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    <fireside:hostname>web02.fireside.fm</fireside:hostname>
    <fireside:genDate>Sun, 12 Apr 2026 04:33:12 -0500</fireside:genDate>
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    <title>Poetry For All - Episodes Tagged with “Narrative”</title>
    <link>https://poetryforall.fireside.fm/tags/narrative</link>
    <pubDate>Thu, 08 May 2025 08:00:00 -0400</pubDate>
    <description>This podcast is for those who already love poetry and for those who know very little about it. In this podcast, we read a poem, discuss it, see what makes it tick, learn how it works, grow from it, and then read it one more time.
Introducing our brand new Poetry For All website: https://poetryforallpod.com! Please visit the new website to learn more about our guests, search for thematic episodes (ranging from Black History Month to the season of autumn), and subscribe to our newsletter. 
</description>
    <language>en-us</language>
    <itunes:type>episodic</itunes:type>
    <itunes:subtitle>Finding Our Way Into Great Poems</itunes:subtitle>
    <itunes:author>Joanne Diaz and Abram Van Engen</itunes:author>
    <itunes:summary>This podcast is for those who already love poetry and for those who know very little about it. In this podcast, we read a poem, discuss it, see what makes it tick, learn how it works, grow from it, and then read it one more time.
Introducing our brand new Poetry For All website: https://poetryforallpod.com! Please visit the new website to learn more about our guests, search for thematic episodes (ranging from Black History Month to the season of autumn), and subscribe to our newsletter. 
</itunes:summary>
    <itunes:image href="https://media24.fireside.fm/file/fireside-images-2024/podcasts/images/d/d55a3bfc-6538-4214-882b-a389e71b4bf6/cover.jpg?v=2"/>
    <itunes:explicit>no</itunes:explicit>
    <itunes:keywords>poetry, poems, literature, teaching, education</itunes:keywords>
    <itunes:owner>
      <itunes:name>Joanne Diaz and Abram Van Engen</itunes:name>
      <itunes:email>vanengen@wustl.edu</itunes:email>
    </itunes:owner>
<itunes:category text="Arts"/>
<itunes:category text="Education"/>
<itunes:category text="Society &amp; Culture"/>
<item>
  <title>Episode 92: Dorianne Laux, Singer</title>
  <link>https://poetryforall.fireside.fm/92</link>
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  <pubDate>Thu, 08 May 2025 08:00:00 -0400</pubDate>
  <author>Joanne Diaz and Abram Van Engen</author>
  <enclosure url="https://aphid.fireside.fm/d/1437767933/d55a3bfc-6538-4214-882b-a389e71b4bf6/9e724688-8da5-4d8f-af77-d678fc0e4b77.mp3" length="25278312" type="audio/mpeg"/>
  <itunes:episodeType>full</itunes:episodeType>
  <itunes:season>6</itunes:season>
  <itunes:author>Joanne Diaz and Abram Van Engen</itunes:author>
  <itunes:subtitle>In this episode, we read and discuss "Singer," a narrative poem that creates a catalog of details that celebrates the poetic speaker's mother in all of her complexity. </itunes:subtitle>
  <itunes:duration>25:44</itunes:duration>
  <itunes:explicit>no</itunes:explicit>
  <itunes:image href="https://media24.fireside.fm/file/fireside-images-2024/podcasts/images/d/d55a3bfc-6538-4214-882b-a389e71b4bf6/episodes/9/9e724688-8da5-4d8f-af77-d678fc0e4b77/cover.jpg?v=1"/>
  <description>In this episode, we read and discuss "Singer," a narrative poem that celebrates the poetic speaker's mother in all of her complexity. 
Dorianne Laux is the author of numerous books of poetry, including Life on Earth (https://wwnorton.com/books/9781324065821), which was a finalist for the National Book Award, and Only As the Day is Long: New and Selected Poems (https://wwnorton.com/books/9780393652338) which was a finalist for the Pulitzer Prize. She is also the author of a new craft book titled Finger Exercises for Poets (https://wwnorton.com/books/9781324050667/).
“Singer” appears in LIFE ON EARTH by Dorianne Laux. Copyright © 2024 by Dorianne Laux. Used by permission of W. W. Norton &amp;amp; Company, Inc. 
</description>
  <itunes:keywords>narrative, 21st century, free verse, elegy, ode, women's history month, mother's day, joy, gratitude, love</itunes:keywords>
  <content:encoded>
    <![CDATA[<p>In this episode, we read and discuss &quot;Singer,&quot; a narrative poem that celebrates the poetic speaker&#39;s mother in all of her complexity. </p>

<p>Dorianne Laux is the author of numerous books of poetry, including <a href="https://wwnorton.com/books/9781324065821" rel="nofollow"><em>Life on Earth</em></a>, which was a finalist for the National Book Award, and <em><a href="https://wwnorton.com/books/9780393652338" rel="nofollow">Only As the Day is Long: New and Selected Poems</a></em> which was a finalist for the Pulitzer Prize. She is also the author of a new craft book titled <em><a href="https://wwnorton.com/books/9781324050667/" rel="nofollow">Finger Exercises for Poets</a></em>.</p>

<p>“Singer” appears in <em>LIFE ON EARTH</em> by Dorianne Laux. Copyright © 2024 by Dorianne Laux. Used by permission of W. W. Norton &amp; Company, Inc.</p>]]>
  </content:encoded>
  <itunes:summary>
    <![CDATA[<p>In this episode, we read and discuss &quot;Singer,&quot; a narrative poem that celebrates the poetic speaker&#39;s mother in all of her complexity. </p>

<p>Dorianne Laux is the author of numerous books of poetry, including <a href="https://wwnorton.com/books/9781324065821" rel="nofollow"><em>Life on Earth</em></a>, which was a finalist for the National Book Award, and <em><a href="https://wwnorton.com/books/9780393652338" rel="nofollow">Only As the Day is Long: New and Selected Poems</a></em> which was a finalist for the Pulitzer Prize. She is also the author of a new craft book titled <em><a href="https://wwnorton.com/books/9781324050667/" rel="nofollow">Finger Exercises for Poets</a></em>.</p>

<p>“Singer” appears in <em>LIFE ON EARTH</em> by Dorianne Laux. Copyright © 2024 by Dorianne Laux. Used by permission of W. W. Norton &amp; Company, Inc.</p>]]>
  </itunes:summary>
</item>
<item>
  <title>Episode 91: Joanne Diaz, Two Emergencies</title>
  <link>https://poetryforall.fireside.fm/91</link>
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  <pubDate>Thu, 24 Apr 2025 08:00:00 -0400</pubDate>
  <author>Joanne Diaz and Abram Van Engen</author>
  <enclosure url="https://aphid.fireside.fm/d/1437767933/d55a3bfc-6538-4214-882b-a389e71b4bf6/2323214b-bbc8-43d6-a887-3ee9de2221be.mp3" length="20335872" type="audio/mpeg"/>
  <itunes:episodeType>full</itunes:episodeType>
  <itunes:season>6</itunes:season>
  <itunes:author>Joanne Diaz and Abram Van Engen</itunes:author>
  <itunes:subtitle>In this episode, Katy Didden and Abram Van Engen discuss the extraordinary leaps, narrative disjunctions, and temporal frames that fill Diaz's extraordinary ekphrastic poem, a reflection on Bruegel's painting, "Landscape with the Fall of Icarus" written in conversation with W.H. Auden's poem "Musée des Beaux Arts."</itunes:subtitle>
  <itunes:duration>24:40</itunes:duration>
  <itunes:explicit>no</itunes:explicit>
  <itunes:image href="https://media24.fireside.fm/file/fireside-images-2024/podcasts/images/d/d55a3bfc-6538-4214-882b-a389e71b4bf6/episodes/2/2323214b-bbc8-43d6-a887-3ee9de2221be/cover.jpg?v=2"/>
  <description>In this episode, Katy Didden and Abram Van Engen discuss the extraordinary leaps, narrative disjunctions, and temporal frames that fill Diaz's extraordinary ekphrastic poem, a reflection on Bruegel's painting, "Landscape with the Fall of Icarus" written in conversation with W.H. Auden's poem "Musée des Beaux Arts."
"Two Emergencies," appears in My Favorite Tyrants (https://a.co/d/3IUlLmp) (University of Wisconsin Press 2014), winner of the 2014 Brittingham Prize in Poetry.
For more poetry of Joanne Diaz, see also The Lessons (https://a.co/d/bZOFIOp) (Silverfish Review Press 2011), winner of the Gerald Cable Book Award.
For W.H. Auden's "Musee des Beaux Artes (https://www.poetryfoundation.org/poems/159364/musee-des-beaux-arts-63a1efde036cd)" see The Poetry Foundation 
</description>
  <itunes:keywords>21st century, free verse, narrative, ekphrasis, laborers, violence</itunes:keywords>
  <content:encoded>
    <![CDATA[<p>In this episode, Katy Didden and Abram Van Engen discuss the extraordinary leaps, narrative disjunctions, and temporal frames that fill Diaz&#39;s extraordinary ekphrastic poem, a reflection on Bruegel&#39;s painting, &quot;Landscape with the Fall of Icarus&quot; written in conversation with W.H. Auden&#39;s poem &quot;Musée des Beaux Arts.&quot;</p>

