Scott Momaday -- Writer&#39;s Symposium by the Sea 2023</a>&quot; on Youtube. &quot;The Delight Song of Tsoai-talee&quot; appears in <em>In the Presence of the Sun</em> by N. Scott Momaday. Copyright © 2009 <a href="https://www.unmpress.com/" rel="nofollow">University of New Mexico Press</a>, 2009.</p>

<p>For the text of the poem, see <a href="https://www.poetryfoundation.org/poems/46558/the-delight-song-of-tsoai-talee" rel="nofollow">The Poetry Foundation here</a>.</p>

<p>For more on Momaday, see his <a href="https://www.poetryfoundation.org/poets/n-scott-momaday" rel="nofollow">biography</a> at the Poetry Foundation.</p>]]>
  </content:encoded>
  <itunes:summary>
    <![CDATA[<p>This episode explores the incantation and mystic union of Momaday&#39;s famous delight poem, ending with a recorded recitation in his own rich voice. We explain anaphora and explore its power, and we trace the links and connections from one thought to the next throughout the poem.</p>

<p>Special thanks to Universty of California Television (UCTV) for permission to share the audio of Momaday&#39;s reading. For the interview with Momaday from which this reading has been pulled, see &quot;<a href="https://www.youtube.com/watch?v=2PA3PZqeIuc" rel="nofollow">A Conversation with N. Scott Momaday -- Writer&#39;s Symposium by the Sea 2023</a>&quot; on Youtube. &quot;The Delight Song of Tsoai-talee&quot; appears in <em>In the Presence of the Sun</em> by N. Scott Momaday. Copyright © 2009 <a href="https://www.unmpress.com/" rel="nofollow">University of New Mexico Press</a>, 2009.</p>

<p>For the text of the poem, see <a href="https://www.poetryfoundation.org/poems/46558/the-delight-song-of-tsoai-talee" rel="nofollow">The Poetry Foundation here</a>.</p>

<p>For more on Momaday, see his <a href="https://www.poetryfoundation.org/poets/n-scott-momaday" rel="nofollow">biography</a> at the Poetry Foundation.</p>]]>
  </itunes:summary>
</item>
<item>
  <title>Episode 63: Rumi, Colorless, Nameless, Free</title>
  <link>https://poetryforall.fireside.fm/63</link>
  <guid isPermaLink="false">ef590d83-e80f-4bc6-8498-c781616fa252</guid>
  <pubDate>Tue, 29 Aug 2023 18:30:00 -0400</pubDate>
  <author>Joanne Diaz and Abram Van Engen</author>
  <enclosure url="https://aphid.fireside.fm/d/1437767933/d55a3bfc-6538-4214-882b-a389e71b4bf6/ef590d83-e80f-4bc6-8498-c781616fa252.mp3" length="22825011" type="audio/mpeg"/>
  <itunes:episodeType>full</itunes:episodeType>
  <itunes:season>6</itunes:season>
  <itunes:author>Joanne Diaz and Abram Van Engen</itunes:author>
  <itunes:subtitle>In this episode, poet and translator Haleh Liza Gafori joins us to closely read and discuss a poem by Jalāl al-Dīn Muḥammad Rūmī  (1207-1273 CE), one of the greatest of all Sufi poets. We discuss the poetic constraints of the ghazal form, Rumi's encounters with the divine, and the significance of his friendship with Shams, a man who transformed his life and poetic practice.

</itunes:subtitle>
  <itunes:duration>29:56</itunes:duration>
  <itunes:explicit>no</itunes:explicit>
  <itunes:image href="https://media24.fireside.fm/file/fireside-images-2024/podcasts/images/d/d55a3bfc-6538-4214-882b-a389e71b4bf6/episodes/e/ef590d83-e80f-4bc6-8498-c781616fa252/cover.jpg?v=1"/>
  <description>Poet and translator Haleh Liza Gafori joins us to closely read and discuss a poem by Jalāl al-Dīn Muḥammad Rūmī  (1207-1273 CE), one of the greatest of all Sufi poets. We discuss the poetic constraints of the ghazal form, Rumi's encounters with the divine, and the significance of his friendship with Shams, a man who transformed his life and poetic practice.
Haleh Liza Gafori's translations of Rumi's poetry appear in Gold (https://www.nyrb.com/products/gold) (NYRB Press, 2022). 
You can learn more about her work as a vocalist, poet, translator and performer here (https://www.halehliza.com/). 
To learn more about Rumi, visit the Poetry Foundation website (https://www.poetryfoundation.org/poets/jalal-al-din-rumi).
Cover photo from The Walters Art Museum  (https://art.thewalters.org/detail/77715/illuminated-preface-to-the-second-book-of-the-collection-of-poems-masnavi-2/) 
</description>
  <itunes:keywords>13th century, ghazal, guest on the show, islam, joy, poetry in translation, restlessness, rhymed verse, spirituality, surprise, wonder, world poetry</itunes:keywords>
  <content:encoded>
    <![CDATA[<p>Poet and translator Haleh Liza Gafori joins us to closely read and discuss a poem by Jalāl al-Dīn Muḥammad Rūmī  (1207-1273 CE), one of the greatest of all Sufi poets. We discuss the poetic constraints of the ghazal form, Rumi&#39;s encounters with the divine, and the significance of his friendship with Shams, a man who transformed his life and poetic practice.</p>

<p>Haleh Liza Gafori&#39;s translations of Rumi&#39;s poetry appear in <a href="https://www.nyrb.com/products/gold" rel="nofollow"><em>Gold</em></a> (NYRB Press, 2022). </p>

<p>You can learn more about her work as a vocalist, poet, translator and performer <a href="https://www.halehliza.com/" rel="nofollow">here</a>. </p>

<p>To learn more about Rumi, visit the <a href="https://www.poetryfoundation.org/poets/jalal-al-din-rumi" rel="nofollow">Poetry Foundation website</a>.</p>

<p>Cover photo from <a href="https://art.thewalters.org/detail/77715/illuminated-preface-to-the-second-book-of-the-collection-of-poems-masnavi-2/" rel="nofollow">The Walters Art Museum </a></p>]]>
  </content:encoded>
  <itunes:summary>
    <![CDATA[<p>Poet and translator Haleh Liza Gafori joins us to closely read and discuss a poem by Jalāl al-Dīn Muḥammad Rūmī  (1207-1273 CE), one of the greatest of all Sufi poets. We discuss the poetic constraints of the ghazal form, Rumi&#39;s encounters with the divine, and the significance of his friendship with Shams, a man who transformed his life and poetic practice.</p>

<p>Haleh Liza Gafori&#39;s translations of Rumi&#39;s poetry appear in <a href="https://www.nyrb.com/products/gold" rel="nofollow"><em>Gold</em></a> (NYRB Press, 2022). </p>