<p>&quot;Two Emergencies,&quot; appears in <a href="https://a.co/d/3IUlLmp" rel="nofollow">My Favorite Tyrants</a> (University of Wisconsin Press 2014), winner of the 2014 Brittingham Prize in Poetry.</p>

<p>For more poetry of Joanne Diaz, see also <em><a href="https://a.co/d/bZOFIOp" rel="nofollow">The Lessons</a></em> (Silverfish Review Press 2011), winner of the Gerald Cable Book Award.</p>

<p>For W.H. Auden&#39;s &quot;<a href="https://www.poetryfoundation.org/poems/159364/musee-des-beaux-arts-63a1efde036cd" rel="nofollow">Musee des Beaux Artes</a>&quot; see The Poetry Foundation</p>]]>
  </content:encoded>
  <itunes:summary>
    <![CDATA[<p>In this episode, Katy Didden and Abram Van Engen discuss the extraordinary leaps, narrative disjunctions, and temporal frames that fill Diaz&#39;s extraordinary ekphrastic poem, a reflection on Bruegel&#39;s painting, &quot;Landscape with the Fall of Icarus&quot; written in conversation with W.H. Auden&#39;s poem &quot;Musée des Beaux Arts.&quot;</p>

<p>&quot;Two Emergencies,&quot; appears in <a href="https://a.co/d/3IUlLmp" rel="nofollow">My Favorite Tyrants</a> (University of Wisconsin Press 2014), winner of the 2014 Brittingham Prize in Poetry.</p>

<p>For more poetry of Joanne Diaz, see also <em><a href="https://a.co/d/bZOFIOp" rel="nofollow">The Lessons</a></em> (Silverfish Review Press 2011), winner of the Gerald Cable Book Award.</p>

<p>For W.H. Auden&#39;s &quot;<a href="https://www.poetryfoundation.org/poems/159364/musee-des-beaux-arts-63a1efde036cd" rel="nofollow">Musee des Beaux Artes</a>&quot; see The Poetry Foundation</p>]]>
  </itunes:summary>
</item>
<item>
  <title>Episode 77: Jennifer Grotz, The Conversion of Paul</title>
  <link>https://poetryforall.fireside.fm/77</link>
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  <pubDate>Thu, 05 Sep 2024 09:00:00 -0400</pubDate>
  <author>Joanne Diaz and Abram Van Engen</author>
  <enclosure url="https://aphid.fireside.fm/d/1437767933/d55a3bfc-6538-4214-882b-a389e71b4bf6/9db668dd-1839-4665-90b6-0ddd86b48e87.mp3" length="20732074" type="audio/mpeg"/>
  <itunes:episodeType>full</itunes:episodeType>
  <itunes:season>6</itunes:season>
  <itunes:author>Joanne Diaz and Abram Van Engen</itunes:author>
  <itunes:subtitle>Poetry engages in conversation. Today, we explore a long, beautiful, narrative poem weaving together the work of fellow poets while looking carefully at a Caravaggio painting, all reflecting on illness, death, and friendship.</itunes:subtitle>
  <itunes:duration>26:14</itunes:duration>
  <itunes:explicit>no</itunes:explicit>
  <itunes:image href="https://media24.fireside.fm/file/fireside-images-2024/podcasts/images/d/d55a3bfc-6538-4214-882b-a389e71b4bf6/episodes/9/9db668dd-1839-4665-90b6-0ddd86b48e87/cover.jpg?v=1"/>
  <description>Poetry engages in conversation. Today, we explore a long, beautiful, narrative poem weaving together the work of fellow poets while looking carefully at a Caravaggio painting, all reflecting on illness, death, and friendship.
For the poem, see here: https://www.nereview.com/vol-40-no-1-2019/the-conversion-of-paul/
For Grotz's incredible book, Still Falling, see Graywolf  (https://www.graywolfpress.org/books/still-falling)Press here: https://www.graywolfpress.org/books/still-falling
“Still Falling is an undeniably gorgeous book of love poems full of grief. In these pages, Jennifer Grotz writes line after line of direct statement in rhythms that would leave any reader breathless and wanting more. . . . I am in awe of Grotz’s power to grow and transform book after book. I cannot read Still Falling without crying.”—Jericho Brown
For the Caravaggio painting, The Conversion on the Way to Damascus (https://en.wikipedia.org/wiki/Conversion_on_the_Way_to_Damascus), see here: https://en.wikipedia.org/wiki/ConversionontheWayto_Damascus 
For more episodes on ekphrasis, please see our website and keywords here:
https://poetryforallpod.com/episodes/
Thanks to Graywolf Press for permission to read this poem on the podcast. Jennifer Grotz's "The Conversation of Paul" was published in her collection titled Still Falling (Graywolf, 2023). 
</description>
  <itunes:keywords>21st century, free verse, narrative, ekphrasis, Christianity, body in pain, friendship, grief and loss</itunes:keywords>
  <content:encoded>
    <![CDATA[<p>Poetry engages in conversation. Today, we explore a long, beautiful, narrative poem weaving together the work of fellow poets while looking carefully at a Caravaggio painting, all reflecting on illness, death, and friendship.</p>

<p>For the poem, see here: <a href="https://www.nereview.com/vol-40-no-1-2019/the-conversion-of-paul/" rel="nofollow">https://www.nereview.com/vol-40-no-1-2019/the-conversion-of-paul/</a></p>

<p>For Grotz&#39;s incredible book, Still Falling, see <a href="https://www.graywolfpress.org/books/still-falling" rel="nofollow">Graywolf </a>Press here: <a href="https://www.graywolfpress.org/books/still-falling" rel="nofollow">https://www.graywolfpress.org/books/still-falling</a></p>

<p>“Still Falling is an undeniably gorgeous book of love poems full of grief. In these pages, Jennifer Grotz writes line after line of direct statement in rhythms that would leave any reader breathless and wanting more. . . . I am in awe of Grotz’s power to grow and transform book after book. I cannot read Still Falling without crying.”—Jericho Brown</p>

<p>For the Caravaggio painting, <a href="https://en.wikipedia.org/wiki/Conversion_on_the_Way_to_Damascus" rel="nofollow">The Conversion on the Way to Damascus</a>, see here: <a href="https://en.wikipedia.org/wiki/Conversion_on_the_Way_to_Damascus" rel="nofollow">https://en.wikipedia.org/wiki/Conversion_on_the_Way_to_Damascus</a> </p>

<p>For more episodes on ekphrasis, please see our website and keywords here:<br>
<a href="https://poetryforallpod.com/episodes/" rel="nofollow">https://poetryforallpod.com/episodes/</a></p>

<p>Thanks to Graywolf Press for permission to read this poem on the podcast. Jennifer Grotz&#39;s &quot;The Conversation of Paul&quot; was published in her collection titled <em>Still Falling</em> (Graywolf, 2023). </p>]]>
  </content:encoded>
  <itunes:summary>
    <![CDATA[<p>Poetry engages in conversation. Today, we explore a long, beautiful, narrative poem weaving together the work of fellow poets while looking carefully at a Caravaggio painting, all reflecting on illness, death, and friendship.</p>

<p>For the poem, see here: <a href="https://www.nereview.com/vol-40-no-1-2019/the-conversion-of-paul/" rel="nofollow">https://www.nereview.com/vol-40-no-1-2019/the-conversion-of-paul/</a></p>

<p>For Grotz&#39;s incredible book, Still Falling, see <a href="https://www.graywolfpress.org/books/still-falling" rel="nofollow">Graywolf </a>Press here: <a href="https://www.graywolfpress.org/books/still-falling" rel="nofollow">https://www.graywolfpress.org/books/still-falling</a></p>

<p>“Still Falling is an undeniably gorgeous book of love poems full of grief. In these pages, Jennifer Grotz writes line after line of direct statement in rhythms that would leave any reader breathless and wanting more. . . . I am in awe of Grotz’s power to grow and transform book after book. I cannot read Still Falling without crying.”—Jericho Brown</p>

<p>For the Caravaggio painting, <a href="https://en.wikipedia.org/wiki/Conversion_on_the_Way_to_Damascus" rel="nofollow">The Conversion on the Way to Damascus</a>, see here: <a href="https://en.wikipedia.org/wiki/Conversion_on_the_Way_to_Damascus" rel="nofollow">https://en.wikipedia.org/wiki/Conversion_on_the_Way_to_Damascus</a> </p>

<p>For more episodes on ekphrasis, please see our website and keywords here:<br>
<a href="https://poetryforallpod.com/episodes/" rel="nofollow">https://poetryforallpod.com/episodes/</a></p>

<p>Thanks to Graywolf Press for permission to read this poem on the podcast. Jennifer Grotz&#39;s &quot;The Conversation of Paul&quot; was published in her collection titled <em>Still Falling</em> (Graywolf, 2023). </p>]]>
  </itunes:summary>
</item>
<item>
  <title>Episode 76: Philip Levine, What Work Is</title>
  <link>https://poetryforall.fireside.fm/76</link>
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  <pubDate>Thu, 22 Aug 2024 16:00:00 -0400</pubDate>
  <author>Joanne Diaz and Abram Van Engen</author>
  <enclosure url="https://aphid.fireside.fm/d/1437767933/d55a3bfc-6538-4214-882b-a389e71b4bf6/58a443d6-c2f7-4c72-b823-1e1f9c797df0.mp3" length="19370650" type="audio/mpeg"/>
  <itunes:episodeType>full</itunes:episodeType>
  <itunes:season>6</itunes:season>
  <itunes:author>Joanne Diaz and Abram Van Engen</itunes:author>
  <itunes:subtitle>In this episode, we read and discuss Philip Levine's most famous poem, "What Work Is." We consider his deft use of the second-person perspective, the sociability and narrative energy of his poetry, and his deep concern for the insecurity that defines the lives of so working-class laborers.</itunes:subtitle>
  <itunes:duration>24:56</itunes:duration>
  <itunes:explicit>no</itunes:explicit>
  <itunes:image href="https://media24.fireside.fm/file/fireside-images-2024/podcasts/images/d/d55a3bfc-6538-4214-882b-a389e71b4bf6/episodes/5/58a443d6-c2f7-4c72-b823-1e1f9c797df0/cover.jpg?v=1"/>
  <description>In this episode, we read and discuss Philip Levine's most famous poem, "What Work Is." We consider his deft use of the second-person perspective, the sociability and narrative energy of his poetry, and his deep concern for the insecurity that defines the lives of so working-class laborers.
Click here to read "What Work Is": https://www.poetryfoundation.org/poems/52173/what-work-is
Photo credit: Geoffrey Berliner
"What Work Is" was published in What Work Is (https://www.penguinrandomhouse.com/books/100554/what-work-is-by-philip-levine/) (Knopf, 1991). Thanks to Penguin Random House for granting us permission to read this poem. 
</description>
  <itunes:keywords>Labor Day, laborers, work, poet laureate, 20th century, narrative</itunes:keywords>
  <content:encoded>
    <![CDATA[<p>In this episode, we read and discuss Philip Levine&#39;s most famous poem, &quot;What Work Is.&quot; We consider his deft use of the second-person perspective, the sociability and narrative energy of his poetry, and his deep concern for the insecurity that defines the lives of so working-class laborers.</p>

<p>Click here to read &quot;What Work Is&quot;: <a href="https://www.poetryfoundation.org/poems/52173/what-work-is" rel="nofollow">https://www.poetryfoundation.org/poems/52173/what-work-is</a></p>

<p>Photo credit: Geoffrey Berliner</p>

<p>&quot;What Work Is&quot; was published in <em><a href="https://www.penguinrandomhouse.com/books/100554/what-work-is-by-philip-levine/" rel="nofollow">What Work Is</a></em> (Knopf, 1991). Thanks to Penguin Random House for granting us permission to read this poem.</p>]]>
  </content:encoded>
  <itunes:summary>
    <![CDATA[<p>In this episode, we read and discuss Philip Levine&#39;s most famous poem, &quot;What Work Is.&quot; We consider his deft use of the second-person perspective, the sociability and narrative energy of his poetry, and his deep concern for the insecurity that defines the lives of so working-class laborers.</p>

<p>Click here to read &quot;What Work Is&quot;: <a href="https://www.poetryfoundation.org/poems/52173/what-work-is" rel="nofollow">https://www.poetryfoundation.org/poems/52173/what-work-is</a></p>

<p>Photo credit: Geoffrey Berliner</p>

<p>&quot;What Work Is&quot; was published in <em><a href="https://www.penguinrandomhouse.com/books/100554/what-work-is-by-philip-levine/" rel="nofollow">What Work Is</a></em> (Knopf, 1991). Thanks to Penguin Random House for granting us permission to read this poem.</p>]]>
  </itunes:summary>
</item>
<item>
  <title>Episode 51: Martín Espada, Jumping Off the Mystic Tobin Bridge</title>
  <link>https://poetryforall.fireside.fm/51</link>
  <guid isPermaLink="false">86b3cbca-40ad-4acc-9917-84e9109324a2</guid>
  <pubDate>Mon, 10 Oct 2022 10:00:00 -0400</pubDate>
  <author>Joanne Diaz and Abram Van Engen</author>
  <enclosure url="https://aphid.fireside.fm/d/1437767933/d55a3bfc-6538-4214-882b-a389e71b4bf6/86b3cbca-40ad-4acc-9917-84e9109324a2.mp3" length="23943988" type="audio/mpeg"/>
  <itunes:episodeType>full</itunes:episodeType>
  <itunes:season>5</itunes:season>
  <itunes:author>Joanne Diaz and Abram Van Engen</itunes:author>
  <itunes:subtitle>In this episode, we talk with the 2021 winner of the National Book Award, Martín Espada, about narrative poetry, poetry of engagement, and the witness of poetry as a work of advocacy.</itunes:subtitle>
  <itunes:duration>30:20</itunes:duration>
  <itunes:explicit>no</itunes:explicit>
  <itunes:image href="https://media24.fireside.fm/file/fireside-images-2024/podcasts/images/d/d55a3bfc-6538-4214-882b-a389e71b4bf6/episodes/8/86b3cbca-40ad-4acc-9917-84e9109324a2/cover.jpg?v=2"/>
  <description>To learn more about Martín Espada, click here (http://www.martinespada.net/).
To read the poem, click here (https://www.poetryfoundation.org/poetrymagazine/poems/148216/jumping-off-the-mystic-tobin-bridge).
This is the first poem that appears in Floaters, the winner of the 2021 National Book Award. To purchase a copy of the book, click here (https://bookshop.org/books/floaters-poems/9780393541038?gclid=Cj0KCQjw1vSZBhDuARIsAKZlijT8OEgpGJEIilmuKjBVZAg1Blepy5UUN7ylUOjDN5Ivq8AdnC9iFPsaApX6EALw_wcB).
Photo credit: Lauren Marie Schmidt (cropped to fit dimensions) 
</description>
  <itunes:keywords>21st century, anger, city, guest on the show, hispanic heritage month, laborers, narrative, repetition or refrain, social justice and advocacy</itunes:keywords>
  <content:encoded>
    <![CDATA[<p>To learn more about Martín Espada, click <a href="http://www.martinespada.net/" rel="nofollow">here</a>.</p>

<p>To read the poem, click <a href="https://www.poetryfoundation.org/poetrymagazine/poems/148216/jumping-off-the-mystic-tobin-bridge" rel="nofollow">here</a>.</p>

<p>This is the first poem that appears in Floaters, the winner of the 2021 National Book Award. To purchase a copy of the book, click <a href="https://bookshop.org/books/floaters-poems/9780393541038?gclid=Cj0KCQjw1vSZBhDuARIsAKZlijT8OEgpGJEIilmuKjBVZAg1Blepy5UUN7ylUOjDN5Ivq8AdnC9iFPsaApX6EALw_wcB" rel="nofollow">here</a>.</p>

<p>Photo credit: Lauren Marie Schmidt (cropped to fit dimensions)</p>]]>
  </content:encoded>
  <itunes:summary>
    <![CDATA[<p>To learn more about Martín Espada, click <a href="http://www.martinespada.net/" rel="nofollow">here</a>.</p>

<p>To read the poem, click <a href="https://www.poetryfoundation.org/poetrymagazine/poems/148216/jumping-off-the-mystic-tobin-bridge" rel="nofollow">here</a>.</p>

<p>This is the first poem that appears in Floaters, the winner of the 2021 National Book Award. To purchase a copy of the book, click <a href="https://bookshop.org/books/floaters-poems/9780393541038?gclid=Cj0KCQjw1vSZBhDuARIsAKZlijT8OEgpGJEIilmuKjBVZAg1Blepy5UUN7ylUOjDN5Ivq8AdnC9iFPsaApX6EALw_wcB" rel="nofollow">here</a>.</p>