<p>You can learn more about her work as a vocalist, poet, translator and performer <a href="https://www.halehliza.com/" rel="nofollow">here</a>. </p>

<p>To learn more about Rumi, visit the <a href="https://www.poetryfoundation.org/poets/jalal-al-din-rumi" rel="nofollow">Poetry Foundation website</a>.</p>

<p>Cover photo from <a href="https://art.thewalters.org/detail/77715/illuminated-preface-to-the-second-book-of-the-collection-of-poems-masnavi-2/" rel="nofollow">The Walters Art Museum </a></p>]]>
  </itunes:summary>
</item>
<item>
  <title>Episode 62: Kobayashi Issa, Haiku</title>
  <link>https://poetryforall.fireside.fm/62</link>
  <guid isPermaLink="false">97e0b752-34cd-4447-99a9-1ee5a2db6a62</guid>
  <pubDate>Fri, 11 Aug 2023 10:00:00 -0400</pubDate>
  <author>Joanne Diaz and Abram Van Engen</author>
  <enclosure url="https://aphid.fireside.fm/d/1437767933/d55a3bfc-6538-4214-882b-a389e71b4bf6/97e0b752-34cd-4447-99a9-1ee5a2db6a62.mp3" length="14140516" type="audio/mpeg"/>
  <itunes:episodeType>full</itunes:episodeType>
  <itunes:season>6</itunes:season>
  <itunes:author>Joanne Diaz and Abram Van Engen</itunes:author>
  <itunes:subtitle>What makes haiku "the perfect poetic form"? This episode reads three wonderful haiku by Kobayashi Issa and explores what makes them so moving and fun.</itunes:subtitle>
  <itunes:duration>17:19</itunes:duration>
  <itunes:explicit>no</itunes:explicit>
  <itunes:image href="https://media24.fireside.fm/file/fireside-images-2024/podcasts/images/d/d55a3bfc-6538-4214-882b-a389e71b4bf6/episodes/9/97e0b752-34cd-4447-99a9-1ee5a2db6a62/cover.jpg?v=1"/>
  <description>What makes haiku "the perfect poetic form"? This episode reads three wonderful haiku by Kobayashi Issa and explores what makes them so moving and fun.
We use the beautiful translations of award-winning poet Robert Haas in The Essential Haiku: Versions of Basho, Buson, and Issa. To see these haiku and others online, visit The Poetry Foundation here (https://www.poetryfoundation.org/poems/50983/selected-haiku-by-issa).
To see (and purchase) the book, see HarperCollins here (https://www.harpercollins.com/products/essential-haiku-volume-20-hass?variant=32118145876002).
Thank you to HarperCollins for permission to read these translations on our podcast.
For more on Kobayashi Issa, visit the Poetry Foundation here (https://www.poetryfoundation.org/poets/kobayashi-issa). 
</description>
  <itunes:keywords>18th century, haiku, joy, poet laureate, poetry in translation, spring, surprise, world poetry</itunes:keywords>
  <content:encoded>
    <![CDATA[<p>What makes haiku &quot;the perfect poetic form&quot;? This episode reads three wonderful haiku by Kobayashi Issa and explores what makes them so moving and fun.</p>

<p>We use the beautiful translations of award-winning poet Robert Haas in <em>The Essential Haiku: Versions of Basho, Buson, and Issa</em>. To see these haiku and others online, <a href="https://www.poetryfoundation.org/poems/50983/selected-haiku-by-issa" rel="nofollow">visit The Poetry Foundation here</a>.</p>

<p>To see (and purchase) the book, <a href="https://www.harpercollins.com/products/essential-haiku-volume-20-hass?variant=32118145876002" rel="nofollow">see HarperCollins here</a>.</p>

<p>Thank you to HarperCollins for permission to read these translations on our podcast.</p>

<p>For more on Kobayashi Issa, <a href="https://www.poetryfoundation.org/poets/kobayashi-issa" rel="nofollow">visit the Poetry Foundation here</a>.</p>]]>
  </content:encoded>
  <itunes:summary>
    <![CDATA[<p>What makes haiku &quot;the perfect poetic form&quot;? This episode reads three wonderful haiku by Kobayashi Issa and explores what makes them so moving and fun.</p>

<p>We use the beautiful translations of award-winning poet Robert Haas in <em>The Essential Haiku: Versions of Basho, Buson, and Issa</em>. To see these haiku and others online, <a href="https://www.poetryfoundation.org/poems/50983/selected-haiku-by-issa" rel="nofollow">visit The Poetry Foundation here</a>.</p>

<p>To see (and purchase) the book, <a href="https://www.harpercollins.com/products/essential-haiku-volume-20-hass?variant=32118145876002" rel="nofollow">see HarperCollins here</a>.</p>

<p>Thank you to HarperCollins for permission to read these translations on our podcast.</p>

<p>For more on Kobayashi Issa, <a href="https://www.poetryfoundation.org/poets/kobayashi-issa" rel="nofollow">visit the Poetry Foundation here</a>.</p>]]>
  </itunes:summary>
</item>
<item>
  <title>Episode 60: Li-Young Lee, From Blossoms</title>
  <link>https://poetryforall.fireside.fm/60</link>
  <guid isPermaLink="false">82015254-6db7-45ba-8a76-0c0134dd0c8d</guid>
  <pubDate>Tue, 02 May 2023 09:00:00 -0400</pubDate>
  <author>Joanne Diaz and Abram Van Engen</author>
  <enclosure url="https://aphid.fireside.fm/d/1437767933/d55a3bfc-6538-4214-882b-a389e71b4bf6/82015254-6db7-45ba-8a76-0c0134dd0c8d.mp3" length="14930673" type="audio/mpeg"/>
  <itunes:episodeType>full</itunes:episodeType>
  <itunes:season>5</itunes:season>
  <itunes:author>Joanne Diaz and Abram Van Engen</itunes:author>
  <itunes:subtitle>In this episode, we explore the poetry of joy in a world of shade and death, looking to sounds and repetitions while examining how "From Blossoms" speaks back to the poem that immediately precedes it in Lee's great book "Rose." </itunes:subtitle>
  <itunes:duration>19:07</itunes:duration>
  <itunes:explicit>no</itunes:explicit>
  <itunes:image href="https://media24.fireside.fm/file/fireside-images-2024/podcasts/images/d/d55a3bfc-6538-4214-882b-a389e71b4bf6/episodes/8/82015254-6db7-45ba-8a76-0c0134dd0c8d/cover.jpg?v=2"/>
  <description>In this episode, we explore the poetry of joy in a world of shade and death, looking to sounds and repetitions while examining how "From Blossoms" speaks back to the poem that immediately precedes it in Lee's great book Rose.
For more on Li-Young Lee, see The Poetry Foundation here (https://www.poetryfoundation.org/poets/li-young-lee).
Thanks to BOA Editions for granting us permission to read Li-Young Lee's work on our podcast. "From Blossoms (https://www.poetryfoundation.org/poems/43012/from-blossoms)" and "The Weight of Sweetness (https://poets.org/poem/weight-sweetness)" originally appeared in Rose (https://www.boaeditions.org/products/rose) (BOA Editions, 1986).  
</description>
  <itunes:keywords>20th century, asian american and pacific islander month, free verse, gratitude, joy, repetition or refrain, summer, wonder</itunes:keywords>
  <content:encoded>
    <![CDATA[<p>In this episode, we explore the poetry of joy in a world of shade and death, looking to sounds and repetitions while examining how &quot;From Blossoms&quot; speaks back to the poem that immediately precedes it in Lee&#39;s great book <em>Rose.</em></p>