<p>Photo credit: Lauren Marie Schmidt (cropped to fit dimensions)</p>]]>
  </itunes:summary>
</item>
<item>
  <title>Episode 44: Ann Hudson, Soap</title>
  <link>https://poetryforall.fireside.fm/44</link>
  <guid isPermaLink="false">b0cab87b-117a-4082-aaa6-ee6510244df2</guid>
  <pubDate>Wed, 16 Mar 2022 15:00:00 -0400</pubDate>
  <author>Joanne Diaz and Abram Van Engen</author>
  <enclosure url="https://aphid.fireside.fm/d/1437767933/d55a3bfc-6538-4214-882b-a389e71b4bf6/b0cab87b-117a-4082-aaa6-ee6510244df2.mp3" length="22432147" type="audio/mpeg"/>
  <itunes:episodeType>full</itunes:episodeType>
  <itunes:season>4</itunes:season>
  <itunes:author>Joanne Diaz and Abram Van Engen</itunes:author>
  <itunes:subtitle>In this episode, Ann Hudson joins us to read her poem “Soap” and discuss how its narrative structure allows her to explore the history of science, technology, and our notions of progress and beauty, even when those notions do great harm to ordinary workers. </itunes:subtitle>
  <itunes:duration>23:19</itunes:duration>
  <itunes:explicit>no</itunes:explicit>
  <itunes:image href="https://media24.fireside.fm/file/fireside-images-2024/podcasts/images/d/d55a3bfc-6538-4214-882b-a389e71b4bf6/episodes/b/b0cab87b-117a-4082-aaa6-ee6510244df2/cover.jpg?v=1"/>
  <description>In this episode, Ann Hudson joins us to read her poem “Soap” and discuss how its narrative structure allows her to explore the history of science, technology, and our notions of progress and beauty, even when those notions do great harm to ordinary workers. 
Ann is the author of two collections of poetry: The Armillary Sphere (https://www.ohioswallow.com/book/The+Armillary+Sphere), which was selected by Mary Kinzie as the winner of the Hollis Summers Poetry Prize and published by Ohio University Press; and Glow (https://nextpage-press.com/glow-by-ann-hudson.html), published by Next Page Press. Her poems have appeared in many literary journals, including Crab Orchard Review, North American Review, Orion, Prairie Schooner, and The Seattle Review. Ann is senior editor for RHINO.
To learn more about Ann's work, please visit her website (https://www.annhudson.net/index.html).
</description>
  <itunes:keywords>21st century, body in pain, grief and loss, guest on the show, laborers, narrative, science and medicine, social justice and advocacy, women's history month</itunes:keywords>
  <content:encoded>
    <![CDATA[<p>In this episode, Ann Hudson joins us to read her poem “Soap” and discuss how its narrative structure allows her to explore the history of science, technology, and our notions of progress and beauty, even when those notions do great harm to ordinary workers. </p>

<p>Ann is the author of two collections of poetry: <a href="https://www.ohioswallow.com/book/The+Armillary+Sphere" rel="nofollow">The Armillary Sphere</a>, which was selected by Mary Kinzie as the winner of the Hollis Summers Poetry Prize and published by Ohio University Press; and <a href="https://nextpage-press.com/glow-by-ann-hudson.html" rel="nofollow">Glow</a>, published by Next Page Press. Her poems have appeared in many literary journals, including <em>Crab Orchard Review, North American Review, Orion, Prairie Schooner</em>, and <em>The Seattle Review</em>. Ann is senior editor for <em>RHINO</em>.</p>

<p>To learn more about Ann&#39;s work, please visit her <a href="https://www.annhudson.net/index.html" rel="nofollow">website</a>.</p>]]>
  </content:encoded>
  <itunes:summary>
    <![CDATA[<p>In this episode, Ann Hudson joins us to read her poem “Soap” and discuss how its narrative structure allows her to explore the history of science, technology, and our notions of progress and beauty, even when those notions do great harm to ordinary workers. </p>

<p>Ann is the author of two collections of poetry: <a href="https://www.ohioswallow.com/book/The+Armillary+Sphere" rel="nofollow">The Armillary Sphere</a>, which was selected by Mary Kinzie as the winner of the Hollis Summers Poetry Prize and published by Ohio University Press; and <a href="https://nextpage-press.com/glow-by-ann-hudson.html" rel="nofollow">Glow</a>, published by Next Page Press. Her poems have appeared in many literary journals, including <em>Crab Orchard Review, North American Review, Orion, Prairie Schooner</em>, and <em>The Seattle Review</em>. Ann is senior editor for <em>RHINO</em>.</p>

<p>To learn more about Ann&#39;s work, please visit her <a href="https://www.annhudson.net/index.html" rel="nofollow">website</a>.</p>]]>
  </itunes:summary>
</item>
<item>
  <title>Episode 41: F.E.W. Harper, Learning to Read</title>
  <link>https://poetryforall.fireside.fm/41</link>
  <guid isPermaLink="false">b19c55e5-513f-4224-9a20-48c56939222c</guid>
  <pubDate>Wed, 16 Feb 2022 15:00:00 -0500</pubDate>
  <author>Joanne Diaz and Abram Van Engen</author>
  <enclosure url="https://aphid.fireside.fm/d/1437767933/d55a3bfc-6538-4214-882b-a389e71b4bf6/b19c55e5-513f-4224-9a20-48c56939222c.mp3" length="22975460" type="audio/mpeg"/>
  <itunes:episodeType>full</itunes:episodeType>
  <itunes:season>4</itunes:season>
  <itunes:author>Joanne Diaz and Abram Van Engen</itunes:author>
  <itunes:subtitle>Frances Ellen Watkins Harper was a prolific writer and activist of the nineteenth century. In this episode, Professor Janaka Bowman Lewis joins us to discuss her power, influence, voice, and work. "Learning to Read" foregrounds the ballad style in a narrative poem designed to keep alive the memories of fighting for both literacy and liberation.</itunes:subtitle>
  <itunes:duration>23:27</itunes:duration>
  <itunes:explicit>no</itunes:explicit>
  <itunes:image href="https://media24.fireside.fm/file/fireside-images-2024/podcasts/images/d/d55a3bfc-6538-4214-882b-a389e71b4bf6/episodes/b/b19c55e5-513f-4224-9a20-48c56939222c/cover.jpg?v=2"/>
  <description>Frances Ellen Watkins Harper was a prolific writer and activist of the nineteenth century. In this episode, Professor Janaka Bowman Lewis joins us to discuss her power, influence, voice, and work. "Learning to Read" foregrounds the ballad style in a narrative poem designed to keep alive the memories of fighting for both literacy and liberation.
For the full text of the poem, see here: "Learning to Read (https://www.poetryfoundation.org/poems/52448/learning-to-read-56d230ed0fdc0)"
Janaka Bowman Lewis is an Associate Professor of English at the University of North Carolina--Charlotte, and she includes a chapter on Frances Ellen Watkins Harper in Freedom Narratives of African American Women: A Study of 19th Century Writings (https://mcfarlandbooks.com/product/freedom-narratives-of-african-american-women/).
For a good recent article about this poem by Madeline Zehnder, see Commonplace (http://commonplace.online/article/frances-ellen-watkins-harper-media-theorist/).
For more on Frances Ellen Watkins Harper, see the Poetry Foundation (https://www.poetryfoundation.org/poets/frances-ellen-watkins-harper).
For good resources on F.E.W. Harper, especially materials related to the recovery and teaching of her first book of poems, Forest Leaves, see the Just Teach One (http://jtoaa.common-place.org/welcome-to-just-teach-one-african-american/frances-ellen-watkins-harpers-forest-leaves-introduction/) archive at Commonplace.
For the best collection of Harper's work, see Frances Smith Foster, A Brighter Coming Day:  A Frances Ellen Watkins Harper Reader (https://www.feministpress.org/books-a-m/a-b)
For further reading, see Harper's most famous novel, Iola Leroy (https://www.penguinrandomhouse.com/books/306859/iola-leroy-by-frances-ellen-watkins-harper/).
</description>
  <itunes:keywords>19th century, anger, black history month, guest on the show, narrative, social justice and advocacy</itunes:keywords>
  <content:encoded>
    <![CDATA[<p>Frances Ellen Watkins Harper was a prolific writer and activist of the nineteenth century. In this episode, Professor Janaka Bowman Lewis joins us to discuss her power, influence, voice, and work. &quot;Learning to Read&quot; foregrounds the ballad style in a narrative poem designed to keep alive the memories of fighting for both literacy and liberation.</p>

<p>For the full text of the poem, see here: &quot;<a href="https://www.poetryfoundation.org/poems/52448/learning-to-read-56d230ed0fdc0" rel="nofollow">Learning to Read</a>&quot;</p>

<p>Janaka Bowman Lewis is an Associate Professor of English at the University of North Carolina--Charlotte, and she includes a chapter on Frances Ellen Watkins Harper in <a href="https://mcfarlandbooks.com/product/freedom-narratives-of-african-american-women/" rel="nofollow">Freedom Narratives of African American Women: A Study of 19th Century Writings</a>.</p>

<p>For a good recent article about this poem by Madeline Zehnder, see <a href="http://commonplace.online/article/frances-ellen-watkins-harper-media-theorist/" rel="nofollow">Commonplace</a>.</p>

<p>For more on Frances Ellen Watkins Harper, see the <a href="https://www.poetryfoundation.org/poets/frances-ellen-watkins-harper" rel="nofollow">Poetry Foundation</a>.</p>

<p>For good resources on F.E.W. Harper, especially materials related to the recovery and teaching of her first book of poems, <em>Forest Leaves</em>, see the <a href="http://jtoaa.common-place.org/welcome-to-just-teach-one-african-american/frances-ellen-watkins-harpers-forest-leaves-introduction/" rel="nofollow">Just Teach One</a> archive at Commonplace.</p>

<p>For the best collection of Harper&#39;s work, see Frances Smith Foster, <em><a href="https://www.feministpress.org/books-a-m/a-b" rel="nofollow">A Brighter Coming Day:  A Frances Ellen Watkins Harper Reader</a></em></p>

<p>For further reading, see Harper&#39;s most famous novel, <em><a href="https://www.penguinrandomhouse.com/books/306859/iola-leroy-by-frances-ellen-watkins-harper/" rel="nofollow">Iola Leroy</a></em>.</p><p>Links:</p><ul><li><a title="Learning to Read by Frances Ellen Watkins Harper | Poetry Foundation" rel="nofollow" href="https://www.poetryfoundation.org/poems/52448/learning-to-read-56d230ed0fdc0">Learning to Read by Frances Ellen Watkins Harper | Poetry Foundation</a></li><li><a title="Frances Ellen Watkins Harper | Poetry Foundation" rel="nofollow" href="https://www.poetryfoundation.org/poets/frances-ellen-watkins-harper">Frances Ellen Watkins Harper | Poetry Foundation</a></li><li><a title="Frances Ellen Watkins Harper, Media Theorist - Commonplace - The Journal of early American Life" rel="nofollow" href="http://commonplace.online/article/frances-ellen-watkins-harper-media-theorist/">Frances Ellen Watkins Harper, Media Theorist - Commonplace - The Journal of early American Life</a></li><li><a title="Just Teach One: Early African American Print » Frances Ellen Watkins (Harper)’s Forest Leaves (ca. 1846)" rel="nofollow" href="http://jtoaa.common-place.org/welcome-to-just-teach-one-african-american/frances-ellen-watkins-harpers-forest-leaves-introduction/">Just Teach One: Early African American Print » Frances Ellen Watkins (Harper)’s Forest Leaves (ca. 1846)</a></li><li><a title="A Brighter Coming Day — Feminist Press" rel="nofollow" href="https://www.feministpress.org/books-a-m/a-b">A Brighter Coming Day — Feminist Press</a></li><li><a title="Iola Leroy by Frances Ellen Watkins Harper: 9780143106043 | PenguinRandomHouse.com: Books" rel="nofollow" href="https://www.penguinrandomhouse.com/books/306859/iola-leroy-by-frances-ellen-watkins-harper/">Iola Leroy by Frances Ellen Watkins Harper: 9780143106043 | PenguinRandomHouse.com: Books</a></li></ul>]]>
  </content:encoded>
  <itunes:summary>
    <![CDATA[<p>Frances Ellen Watkins Harper was a prolific writer and activist of the nineteenth century. In this episode, Professor Janaka Bowman Lewis joins us to discuss her power, influence, voice, and work. &quot;Learning to Read&quot; foregrounds the ballad style in a narrative poem designed to keep alive the memories of fighting for both literacy and liberation.</p>

<p>For the full text of the poem, see here: &quot;<a href="https://www.poetryfoundation.org/poems/52448/learning-to-read-56d230ed0fdc0" rel="nofollow">Learning to Read</a>&quot;</p>

<p>Janaka Bowman Lewis is an Associate Professor of English at the University of North Carolina--Charlotte, and she includes a chapter on Frances Ellen Watkins Harper in <a href="https://mcfarlandbooks.com/product/freedom-narratives-of-african-american-women/" rel="nofollow">Freedom Narratives of African American Women: A Study of 19th Century Writings</a>.</p>

<p>For a good recent article about this poem by Madeline Zehnder, see <a href="http://commonplace.online/article/frances-ellen-watkins-harper-media-theorist/" rel="nofollow">Commonplace</a>.</p>

<p>For more on Frances Ellen Watkins Harper, see the <a href="https://www.poetryfoundation.org/poets/frances-ellen-watkins-harper" rel="nofollow">Poetry Foundation</a>.</p>

<p>For good resources on F.E.W. Harper, especially materials related to the recovery and teaching of her first book of poems, <em>Forest Leaves</em>, see the <a href="http://jtoaa.common-place.org/welcome-to-just-teach-one-african-american/frances-ellen-watkins-harpers-forest-leaves-introduction/" rel="nofollow">Just Teach One</a> archive at Commonplace.</p>

<p>For the best collection of Harper&#39;s work, see Frances Smith Foster, <em><a href="https://www.feministpress.org/books-a-m/a-b" rel="nofollow">A Brighter Coming Day:  A Frances Ellen Watkins Harper Reader</a></em></p>

<p>For further reading, see Harper&#39;s most famous novel, <em><a href="https://www.penguinrandomhouse.com/books/306859/iola-leroy-by-frances-ellen-watkins-harper/" rel="nofollow">Iola Leroy</a></em>.</p><p>Links:</p><ul><li><a title="Learning to Read by Frances Ellen Watkins Harper | Poetry Foundation" rel="nofollow" href="https://www.poetryfoundation.org/poems/52448/learning-to-read-56d230ed0fdc0">Learning to Read by Frances Ellen Watkins Harper | Poetry Foundation</a></li><li><a title="Frances Ellen Watkins Harper | Poetry Foundation" rel="nofollow" href="https://www.poetryfoundation.org/poets/frances-ellen-watkins-harper">Frances Ellen Watkins Harper | Poetry Foundation</a></li><li><a title="Frances Ellen Watkins Harper, Media Theorist - Commonplace - The Journal of early American Life" rel="nofollow" href="http://commonplace.online/article/frances-ellen-watkins-harper-media-theorist/">Frances Ellen Watkins Harper, Media Theorist - Commonplace - The Journal of early American Life</a></li><li><a title="Just Teach One: Early African American Print » Frances Ellen Watkins (Harper)’s Forest Leaves (ca. 1846)" rel="nofollow" href="http://jtoaa.common-place.org/welcome-to-just-teach-one-african-american/frances-ellen-watkins-harpers-forest-leaves-introduction/">Just Teach One: Early African American Print » Frances Ellen Watkins (Harper)’s Forest Leaves (ca. 1846)</a></li><li><a title="A Brighter Coming Day — Feminist Press" rel="nofollow" href="https://www.feministpress.org/books-a-m/a-b">A Brighter Coming Day — Feminist Press</a></li><li><a title="Iola Leroy by Frances Ellen Watkins Harper: 9780143106043 | PenguinRandomHouse.com: Books" rel="nofollow" href="https://www.penguinrandomhouse.com/books/306859/iola-leroy-by-frances-ellen-watkins-harper/">Iola Leroy by Frances Ellen Watkins Harper: 9780143106043 | PenguinRandomHouse.com: Books</a></li></ul>]]>
  </itunes:summary>
</item>
<item>
  <title>Episode 32: Rick Barot, Cascades 501</title>
  <link>https://poetryforall.fireside.fm/32</link>
  <guid isPermaLink="false">c1e94ca8-5eae-448b-9593-8ffe60c78acf</guid>
  <pubDate>Wed, 03 Nov 2021 12:00:00 -0400</pubDate>
  <author>Joanne Diaz and Abram Van Engen</author>
  <enclosure url="https://aphid.fireside.fm/d/1437767933/d55a3bfc-6538-4214-882b-a389e71b4bf6/c1e94ca8-5eae-448b-9593-8ffe60c78acf.mp3" length="32689177" type="audio/mpeg"/>
  <itunes:episodeType>full</itunes:episodeType>
  <itunes:season>3</itunes:season>
  <itunes:author>Joanne Diaz and Abram Van Engen</itunes:author>
  <itunes:subtitle></itunes:subtitle>
  <itunes:duration>38:32</itunes:duration>
  <itunes:explicit>no</itunes:explicit>
  <itunes:image href="https://media24.fireside.fm/file/fireside-images-2024/podcasts/images/d/d55a3bfc-6538-4214-882b-a389e71b4bf6/episodes/c/c1e94ca8-5eae-448b-9593-8ffe60c78acf/cover.jpg?v=3"/>
  <description>In this episode, poet Rick Barot guides us in our reading of his poem "Cascades 501" from The Galleons, his most recent collection. Rick's insights into how poets engage with place, create juxtapositions, and arrive at insights taught us so much about how poets create their best work. 
To learn more about Rick Barot, you can visit his website:
https://www.rickbarot.com/about/
To learn more about The Galleons, you can visit the Milkweed Editions website:
https://milkweed.org/book/the-galleons
To read "Cascade 501," visit the Academy of American Poets website:
https://poets.org/poem/cascades-501
</description>
  <itunes:keywords>21st century, asian american &amp; pacific islander month, free verse, guest on the show, lgbtqia month, narrative, nature poetry, surprise</itunes:keywords>
  <content:encoded>
    <![CDATA[<p>In this episode, poet Rick Barot guides us in our reading of his poem &quot;Cascades 501&quot; from <em>The Galleons,</em> his most recent collection. Rick&#39;s insights into how poets engage with place, create juxtapositions, and arrive at insights taught us so much about how poets create their best work. </p>

<p>To learn more about Rick Barot, you can visit his website:</p>

<p><a href="https://www.rickbarot.com/about/" rel="nofollow">https://www.rickbarot.com/about/</a></p>