<p>For more on Li-Young Lee, see The Poetry Foundation <a href="https://www.poetryfoundation.org/poets/li-young-lee" rel="nofollow">here</a>.</p>

<p>Thanks to BOA Editions for granting us permission to read Li-Young Lee&#39;s work on our podcast. &quot;<a href="https://www.poetryfoundation.org/poems/43012/from-blossoms" rel="nofollow">From Blossoms</a>&quot; and &quot;<a href="https://poets.org/poem/weight-sweetness" rel="nofollow">The Weight of Sweetness</a>&quot; originally appeared in <em><a href="https://www.boaeditions.org/products/rose" rel="nofollow">Rose</a></em> (BOA Editions, 1986). </p>]]>
  </content:encoded>
  <itunes:summary>
    <![CDATA[<p>In this episode, we explore the poetry of joy in a world of shade and death, looking to sounds and repetitions while examining how &quot;From Blossoms&quot; speaks back to the poem that immediately precedes it in Lee&#39;s great book <em>Rose.</em></p>

<p>For more on Li-Young Lee, see The Poetry Foundation <a href="https://www.poetryfoundation.org/poets/li-young-lee" rel="nofollow">here</a>.</p>

<p>Thanks to BOA Editions for granting us permission to read Li-Young Lee&#39;s work on our podcast. &quot;<a href="https://www.poetryfoundation.org/poems/43012/from-blossoms" rel="nofollow">From Blossoms</a>&quot; and &quot;<a href="https://poets.org/poem/weight-sweetness" rel="nofollow">The Weight of Sweetness</a>&quot; originally appeared in <em><a href="https://www.boaeditions.org/products/rose" rel="nofollow">Rose</a></em> (BOA Editions, 1986). </p>]]>
  </itunes:summary>
</item>
<item>
  <title>Episode 48: Joy Harjo, An American Sunrise</title>
  <link>https://poetryforall.fireside.fm/48</link>
  <guid isPermaLink="false">ccf1e90f-4821-4671-8253-cafdd084830f</guid>
  <pubDate>Thu, 28 Apr 2022 12:00:00 -0400</pubDate>
  <author>Joanne Diaz and Abram Van Engen</author>
  <enclosure url="https://aphid.fireside.fm/d/1437767933/d55a3bfc-6538-4214-882b-a389e71b4bf6/ccf1e90f-4821-4671-8253-cafdd084830f.mp3" length="17510463" type="audio/mpeg"/>
  <itunes:episodeType>full</itunes:episodeType>
  <itunes:season>4</itunes:season>
  <itunes:author>Joanne Diaz and Abram Van Engen</itunes:author>
  <itunes:subtitle>In this episode, we examine The Golden Shovel form and discuss the idea of "survivance" through the work of Muscogee (Creek) poet Joy Harjo, the 23rd Poet Laureate of the United States.</itunes:subtitle>
  <itunes:duration>21:47</itunes:duration>
  <itunes:explicit>no</itunes:explicit>
  <itunes:image href="https://media24.fireside.fm/file/fireside-images-2024/podcasts/images/d/d55a3bfc-6538-4214-882b-a389e71b4bf6/episodes/c/ccf1e90f-4821-4671-8253-cafdd084830f/cover.jpg?v=1"/>
  <description>In this episode, we examine The Golden Shovel form and discuss the idea of "survivance" through the work of Muscogee (Creek) poet Joy Harjo, the 23rd Poet Laureate of the United States.
You can find the text of "An American Sunrise" here (https://www.poetryfoundation.org/poetrymagazine/poems/92063/an-american-sunrise), though this is an earlier version of the poem. The final version appears in her finished book of the same title, which you can find here (https://www.joyharjo.com/book/an-american-sunrise).
For an introduction to The Golden Shovel form, see here (https://www.poetryfoundation.org/poetrymagazine/articles/92023/introduction-586e948ad9af8).
</description>
  <itunes:keywords>21st century, anger, golden shovel, grief and loss, hope, joy, native american heritage month, poet laureate, social justice and advocacy, spirituality</itunes:keywords>
  <content:encoded>
    <![CDATA[<p>In this episode, we examine The Golden Shovel form and discuss the idea of &quot;survivance&quot; through the work of Muscogee (Creek) poet Joy Harjo, the 23rd Poet Laureate of the United States.</p>

<p>You can find the text of &quot;An American Sunrise&quot; <a href="https://www.poetryfoundation.org/poetrymagazine/poems/92063/an-american-sunrise" rel="nofollow">here</a>, though this is an earlier version of the poem. The final version appears in her finished book of the same title, which you can find <a href="https://www.joyharjo.com/book/an-american-sunrise" rel="nofollow">here</a>.</p>

<p>For an introduction to The Golden Shovel form, see <a href="https://www.poetryfoundation.org/poetrymagazine/articles/92023/introduction-586e948ad9af8" rel="nofollow">here</a>.</p><p>Links:</p><ul><li><a title="Joy Harjo Official Site - Joy Harjo" rel="nofollow" href="https://www.joyharjo.com/">Joy Harjo Official Site - Joy Harjo</a></li><li><a title="An American Sunrise by Joy Harjo | Poetry Magazine" rel="nofollow" href="https://www.poetryfoundation.org/poetrymagazine/poems/92063/an-american-sunrise">An American Sunrise by Joy Harjo | Poetry Magazine</a></li><li><a title="An American Sunrise - Joy Harjo" rel="nofollow" href="https://www.joyharjo.com/book/an-american-sunrise">An American Sunrise - Joy Harjo</a></li><li><a title="Introduction: The Golden Shovel by Don Share | Poetry Magazine" rel="nofollow" href="https://www.poetryfoundation.org/poetrymagazine/articles/92023/introduction-586e948ad9af8">Introduction: The Golden Shovel by Don Share | Poetry Magazine</a></li></ul>]]>
  </content:encoded>
  <itunes:summary>
    <![CDATA[<p>In this episode, we examine The Golden Shovel form and discuss the idea of &quot;survivance&quot; through the work of Muscogee (Creek) poet Joy Harjo, the 23rd Poet Laureate of the United States.</p>