<p>To learn more about <em>The Galleons,</em> you can visit the Milkweed Editions website:</p>

<p><a href="https://milkweed.org/book/the-galleons" rel="nofollow">https://milkweed.org/book/the-galleons</a></p>

<p>To read &quot;Cascade 501,&quot; visit the Academy of American Poets website:</p>

<p><a href="https://poets.org/poem/cascades-501" rel="nofollow">https://poets.org/poem/cascades-501</a></p>]]>
  </content:encoded>
  <itunes:summary>
    <![CDATA[<p>In this episode, poet Rick Barot guides us in our reading of his poem &quot;Cascades 501&quot; from <em>The Galleons,</em> his most recent collection. Rick&#39;s insights into how poets engage with place, create juxtapositions, and arrive at insights taught us so much about how poets create their best work. </p>

<p>To learn more about Rick Barot, you can visit his website:</p>

<p><a href="https://www.rickbarot.com/about/" rel="nofollow">https://www.rickbarot.com/about/</a></p>

<p>To learn more about <em>The Galleons,</em> you can visit the Milkweed Editions website:</p>

<p><a href="https://milkweed.org/book/the-galleons" rel="nofollow">https://milkweed.org/book/the-galleons</a></p>

<p>To read &quot;Cascade 501,&quot; visit the Academy of American Poets website:</p>

<p><a href="https://poets.org/poem/cascades-501" rel="nofollow">https://poets.org/poem/cascades-501</a></p>]]>
  </itunes:summary>
</item>
<item>
  <title>Episode 19: Naomi Shihab Nye, Gate A-4</title>
  <link>https://poetryforall.fireside.fm/19</link>
  <guid isPermaLink="false">4e75b8fc-c85a-4f4e-8355-dbd15488422a</guid>
  <pubDate>Tue, 09 Mar 2021 18:00:00 -0500</pubDate>
  <author>Joanne Diaz and Abram Van Engen</author>
  <enclosure url="https://aphid.fireside.fm/d/1437767933/d55a3bfc-6538-4214-882b-a389e71b4bf6/4e75b8fc-c85a-4f4e-8355-dbd15488422a.mp3" length="15130345" type="audio/mpeg"/>
  <itunes:episodeType>full</itunes:episodeType>
  <itunes:season>2</itunes:season>
  <itunes:author>Joanne Diaz and Abram Van Engen</itunes:author>
  <itunes:subtitle>Remember airports? In this wonderful, narrative poem, Nye speaks of the remarkable capacity for community in a world of strangers.</itunes:subtitle>
  <itunes:duration>18:59</itunes:duration>
  <itunes:explicit>no</itunes:explicit>
  <itunes:image href="https://media24.fireside.fm/file/fireside-images-2024/podcasts/images/d/d55a3bfc-6538-4214-882b-a389e71b4bf6/episodes/4/4e75b8fc-c85a-4f4e-8355-dbd15488422a/cover.jpg?v=3"/>
  <description>Naomi Shihab Nye, a Palestinian-American poet born in St. Louis and raised in Jerusalem and San Antonio, focuses on the ordinary to observe the extraordinary. Her poetry often speaks of cultural encounters and celebrates different cultures. She is the recipient of many awards and is currently the Poetry Foundation's Young People's Poet Laureate. 
In this poem, we explore what makes a poem "poetry" versus some other genre, and we consider what difference such designations make while walking through a longer, narrative poem.
For the text of the poem, see here: https://poets.org/poem/gate-4
For more on Naomi Shihab Nye, see the Poetry Foundation: https://www.poetryfoundation.org/poets/naomi-shihab-nye
This poem comes from Honeybee: Poems and Short Prose (https://www.amazon.com/Honeybee-Poems-Naomi-Shihab-Nye/dp/0060853905).
The image has a creative commons license and can be found here (https://commons.wikimedia.org/wiki/File:Naomishihabnye.jpg). 
</description>
  <itunes:keywords>21st century, hope, joy, narrative, social justice and advocacy, spirituality, surprise, wonder</itunes:keywords>
  <content:encoded>
    <![CDATA[<p>Naomi Shihab Nye, a Palestinian-American poet born in St. Louis and raised in Jerusalem and San Antonio, focuses on the ordinary to observe the extraordinary. Her poetry often speaks of cultural encounters and celebrates different cultures. She is the recipient of many awards and is currently the Poetry Foundation&#39;s Young People&#39;s Poet Laureate. </p>

<p>In this poem, we explore what makes a poem &quot;poetry&quot; versus some other genre, and we consider what difference such designations make while walking through a longer, narrative poem.</p>

<p>For the text of the poem, see here: <a href="https://poets.org/poem/gate-4" rel="nofollow">https://poets.org/poem/gate-4</a></p>

<p>For more on Naomi Shihab Nye, see the Poetry Foundation: <a href="https://www.poetryfoundation.org/poets/naomi-shihab-nye" rel="nofollow">https://www.poetryfoundation.org/poets/naomi-shihab-nye</a></p>

<p>This poem comes from <a href="https://www.amazon.com/Honeybee-Poems-Naomi-Shihab-Nye/dp/0060853905" rel="nofollow">Honeybee: Poems and Short Prose</a>.</p>

<p>The image has a creative commons license and can be <a href="https://commons.wikimedia.org/wiki/File:Naomishihabnye.jpg" rel="nofollow">found here</a>.</p>]]>
  </content:encoded>
  <itunes:summary>
    <![CDATA[<p>Naomi Shihab Nye, a Palestinian-American poet born in St. Louis and raised in Jerusalem and San Antonio, focuses on the ordinary to observe the extraordinary. Her poetry often speaks of cultural encounters and celebrates different cultures. She is the recipient of many awards and is currently the Poetry Foundation&#39;s Young People&#39;s Poet Laureate. </p>

<p>In this poem, we explore what makes a poem &quot;poetry&quot; versus some other genre, and we consider what difference such designations make while walking through a longer, narrative poem.</p>

<p>For the text of the poem, see here: <a href="https://poets.org/poem/gate-4" rel="nofollow">https://poets.org/poem/gate-4</a></p>

<p>For more on Naomi Shihab Nye, see the Poetry Foundation: <a href="https://www.poetryfoundation.org/poets/naomi-shihab-nye" rel="nofollow">https://www.poetryfoundation.org/poets/naomi-shihab-nye</a></p>

<p>This poem comes from <a href="https://www.amazon.com/Honeybee-Poems-Naomi-Shihab-Nye/dp/0060853905" rel="nofollow">Honeybee: Poems and Short Prose</a>.</p>

<p>The image has a creative commons license and can be <a href="https://commons.wikimedia.org/wiki/File:Naomishihabnye.jpg" rel="nofollow">found here</a>.</p>]]>
  </itunes:summary>
</item>
<item>
  <title>Episode 15: Amanda Gorman, Chorus of the Captains</title>
  <link>https://poetryforall.fireside.fm/15</link>
  <guid isPermaLink="false">c0bfa0cf-1b7c-4894-8980-304b33011c68</guid>
  <pubDate>Tue, 09 Feb 2021 20:00:00 -0500</pubDate>
  <author>Joanne Diaz and Abram Van Engen</author>
  <enclosure url="https://aphid.fireside.fm/d/1437767933/d55a3bfc-6538-4214-882b-a389e71b4bf6/c0bfa0cf-1b7c-4894-8980-304b33011c68.mp3" length="13575073" type="audio/mpeg"/>
  <itunes:episodeType>full</itunes:episodeType>
  <itunes:season>2</itunes:season>
  <itunes:author>Joanne Diaz and Abram Van Engen</itunes:author>
  <itunes:subtitle>Amanda Gorman became the first poet ever to perform at the Super Bowl on February 7, 2021. In this episode we talk about poetry for the masses, mass media, genres of poetry, spoken word, the visual and the verbal, and the mix of ancient methods with emergent forms.</itunes:subtitle>
  <itunes:duration>17:56</itunes:duration>
  <itunes:explicit>no</itunes:explicit>
  <itunes:image href="https://media24.fireside.fm/file/fireside-images-2024/podcasts/images/d/d55a3bfc-6538-4214-882b-a389e71b4bf6/episodes/c/c0bfa0cf-1b7c-4894-8980-304b33011c68/cover.jpg?v=2"/>
  <description>Amanda Gorman became the first poet ever to perform at the Super Bowl on February 7, 2021. In this episode we talk about poetry for the masses, mass media, genres of poetry, spoken word, the visual and the verbal, and the mix of ancient methods with emergent forms.
See her poem here: https://www.youtube.com/watch?v=-ejbSCjg2qo
See this great article by Virginia Jackson and Meredith Martin about Amanda Gorman's Inauguration Poem at Avidly:
The Poetry of the Future (http://avidly.lareviewofbooks.org/2021/01/29/the-poetry-of-the-future/)
For more on Amanda Gorman, see The Poetry Foundation: https://www.poetryfoundation.org/poets/amanda-gorman 
</description>
  <itunes:keywords>21st century, alliterative verse, black history month, free verse, gratitude, narrative, social justice and advocacy</itunes:keywords>
  <content:encoded>
    <![CDATA[<p>Amanda Gorman became the first poet ever to perform at the Super Bowl on February 7, 2021. In this episode we talk about poetry for the masses, mass media, genres of poetry, spoken word, the visual and the verbal, and the mix of ancient methods with emergent forms.</p>

<p>See her poem here: <a href="https://www.youtube.com/watch?v=-ejbSCjg2qo" rel="nofollow">https://www.youtube.com/watch?v=-ejbSCjg2qo</a></p>

<p>See this great article by Virginia Jackson and Meredith Martin about Amanda Gorman&#39;s Inauguration Poem at Avidly:<br>
<a href="http://avidly.lareviewofbooks.org/2021/01/29/the-poetry-of-the-future/" rel="nofollow">The Poetry of the Future</a></p>

<p>For more on Amanda Gorman, see The Poetry Foundation: <a href="https://www.poetryfoundation.org/poets/amanda-gorman" rel="nofollow">https://www.poetryfoundation.org/poets/amanda-gorman</a></p>]]>
  </content:encoded>
  <itunes:summary>
    <![CDATA[<p>Amanda Gorman became the first poet ever to perform at the Super Bowl on February 7, 2021. In this episode we talk about poetry for the masses, mass media, genres of poetry, spoken word, the visual and the verbal, and the mix of ancient methods with emergent forms.</p>

<p>See her poem here: <a href="https://www.youtube.com/watch?v=-ejbSCjg2qo" rel="nofollow">https://www.youtube.com/watch?v=-ejbSCjg2qo</a></p>

<p>See this great article by Virginia Jackson and Meredith Martin about Amanda Gorman&#39;s Inauguration Poem at Avidly:<br>
<a href="http://avidly.lareviewofbooks.org/2021/01/29/the-poetry-of-the-future/" rel="nofollow">The Poetry of the Future</a></p>

<p>For more on Amanda Gorman, see The Poetry Foundation: <a href="https://www.poetryfoundation.org/poets/amanda-gorman" rel="nofollow">https://www.poetryfoundation.org/poets/amanda-gorman</a></p>]]>
  </itunes:summary>
</item>
<item>
  <title>Episode 14: George Herbert, The Collar</title>
  <link>https://poetryforall.fireside.fm/14</link>
  <guid isPermaLink="false">13b04c3a-c56c-4b40-88c5-87ef8067cede</guid>
  <pubDate>Mon, 01 Feb 2021 09:00:00 -0500</pubDate>
  <author>Joanne Diaz and Abram Van Engen</author>
  <enclosure url="https://aphid.fireside.fm/d/1437767933/d55a3bfc-6538-4214-882b-a389e71b4bf6/13b04c3a-c56c-4b40-88c5-87ef8067cede.mp3" length="13735224" type="audio/mpeg"/>
  <itunes:episodeType>full</itunes:episodeType>
  <itunes:season>2</itunes:season>
  <itunes:author>Joanne Diaz and Abram Van Engen</itunes:author>
  <itunes:subtitle>In this episode, we look at "The Collar"--a famous single-stanza poem, playing with meter, rhythm, and rhyme by the seventeenth-century priest and poet, George Herbert.</itunes:subtitle>
  <itunes:duration>18:24</itunes:duration>
  <itunes:explicit>no</itunes:explicit>
  <itunes:image href="https://media24.fireside.fm/file/fireside-images-2024/podcasts/images/d/d55a3bfc-6538-4214-882b-a389e71b4bf6/episodes/1/13b04c3a-c56c-4b40-88c5-87ef8067cede/cover.jpg?v=1"/>
  <description>In this episode, we look at "The Collar"--a famous single-stanza poem, playing with meter, rhythm, and rhyme by the seventeenth-century priest and poet, George Herbert.
Here is the poem in full:
THE COLLAR
I struck the board, and cried, "No more;
                         I will abroad!
What? shall I ever sigh and pine?
My lines and life are free, free as the road,
Loose as the wind, as large as store.
          Shall I be still in suit?
Have I no harvest but a thorn
To let me blood, and not restore
What I have lost with cordial fruit?
          Sure there was wine
Before my sighs did dry it; there was corn
    Before my tears did drown it.
      Is the year only lost to me?
          Have I no bays to crown it,
No flowers, no garlands gay? All blasted?
                  All wasted?
Not so, my heart; but there is fruit,
            And thou hast hands.
Recover all thy sigh-blown age
On double pleasures: leave thy cold dispute
Of what is fit and not. Forsake thy cage,
             Thy rope of sands,
Which petty thoughts have made, and made to thee
Good cable, to enforce and draw,
          And be thy law,
While thou didst wink and wouldst not see.
          Away! take heed;
          I will abroad.
Call in thy death's-head there; tie up thy fears;
          He that forbears
         To suit and serve his need
          Deserves his load."
But as I raved and grew more fierce and wild
          At every word,
Methought I heard one calling, Child!
          And I replied My Lord.
For more on George Herbert, visit the poetry foundation (https://www.poetryfoundation.org/poets/george-herbert).
</description>
  <itunes:keywords>17th century, anger, christianity, narrative, restlessness, rhymed verse, spirituality, surprise</itunes:keywords>
  <content:encoded>
    <![CDATA[<p>In this episode, we look at &quot;The Collar&quot;--a famous single-stanza poem, playing with meter, rhythm, and rhyme by the seventeenth-century priest and poet, George Herbert.</p>

<p>Here is the poem in full:</p>

<p>THE COLLAR</p>

<p>I struck the board, and cried, &quot;No more;<br>
                         I will abroad!<br>
What? shall I ever sigh and pine?<br>
My lines and life are free, free as the road,<br>
Loose as the wind, as large as store.<br>
          Shall I be still in suit?<br>
Have I no harvest but a thorn<br>
To let me blood, and not restore<br>
What I have lost with cordial fruit?<br>
          Sure there was wine<br>
Before my sighs did dry it; there was corn<br>
    Before my tears did drown it.<br>
      Is the year only lost to me?<br>
          Have I no bays to crown it,<br>
No flowers, no garlands gay? All blasted?<br>
                  All wasted?<br>
Not so, my heart; but there is fruit,<br>
            And thou hast hands.<br>
Recover all thy sigh-blown age<br>
On double pleasures: leave thy cold dispute<br>
Of what is fit and not. Forsake thy cage,<br>
             Thy rope of sands,<br>
Which petty thoughts have made, and made to thee<br>
Good cable, to enforce and draw,<br>
          And be thy law,<br>
While thou didst wink and wouldst not see.<br>
          Away! take heed;<br>
          I will abroad.<br>
Call in thy death&#39;s-head there; tie up thy fears;<br>
          He that forbears<br>
         To suit and serve his need<br>
          Deserves his load.&quot;<br>
But as I raved and grew more fierce and wild<br>
          At every word,<br>
Methought I heard one calling, Child!<br>
          And I replied My Lord.</p>

<p>For more on George Herbert, visit <a href="https://www.poetryfoundation.org/poets/george-herbert" rel="nofollow">the poetry foundation</a>.</p>]]>
  </content:encoded>
  <itunes:summary>
    <![CDATA[<p>In this episode, we look at &quot;The Collar&quot;--a famous single-stanza poem, playing with meter, rhythm, and rhyme by the seventeenth-century priest and poet, George Herbert.</p>

<p>Here is the poem in full:</p>

<p>THE COLLAR</p>

<p>I struck the board, and cried, &quot;No more;<br>
                         I will abroad!<br>
What? shall I ever sigh and pine?<br>
My lines and life are free, free as the road,<br>
Loose as the wind, as large as store.<br>
          Shall I be still in suit?<br>
Have I no harvest but a thorn<br>
To let me blood, and not restore<br>
What I have lost with cordial fruit?<br>
          Sure there was wine<br>
Before my sighs did dry it; there was corn<br>
    Before my tears did drown it.<br>
      Is the year only lost to me?<br>
          Have I no bays to crown it,<br>
No flowers, no garlands gay? All blasted?<br>
                  All wasted?<br>
Not so, my heart; but there is fruit,<br>
            And thou hast hands.<br>
Recover all thy sigh-blown age<br>
On double pleasures: leave thy cold dispute<br>
Of what is fit and not. Forsake thy cage,<br>
             Thy rope of sands,<br>
Which petty thoughts have made, and made to thee<br>
Good cable, to enforce and draw,<br>
          And be thy law,<br>
While thou didst wink and wouldst not see.<br>
          Away! take heed;<br>
          I will abroad.<br>
Call in thy death&#39;s-head there; tie up thy fears;<br>
          He that forbears<br>
         To suit and serve his need<br>
          Deserves his load.&quot;<br>
But as I raved and grew more fierce and wild<br>
          At every word,<br>
Methought I heard one calling, Child!<br>
          And I replied My Lord.</p>