<p>You can find the text of &quot;An American Sunrise&quot; <a href="https://www.poetryfoundation.org/poetrymagazine/poems/92063/an-american-sunrise" rel="nofollow">here</a>, though this is an earlier version of the poem. The final version appears in her finished book of the same title, which you can find <a href="https://www.joyharjo.com/book/an-american-sunrise" rel="nofollow">here</a>.</p>

<p>For an introduction to The Golden Shovel form, see <a href="https://www.poetryfoundation.org/poetrymagazine/articles/92023/introduction-586e948ad9af8" rel="nofollow">here</a>.</p><p>Links:</p><ul><li><a title="Joy Harjo Official Site - Joy Harjo" rel="nofollow" href="https://www.joyharjo.com/">Joy Harjo Official Site - Joy Harjo</a></li><li><a title="An American Sunrise by Joy Harjo | Poetry Magazine" rel="nofollow" href="https://www.poetryfoundation.org/poetrymagazine/poems/92063/an-american-sunrise">An American Sunrise by Joy Harjo | Poetry Magazine</a></li><li><a title="An American Sunrise - Joy Harjo" rel="nofollow" href="https://www.joyharjo.com/book/an-american-sunrise">An American Sunrise - Joy Harjo</a></li><li><a title="Introduction: The Golden Shovel by Don Share | Poetry Magazine" rel="nofollow" href="https://www.poetryfoundation.org/poetrymagazine/articles/92023/introduction-586e948ad9af8">Introduction: The Golden Shovel by Don Share | Poetry Magazine</a></li></ul>]]>
  </itunes:summary>
</item>
<item>
  <title>Episode 46: Lucille Clifton, spring song</title>
  <link>https://poetryforall.fireside.fm/46</link>
  <guid isPermaLink="false">d12658b2-3bbb-43e0-9323-1a59ba9d4ae0</guid>
  <pubDate>Wed, 13 Apr 2022 11:00:00 -0400</pubDate>
  <author>Joanne Diaz and Abram Van Engen</author>
  <enclosure url="https://aphid.fireside.fm/d/1437767933/d55a3bfc-6538-4214-882b-a389e71b4bf6/d12658b2-3bbb-43e0-9323-1a59ba9d4ae0.mp3" length="13387817" type="audio/mpeg"/>
  <itunes:episodeType>full</itunes:episodeType>
  <itunes:season>4</itunes:season>
  <itunes:author>Joanne Diaz and Abram Van Engen</itunes:author>
  <itunes:subtitle>Lucille Clifton (1936-2010) was one of the most powerful poets of the twentieth century. This joyful poem caps a sequence of sixteen poems called "some jesus," which walks through biblical characters (beginning with Adam and Eve) and ends on four poems for Holy Week and Easter.</itunes:subtitle>
  <itunes:duration>17:35</itunes:duration>
  <itunes:explicit>no</itunes:explicit>
  <itunes:image href="https://media24.fireside.fm/file/fireside-images-2024/podcasts/images/d/d55a3bfc-6538-4214-882b-a389e71b4bf6/episodes/d/d12658b2-3bbb-43e0-9323-1a59ba9d4ae0/cover.jpg?v=1"/>
  <description>Lucille Clifton (1936-2010) was one of the most powerful poets of the twentieth century. This joyful poem caps a sequence of sixteen poems called "some jesus," which walks through biblical characters (beginning with Adam and Eve) and ends on four poems for Holy Week and Easter. She wrote other poems on the Bible as well, including "john (https://www.poetryfoundation.org/poems/54586/john-56d2351ad543b)" and "my dream about the second coming (https://www.poetryfoundation.org/poems/46667/my-dream-about-the-second-coming)," which reimagine a way into biblical characters to make their stories fresh.
Clifton wrote from the perspective of a Black woman and many of her most famous poems address race and gender. Clear-eyed about struggles and hardships, insistent in her calls for justice and equality, Clifton's poetry carries a consistent joy and hope, which is apparent (and abundant) in "spring song."
Clifton's poetry was known for its lean style, paring everything down to its essential elements. In addition to award-winning collections of poetry, Clifton also wrote sixteen books for children (and had six children herself).
For the text of "spring song," and for a recording of Lucille Clifton reading it, see The Poetry Foundation (https://www.poetryfoundation.org/poems/54587/spring-song-56d2351b45223).
For more on Lucille Clifton see her biography (https://www.poetryfoundation.org/poets/lucille-clifton) at The Poetry Foundation.
For an introduction to Lucille Clifton, see the poem sampler "Lucille Clifton 101 (https://www.poetryfoundation.org/articles/155348/lucille-clifton-101)" by Benjamin Voigt. 
</description>
  <itunes:keywords>20th century, black history month, christianity, easter, free verse, hope, joy, love, repetition or refrain, spring, wonder</itunes:keywords>
  <content:encoded>
    <![CDATA[<p>Lucille Clifton (1936-2010) was one of the most powerful poets of the twentieth century. This joyful poem caps a sequence of sixteen poems called &quot;some jesus,&quot; which walks through biblical characters (beginning with Adam and Eve) and ends on four poems for Holy Week and Easter. She wrote other poems on the Bible as well, including &quot;<a href="https://www.poetryfoundation.org/poems/54586/john-56d2351ad543b" rel="nofollow">john</a>&quot; and &quot;<a href="https://www.poetryfoundation.org/poems/46667/my-dream-about-the-second-coming" rel="nofollow">my dream about the second coming</a>,&quot; which reimagine a way into biblical characters to make their stories fresh.</p>

<p>Clifton wrote from the perspective of a Black woman and many of her most famous poems address race and gender. Clear-eyed about struggles and hardships, insistent in her calls for justice and equality, Clifton&#39;s poetry carries a consistent joy and hope, which is apparent (and abundant) in &quot;spring song.&quot;</p>

<p>Clifton&#39;s poetry was known for its lean style, paring everything down to its essential elements. In addition to award-winning collections of poetry, Clifton also wrote sixteen books for children (and had six children herself).</p>

<p>For the text of &quot;spring song,&quot; and for a recording of Lucille Clifton reading it, see <a href="https://www.poetryfoundation.org/poems/54587/spring-song-56d2351b45223" rel="nofollow">The Poetry Foundation</a>.</p>

<p>For more on Lucille Clifton see <a href="https://www.poetryfoundation.org/poets/lucille-clifton" rel="nofollow">her biography</a> at The Poetry Foundation.</p>

<p>For an introduction to Lucille Clifton, see the poem sampler &quot;<a href="https://www.poetryfoundation.org/articles/155348/lucille-clifton-101" rel="nofollow">Lucille Clifton 101</a>&quot; by Benjamin Voigt.</p><p>Links:</p><ul><li><a title="spring song by Lucille Clifton | Poetry Foundation" rel="nofollow" href="https://www.poetryfoundation.org/poems/54587/spring-song-56d2351b45223">spring song by Lucille Clifton | Poetry Foundation</a></li><li><a title="Poetry Foundation" rel="nofollow" href="https://www.poetryfoundation.org/poets/lucille-clifton">Poetry Foundation</a></li><li><a title="About Lucille Clifton | Academy of American Poets" rel="nofollow" href="https://poets.org/poet/lucille-clifton">About Lucille Clifton | Academy of American Poets</a></li><li><a title="Lucille Clifton 101 by Benjamin Voigt | Poetry Foundation" rel="nofollow" href="https://www.poetryfoundation.org/articles/155348/lucille-clifton-101">Lucille Clifton 101 by Benjamin Voigt | Poetry Foundation</a></li></ul>]]>
  </content:encoded>
  <itunes:summary>
    <![CDATA[<p>Lucille Clifton (1936-2010) was one of the most powerful poets of the twentieth century. This joyful poem caps a sequence of sixteen poems called &quot;some jesus,&quot; which walks through biblical characters (beginning with Adam and Eve) and ends on four poems for Holy Week and Easter. She wrote other poems on the Bible as well, including &quot;<a href="https://www.poetryfoundation.org/poems/54586/john-56d2351ad543b" rel="nofollow">john</a>&quot; and &quot;<a href="https://www.poetryfoundation.org/poems/46667/my-dream-about-the-second-coming" rel="nofollow">my dream about the second coming</a>,&quot; which reimagine a way into biblical characters to make their stories fresh.</p>

<p>Clifton wrote from the perspective of a Black woman and many of her most famous poems address race and gender. Clear-eyed about struggles and hardships, insistent in her calls for justice and equality, Clifton&#39;s poetry carries a consistent joy and hope, which is apparent (and abundant) in &quot;spring song.&quot;</p>

<p>Clifton&#39;s poetry was known for its lean style, paring everything down to its essential elements. In addition to award-winning collections of poetry, Clifton also wrote sixteen books for children (and had six children herself).</p>

<p>For the text of &quot;spring song,&quot; and for a recording of Lucille Clifton reading it, see <a href="https://www.poetryfoundation.org/poems/54587/spring-song-56d2351b45223" rel="nofollow">The Poetry Foundation</a>.</p>

<p>For more on Lucille Clifton see <a href="https://www.poetryfoundation.org/poets/lucille-clifton" rel="nofollow">her biography</a> at The Poetry Foundation.</p>

<p>For an introduction to Lucille Clifton, see the poem sampler &quot;<a href="https://www.poetryfoundation.org/articles/155348/lucille-clifton-101" rel="nofollow">Lucille Clifton 101</a>&quot; by Benjamin Voigt.</p><p>Links:</p><ul><li><a title="spring song by Lucille Clifton | Poetry Foundation" rel="nofollow" href="https://www.poetryfoundation.org/poems/54587/spring-song-56d2351b45223">spring song by Lucille Clifton | Poetry Foundation</a></li><li><a title="Poetry Foundation" rel="nofollow" href="https://www.poetryfoundation.org/poets/lucille-clifton">Poetry Foundation</a></li><li><a title="About Lucille Clifton | Academy of American Poets" rel="nofollow" href="https://poets.org/poet/lucille-clifton">About Lucille Clifton | Academy of American Poets</a></li><li><a title="Lucille Clifton 101 by Benjamin Voigt | Poetry Foundation" rel="nofollow" href="https://www.poetryfoundation.org/articles/155348/lucille-clifton-101">Lucille Clifton 101 by Benjamin Voigt | Poetry Foundation</a></li></ul>]]>
  </itunes:summary>
</item>
<item>
  <title>Episode 19: Naomi Shihab Nye, Gate A-4</title>
  <link>https://poetryforall.fireside.fm/19</link>
  <guid isPermaLink="false">4e75b8fc-c85a-4f4e-8355-dbd15488422a</guid>
  <pubDate>Tue, 09 Mar 2021 18:00:00 -0500</pubDate>
  <author>Joanne Diaz and Abram Van Engen</author>
  <enclosure url="https://aphid.fireside.fm/d/1437767933/d55a3bfc-6538-4214-882b-a389e71b4bf6/4e75b8fc-c85a-4f4e-8355-dbd15488422a.mp3" length="15130345" type="audio/mpeg"/>
  <itunes:episodeType>full</itunes:episodeType>
  <itunes:season>2</itunes:season>
  <itunes:author>Joanne Diaz and Abram Van Engen</itunes:author>
  <itunes:subtitle>Remember airports? In this wonderful, narrative poem, Nye speaks of the remarkable capacity for community in a world of strangers.</itunes:subtitle>
  <itunes:duration>18:59</itunes:duration>
  <itunes:explicit>no</itunes:explicit>
  <itunes:image href="https://media24.fireside.fm/file/fireside-images-2024/podcasts/images/d/d55a3bfc-6538-4214-882b-a389e71b4bf6/episodes/4/4e75b8fc-c85a-4f4e-8355-dbd15488422a/cover.jpg?v=3"/>
  <description>Naomi Shihab Nye, a Palestinian-American poet born in St. Louis and raised in Jerusalem and San Antonio, focuses on the ordinary to observe the extraordinary. Her poetry often speaks of cultural encounters and celebrates different cultures. She is the recipient of many awards and is currently the Poetry Foundation's Young People's Poet Laureate. 
In this poem, we explore what makes a poem "poetry" versus some other genre, and we consider what difference such designations make while walking through a longer, narrative poem.
For the text of the poem, see here: https://poets.org/poem/gate-4
For more on Naomi Shihab Nye, see the Poetry Foundation: https://www.poetryfoundation.org/poets/naomi-shihab-nye
This poem comes from Honeybee: Poems and Short Prose (https://www.amazon.com/Honeybee-Poems-Naomi-Shihab-Nye/dp/0060853905).
The image has a creative commons license and can be found here (https://commons.wikimedia.org/wiki/File:Naomishihabnye.jpg). 
</description>
  <itunes:keywords>21st century, hope, joy, narrative, social justice and advocacy, spirituality, surprise, wonder</itunes:keywords>
  <content:encoded>
    <![CDATA[<p>Naomi Shihab Nye, a Palestinian-American poet born in St. Louis and raised in Jerusalem and San Antonio, focuses on the ordinary to observe the extraordinary. Her poetry often speaks of cultural encounters and celebrates different cultures. She is the recipient of many awards and is currently the Poetry Foundation&#39;s Young People&#39;s Poet Laureate. </p>

<p>In this poem, we explore what makes a poem &quot;poetry&quot; versus some other genre, and we consider what difference such designations make while walking through a longer, narrative poem.</p>

<p>For the text of the poem, see here: <a href="https://poets.org/poem/gate-4" rel="nofollow">https://poets.org/poem/gate-4</a></p>

<p>For more on Naomi Shihab Nye, see the Poetry Foundation: <a href="https://www.poetryfoundation.org/poets/naomi-shihab-nye" rel="nofollow">https://www.poetryfoundation.org/poets/naomi-shihab-nye</a></p>

<p>This poem comes from <a href="https://www.amazon.com/Honeybee-Poems-Naomi-Shihab-Nye/dp/0060853905" rel="nofollow">Honeybee: Poems and Short Prose</a>.</p>

<p>The image has a creative commons license and can be <a href="https://commons.wikimedia.org/wiki/File:Naomishihabnye.jpg" rel="nofollow">found here</a>.</p>]]>
  </content:encoded>
  <itunes:summary>
    <![CDATA[<p>Naomi Shihab Nye, a Palestinian-American poet born in St. Louis and raised in Jerusalem and San Antonio, focuses on the ordinary to observe the extraordinary. Her poetry often speaks of cultural encounters and celebrates different cultures. She is the recipient of many awards and is currently the Poetry Foundation&#39;s Young People&#39;s Poet Laureate. </p>

<p>In this poem, we explore what makes a poem &quot;poetry&quot; versus some other genre, and we consider what difference such designations make while walking through a longer, narrative poem.</p>

<p>For the text of the poem, see here: <a href="https://poets.org/poem/gate-4" rel="nofollow">https://poets.org/poem/gate-4</a></p>

<p>For more on Naomi Shihab Nye, see the Poetry Foundation: <a href="https://www.poetryfoundation.org/poets/naomi-shihab-nye" rel="nofollow">https://www.poetryfoundation.org/poets/naomi-shihab-nye</a></p>

<p>This poem comes from <a href="https://www.amazon.com/Honeybee-Poems-Naomi-Shihab-Nye/dp/0060853905" rel="nofollow">Honeybee: Poems and Short Prose</a>.</p>

<p>The image has a creative commons license and can be <a href="https://commons.wikimedia.org/wiki/File:Naomishihabnye.jpg" rel="nofollow">found here</a>.</p>]]>
  </itunes:summary>
</item>
<item>
  <title>Episode 18: Jenny Johnson, Dappled Things</title>
  <link>https://poetryforall.fireside.fm/18</link>
  <guid isPermaLink="false">6ae4fd6e-30a4-444e-98e2-e7f1740d9396</guid>
  <pubDate>Tue, 02 Mar 2021 11:30:00 -0500</pubDate>
  <author>Joanne Diaz and Abram Van Engen</author>
  <enclosure url="https://aphid.fireside.fm/d/1437767933/d55a3bfc-6538-4214-882b-a389e71b4bf6/6ae4fd6e-30a4-444e-98e2-e7f1740d9396.mp3" length="15664719" type="audio/mpeg"/>
  <itunes:episodeType>full</itunes:episodeType>
  <itunes:season>2</itunes:season>
  <itunes:author>Joanne Diaz and Abram Van Engen</itunes:author>
  <itunes:subtitle>In this episode, Jenny Johnson discusses the sources of inspiration for her poem "Dappled Things," her love of Gerard Manley Hopkins, and the incredible diversity--and fragility--of the natural world.</itunes:subtitle>
  <itunes:duration>27:25</itunes:duration>
  <itunes:explicit>no</itunes:explicit>
  <itunes:image href="https://media24.fireside.fm/file/fireside-images-2024/podcasts/images/d/d55a3bfc-6538-4214-882b-a389e71b4bf6/episodes/6/6ae4fd6e-30a4-444e-98e2-e7f1740d9396/cover.jpg?v=1"/>
  <description>Jenny Johnson is the author of In Full Velvet (Sarabande Books, 2017).  Her honors include a Whiting Award, a Hodder Fellowship at Princeton University, and a NEA Fellowship. She has also received awards and scholarships from the Blue Mountain Center, Bread Loaf Writer’s Conference, Virginia Center for the Creative Arts, and Yaddo. Her poems have appeared in The New York Times, New England Review, Troubling the Line: Trans and Genderqueer Poetry and Poetics, and elsewhere. After earning a BA/MT in English Education from the University of Virginia, she taught public school for several years in San Francisco, and she spent ten summers on the staff of the UVA Young Writer’s Workshop. She earned an MFA in Poetry from Warren Wilson College. She is an Assistant Professor of Creative Writing at West Virginia University, and she is on the faculty of the Rainier Writing Workshop, Pacific Lutheran University’s low-residency MFA program.
For more about Jenny, please visit her website: https://www.jennyjohnsonpoet.com/
</description>
  <itunes:keywords>21st century, gratitude, guest on the show, joy, lgbtqia month, nature poetry, thanksgiving, wonder</itunes:keywords>
  <content:encoded>
    <![CDATA[<p>Jenny Johnson is the author of In Full Velvet (Sarabande Books, 2017).  Her honors include a Whiting Award, a Hodder Fellowship at Princeton University, and a NEA Fellowship. She has also received awards and scholarships from the Blue Mountain Center, Bread Loaf Writer’s Conference, Virginia Center for the Creative Arts, and Yaddo. Her poems have appeared in The New York Times, New England Review, Troubling the Line: Trans and Genderqueer Poetry and Poetics, and elsewhere. After earning a BA/MT in English Education from the University of Virginia, she taught public school for several years in San Francisco, and she spent ten summers on the staff of the UVA Young Writer’s Workshop. She earned an MFA in Poetry from Warren Wilson College. She is an Assistant Professor of Creative Writing at West Virginia University, and she is on the faculty of the Rainier Writing Workshop, Pacific Lutheran University’s low-residency MFA program.</p>

<p>For more about Jenny, please visit her website: <a href="https://www.jennyjohnsonpoet.com/" rel="nofollow">https://www.jennyjohnsonpoet.com/</a></p>]]>
  </content:encoded>
  <itunes:summary>
    <![CDATA[<p>Jenny Johnson is the author of In Full Velvet (Sarabande Books, 2017).  Her honors include a Whiting Award, a Hodder Fellowship at Princeton University, and a NEA Fellowship. She has also received awards and scholarships from the Blue Mountain Center, Bread Loaf Writer’s Conference, Virginia Center for the Creative Arts, and Yaddo. Her poems have appeared in The New York Times, New England Review, Troubling the Line: Trans and Genderqueer Poetry and Poetics, and elsewhere. After earning a BA/MT in English Education from the University of Virginia, she taught public school for several years in San Francisco, and she spent ten summers on the staff of the UVA Young Writer’s Workshop. She earned an MFA in Poetry from Warren Wilson College. She is an Assistant Professor of Creative Writing at West Virginia University, and she is on the faculty of the Rainier Writing Workshop, Pacific Lutheran University’s low-residency MFA program.</p>

<p>For more about Jenny, please visit her website: <a href="https://www.jennyjohnsonpoet.com/" rel="nofollow">https://www.jennyjohnsonpoet.com/</a></p>]]>
  </itunes:summary>
</item>
<item>
  <title>Episode 17: Gerard Manley Hopkins, Pied Beauty</title>
  <link>https://poetryforall.fireside.fm/17</link>
  <guid isPermaLink="false">35439135-75b3-4571-bcb0-504b79603378</guid>
  <pubDate>Tue, 23 Feb 2021 09:00:00 -0500</pubDate>
  <author>Joanne Diaz and Abram Van Engen</author>
  <enclosure url="https://aphid.fireside.fm/d/1437767933/d55a3bfc-6538-4214-882b-a389e71b4bf6/35439135-75b3-4571-bcb0-504b79603378.mp3" length="11340826" type="audio/mpeg"/>
  <itunes:episodeType>full</itunes:episodeType>
  <itunes:season>2</itunes:season>
  <itunes:author>Joanne Diaz and Abram Van Engen</itunes:author>
  <itunes:subtitle>In this extraordinary curtal sonnet (a shortened sonnet, curtailed), Hopkins packs immense power. He uses the shortened form to heighten the emotion, drawing himself up short in the end with nothing else that can be said other than "Praise him." This week, we walk through these short lines and unfold some of the ways that Hopkins works. </itunes:subtitle>
  <itunes:duration>14:35</itunes:duration>
  <itunes:explicit>no</itunes:explicit>
  <itunes:image href="https://media24.fireside.fm/file/fireside-images-2024/podcasts/images/d/d55a3bfc-6538-4214-882b-a389e71b4bf6/episodes/3/35439135-75b3-4571-bcb0-504b79603378/cover.jpg?v=2"/>
  <description>Pied Beauty
Glory be to God for dappled things –
   For skies of couple-colour as a brinded cow;
      For rose-moles all in stipple upon trout that swim;
Fresh-firecoal chestnut-falls; finches’ wings;
   Landscape plotted and pieced – fold, fallow, and plough;
      And áll trádes, their gear and tackle and trim.
All things counter, original, spare, strange;
   Whatever is fickle, freckled (who knows how?)
      With swift, slow; sweet, sour; adazzle, dim;
He fathers-forth whose beauty is past change:
                                Praise him.
In this extraordinary curtal sonnet (a shortened sonnet, curtailed), Hopkins packs immense power. He uses the shortened form to heighten the emotion, drawing himself up short in the end with nothing else that can be said other than "Praise him." This week, we walk through these short lines and unfold some of the ways that Hopkins works. 
Hopkins was an immensely influential poet of the Victorian era (late 1800s) whose work was not published or encountered until 1918 in the modernist era. He was a reclusive, Jesuit priest who struggled with depression, but who could also be given over to incredible acts of wonder and praise (as in this poem). He stands outside his  time, and has been read and loved by poets of all different persuasions throughout the twentieth and twenty-first centuries.
For more informaiton on Hopkins, please see The Poetry Foundation (https://www.poetryfoundation.org/poets/gerard-manley-hopkins). 
</description>
  <itunes:keywords>19th century, alliterative verse, gratitude, joy, nature poetry, rhymed verse, sonnet, thanksgiving, wonder</itunes:keywords>
  <content:encoded>
    <![CDATA[<p><strong>Pied Beauty</strong></p>

<p>Glory be to God for dappled things –<br>
   For skies of couple-colour as a brinded cow;<br>
      For rose-moles all in stipple upon trout that swim;<br>
Fresh-firecoal chestnut-falls; finches’ wings;<br>
   Landscape plotted and pieced – fold, fallow, and plough;<br>
      And áll trádes, their gear and tackle and trim.</p>

<p>All things counter, original, spare, strange;<br>
   Whatever is fickle, freckled (who knows how?)<br>
      With swift, slow; sweet, sour; adazzle, dim;<br>
He fathers-forth whose beauty is past change:<br>
                                Praise him.</p>

<p>In this extraordinary curtal sonnet (a shortened sonnet, curtailed), Hopkins packs immense power. He uses the shortened form to heighten the emotion, drawing himself up short in the end with nothing else that can be said other than &quot;Praise him.&quot; This week, we walk through these short lines and unfold some of the ways that Hopkins works. </p>

<p>Hopkins was an immensely influential poet of the Victorian era (late 1800s) whose work was not published or encountered until 1918 in the modernist era. He was a reclusive, Jesuit priest who struggled with depression, but who could also be given over to incredible acts of wonder and praise (as in this poem). He stands outside his  time, and has been read and loved by poets of all different persuasions throughout the twentieth and twenty-first centuries.</p>

<p>For more informaiton on Hopkins, please see <a href="https://www.poetryfoundation.org/poets/gerard-manley-hopkins" rel="nofollow">The Poetry Foundation</a>.</p>]]>
  </content:encoded>
  <itunes:summary>
    <![CDATA[<p><strong>Pied Beauty</strong></p>

<p>Glory be to God for dappled things –<br>
   For skies of couple-colour as a brinded cow;<br>
      For rose-moles all in stipple upon trout that swim;<br>
Fresh-firecoal chestnut-falls; finches’ wings;<br>
   Landscape plotted and pieced – fold, fallow, and plough;<br>
      And áll trádes, their gear and tackle and trim.</p>

<p>All things counter, original, spare, strange;<br>
   Whatever is fickle, freckled (who knows how?)<br>
      With swift, slow; sweet, sour; adazzle, dim;<br>
He fathers-forth whose beauty is past change:<br>
                                Praise him.</p>

<p>In this extraordinary curtal sonnet (a shortened sonnet, curtailed), Hopkins packs immense power. He uses the shortened form to heighten the emotion, drawing himself up short in the end with nothing else that can be said other than &quot;Praise him.&quot; This week, we walk through these short lines and unfold some of the ways that Hopkins works. </p>

<p>Hopkins was an immensely influential poet of the Victorian era (late 1800s) whose work was not published or encountered until 1918 in the modernist era. He was a reclusive, Jesuit priest who struggled with depression, but who could also be given over to incredible acts of wonder and praise (as in this poem). He stands outside his  time, and has been read and loved by poets of all different persuasions throughout the twentieth and twenty-first centuries.</p>

<p>For more informaiton on Hopkins, please see <a href="https://www.poetryfoundation.org/poets/gerard-manley-hopkins" rel="nofollow">The Poetry Foundation</a>.</p>]]>
  </itunes:summary>
</item>
<item>
  <title>Episode 11: Alberto Ríos, When Giving Is All We Have</title>
  <link>https://poetryforall.fireside.fm/11</link>
  <guid isPermaLink="false">2848cea7-0a47-452c-89d7-5aadbe2df955</guid>
  <pubDate>Tue, 17 Nov 2020 11:00:00 -0500</pubDate>
  <author>Joanne Diaz and Abram Van Engen</author>
  <enclosure url="https://aphid.fireside.fm/d/1437767933/d55a3bfc-6538-4214-882b-a389e71b4bf6/2848cea7-0a47-452c-89d7-5aadbe2df955.mp3" length="11485377" type="audio/mpeg"/>
  <itunes:episodeType>full</itunes:episodeType>
  <itunes:season>1</itunes:season>
  <itunes:author>Joanne Diaz and Abram Van Engen</itunes:author>
  <itunes:subtitle>In this episode, we read and discuss a poem about giving by Alberto Ríos, the inaugural state poet laureate of Arizona. </itunes:subtitle>
  <itunes:duration>15:46</itunes:duration>
  <itunes:explicit>no</itunes:explicit>
  <itunes:image href="https://media24.fireside.fm/file/fireside-images-2024/podcasts/images/d/d55a3bfc-6538-4214-882b-a389e71b4bf6/episodes/2/2848cea7-0a47-452c-89d7-5aadbe2df955/cover.jpg?v=1"/>
  <description>In this episode, we think with the inaugural state poet laureate of Arizona, Alberto Ríos, about the meaning of giving. Why do we give? What is giving? And what are its consequences? Ríos wrote this poem for a broad audience and has shared it with many different groups. It is, on the one hand, a very simple and accessible poem, easy to understand. And it is also, on the other hand, filled with rich layers, structures, images, and contexts. We explore here how simplicity and complexity work together.
For the full text of the poem, see here (https://poets.org/poem/when-giving-all-we-have).
For more on Alberto Ríos, see the Poetry Foundation here (https://www.poetryfoundation.org/poets/alberto-rios).
Thanks to Copper Canyon Press for granting us permission to read this poem in this episode. You can find "When Giving Is All We Have" in A Small Story about the Sky: https://www.coppercanyonpress.org/books/a-small-story-about-the-sky-by-alberto-rios/ 
</description>
  <itunes:keywords>21st century, free verse, friendship, gratitude, hispanic heritage month, joy, repetition or refrain, thanksgiving</itunes:keywords>
  <content:encoded>
    <![CDATA[<p>In this episode, we think with the inaugural state poet laureate of Arizona, Alberto Ríos, about the meaning of giving. Why do we give? What is giving? And what are its consequences? Ríos wrote this poem for a broad audience and has shared it with many different groups. It is, on the one hand, a very simple and accessible poem, easy to understand. And it is also, on the other hand, filled with rich layers, structures, images, and contexts. We explore here how simplicity and complexity work together.</p>

<p>For the full text of the poem, <a href="https://poets.org/poem/when-giving-all-we-have" rel="nofollow">see here</a>.</p>

<p>For more on Alberto Ríos, <a href="https://www.poetryfoundation.org/poets/alberto-rios" rel="nofollow">see the Poetry Foundation here</a>.</p>

<p>Thanks to Copper Canyon Press for granting us permission to read this poem in this episode. You can find &quot;When Giving Is All We Have&quot; in <em>A Small Story about the Sky</em>: <a href="https://www.coppercanyonpress.org/books/a-small-story-about-the-sky-by-alberto-rios/" rel="nofollow">https://www.coppercanyonpress.org/books/a-small-story-about-the-sky-by-alberto-rios/</a></p><p>Links:</p><ul><li><a title="When Giving Is All We Have by Alberto Ríos - Poems | poets.org" rel="nofollow" href="https://poets.org/poem/when-giving-all-we-have">When Giving Is All We Have by Alberto Ríos - Poems | poets.org</a> &mdash; inaugural state poet laureate of Arizona</li><li><a title="Alberto Ríos | Poetry Foundation" rel="nofollow" href="https://www.poetryfoundation.org/poets/alberto-rios">Alberto Ríos | Poetry Foundation</a></li></ul>]]>
  </content:encoded>
  <itunes:summary>
    <![CDATA[<p>In this episode, we think with the inaugural state poet laureate of Arizona, Alberto Ríos, about the meaning of giving. Why do we give? What is giving? And what are its consequences? Ríos wrote this poem for a broad audience and has shared it with many different groups. It is, on the one hand, a very simple and accessible poem, easy to understand. And it is also, on the other hand, filled with rich layers, structures, images, and contexts. We explore here how simplicity and complexity work together.</p>

<p>For the full text of the poem, <a href="https://poets.org/poem/when-giving-all-we-have" rel="nofollow">see here</a>.</p>

<p>For more on Alberto Ríos, <a href="https://www.poetryfoundation.org/poets/alberto-rios" rel="nofollow">see the Poetry Foundation here</a>.</p>

<p>Thanks to Copper Canyon Press for granting us permission to read this poem in this episode. You can find &quot;When Giving Is All We Have&quot; in <em>A Small Story about the Sky</em>: <a href="https://www.coppercanyonpress.org/books/a-small-story-about-the-sky-by-alberto-rios/" rel="nofollow">https://www.coppercanyonpress.org/books/a-small-story-about-the-sky-by-alberto-rios/</a></p><p>Links:</p><ul><li><a title="When Giving Is All We Have by Alberto Ríos - Poems | poets.org" rel="nofollow" href="https://poets.org/poem/when-giving-all-we-have">When Giving Is All We Have by Alberto Ríos - Poems | poets.org</a> &mdash; inaugural state poet laureate of Arizona</li><li><a title="Alberto Ríos | Poetry Foundation" rel="nofollow" href="https://www.poetryfoundation.org/poets/alberto-rios">Alberto Ríos | Poetry Foundation</a></li></ul>]]>
  </itunes:summary>
</item>
  </channel>
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