<p>For more on George Herbert, visit <a href="https://www.poetryfoundation.org/poets/george-herbert" rel="nofollow">the poetry foundation</a>.</p>]]>
  </itunes:summary>
</item>
<item>
  <title>Episode 8: Toi Derricotte, "The Minks"</title>
  <link>https://poetryforall.fireside.fm/8</link>
  <guid isPermaLink="false">a296cdfb-7557-4454-baf5-3e9f752d895f</guid>
  <pubDate>Tue, 20 Oct 2020 11:00:00 -0400</pubDate>
  <author>Joanne Diaz and Abram Van Engen</author>
  <enclosure url="https://aphid.fireside.fm/d/1437767933/d55a3bfc-6538-4214-882b-a389e71b4bf6/a296cdfb-7557-4454-baf5-3e9f752d895f.mp3" length="15083760" type="audio/mpeg"/>
  <itunes:episodeType>full</itunes:episodeType>
  <itunes:season>1</itunes:season>
  <itunes:author>Joanne Diaz and Abram Van Engen</itunes:author>
  <itunes:subtitle>This week, with special guest Carl Phillips, we take a close look at "The Minks" and consider the art of narrative poetry and the movements of a single-stanza poem.</itunes:subtitle>
  <itunes:duration>20:18</itunes:duration>
  <itunes:explicit>no</itunes:explicit>
  <itunes:image href="https://media24.fireside.fm/file/fireside-images-2024/podcasts/images/d/d55a3bfc-6538-4214-882b-a389e71b4bf6/episodes/a/a296cdfb-7557-4454-baf5-3e9f752d895f/cover.jpg?v=1"/>
  <description>Carl Phillips joins us this week to take a close look at Toi Derricotte's "The Minks." Together we consider the art of narrative poetry, the movements of a single-stanza poem, and the meaning of line breaks.
Toi Derricotte is the author of five books of poetry and a collection of prose called The Black Notebooks. She has won numerous awards and fellowhips, including the Lucille Medwick Memorial Award from the Poetry Society of America, the Distinguished Pioneering of the Arts Award from the United Black Artists, the Paterson Award for Sustained Literary Achievement, the PEN/Voelcker Award, and two Pushcart Prizes. With Cornelius Eady she co-founded Cave Canem in 1996, an organization committed to furthering the artistic and professional opportunities for African American poets. "The Minks" comes from her 1990 book Captivity, which explores the legacies of slavery and its impact on African American families in the present day. It is included in I: New and Selected Poems published by the University of Pittsburgh Press, which granted us permission to read it for this podcast.
Carl Phillips, our guest for this episode, is also an award-winning poet of multiple collections, most recently Pale Colors in a Tall Field (2020). He has had three books nominated for a National Book Award and has won the Samuel French Morse Poetry Prize, the Los Angeles Times Book Prize for Poetry, a Pushcart Prize, the Kingsley Tuft Poetry Award, and numerous fellowships and other awards. Thank you to Carl for joining us today as our first guest!
For more on Toi Derricotte, please see here: https://www.poetryfoundation.org/poets/toi-derricotte
For more on Carl Phillips, please see here: https://www.poetryfoundation.org/poets/carl-phillips
For the full text of "The Minks," please see here: https://www.poetryfoundation.org/poems/42872/the-minks 
</description>
  <itunes:keywords>21st century, black history month, free verse, guest on the show, narrative, surprise, wonder</itunes:keywords>
  <content:encoded>
    <![CDATA[<p>Carl Phillips joins us this week to take a close look at Toi Derricotte&#39;s &quot;The Minks.&quot; Together we consider the art of narrative poetry, the movements of a single-stanza poem, and the meaning of line breaks.</p>

<p>Toi Derricotte is the author of five books of poetry and a collection of prose called The Black Notebooks. She has won numerous awards and fellowhips, including the Lucille Medwick Memorial Award from the Poetry Society of America, the Distinguished Pioneering of the Arts Award from the United Black Artists, the Paterson Award for Sustained Literary Achievement, the PEN/Voelcker Award, and two Pushcart Prizes. With Cornelius Eady she co-founded Cave Canem in 1996, an organization committed to furthering the artistic and professional opportunities for African American poets. &quot;The Minks&quot; comes from her 1990 book Captivity, which explores the legacies of slavery and its impact on African American families in the present day. It is included in I: New and Selected Poems published by the University of Pittsburgh Press, which granted us permission to read it for this podcast.</p>

<p>Carl Phillips, our guest for this episode, is also an award-winning poet of multiple collections, most recently Pale Colors in a Tall Field (2020). He has had three books nominated for a National Book Award and has won the Samuel French Morse Poetry Prize, the Los Angeles Times Book Prize for Poetry, a Pushcart Prize, the Kingsley Tuft Poetry Award, and numerous fellowships and other awards. Thank you to Carl for joining us today as our first guest!</p>

<p>For more on Toi Derricotte, please see here: <a href="https://www.poetryfoundation.org/poets/toi-derricotte" rel="nofollow">https://www.poetryfoundation.org/poets/toi-derricotte</a></p>

<p>For more on Carl Phillips, please see here: <a href="https://www.poetryfoundation.org/poets/carl-phillips" rel="nofollow">https://www.poetryfoundation.org/poets/carl-phillips</a></p>

<p>For the full text of &quot;The Minks,&quot; please see here: <a href="https://www.poetryfoundation.org/poems/42872/the-minks" rel="nofollow">https://www.poetryfoundation.org/poems/42872/the-minks</a></p><p>Links:</p><ul><li><a title="The Minks by Toi Derricotte | Poetry Foundation" rel="nofollow" href="https://www.poetryfoundation.org/poems/42872/the-minks">The Minks by Toi Derricotte | Poetry Foundation</a></li><li><a title="Toi Derricotte | Poetry Foundation" rel="nofollow" href="https://www.poetryfoundation.org/poets/toi-derricotte">Toi Derricotte | Poetry Foundation</a></li><li><a title="I - University of Pittsburgh Press" rel="nofollow" href="https://upittpress.org/books/9780822945666/">I - University of Pittsburgh Press</a></li><li><a title="Carl Phillips | Poetry Foundation" rel="nofollow" href="https://www.poetryfoundation.org/poets/carl-phillips">Carl Phillips | Poetry Foundation</a> &mdash; the Kingsley Tuft Poetry Award</li></ul>]]>
  </content:encoded>
  <itunes:summary>
    <![CDATA[<p>Carl Phillips joins us this week to take a close look at Toi Derricotte&#39;s &quot;The Minks.&quot; Together we consider the art of narrative poetry, the movements of a single-stanza poem, and the meaning of line breaks.</p>

<p>Toi Derricotte is the author of five books of poetry and a collection of prose called The Black Notebooks. She has won numerous awards and fellowhips, including the Lucille Medwick Memorial Award from the Poetry Society of America, the Distinguished Pioneering of the Arts Award from the United Black Artists, the Paterson Award for Sustained Literary Achievement, the PEN/Voelcker Award, and two Pushcart Prizes. With Cornelius Eady she co-founded Cave Canem in 1996, an organization committed to furthering the artistic and professional opportunities for African American poets. &quot;The Minks&quot; comes from her 1990 book Captivity, which explores the legacies of slavery and its impact on African American families in the present day. It is included in I: New and Selected Poems published by the University of Pittsburgh Press, which granted us permission to read it for this podcast.</p>

<p>Carl Phillips, our guest for this episode, is also an award-winning poet of multiple collections, most recently Pale Colors in a Tall Field (2020). He has had three books nominated for a National Book Award and has won the Samuel French Morse Poetry Prize, the Los Angeles Times Book Prize for Poetry, a Pushcart Prize, the Kingsley Tuft Poetry Award, and numerous fellowships and other awards. Thank you to Carl for joining us today as our first guest!</p>

<p>For more on Toi Derricotte, please see here: <a href="https://www.poetryfoundation.org/poets/toi-derricotte" rel="nofollow">https://www.poetryfoundation.org/poets/toi-derricotte</a></p>

<p>For more on Carl Phillips, please see here: <a href="https://www.poetryfoundation.org/poets/carl-phillips" rel="nofollow">https://www.poetryfoundation.org/poets/carl-phillips</a></p>

<p>For the full text of &quot;The Minks,&quot; please see here: <a href="https://www.poetryfoundation.org/poems/42872/the-minks" rel="nofollow">https://www.poetryfoundation.org/poems/42872/the-minks</a></p><p>Links:</p><ul><li><a title="The Minks by Toi Derricotte | Poetry Foundation" rel="nofollow" href="https://www.poetryfoundation.org/poems/42872/the-minks">The Minks by Toi Derricotte | Poetry Foundation</a></li><li><a title="Toi Derricotte | Poetry Foundation" rel="nofollow" href="https://www.poetryfoundation.org/poets/toi-derricotte">Toi Derricotte | Poetry Foundation</a></li><li><a title="I - University of Pittsburgh Press" rel="nofollow" href="https://upittpress.org/books/9780822945666/">I - University of Pittsburgh Press</a></li><li><a title="Carl Phillips | Poetry Foundation" rel="nofollow" href="https://www.poetryfoundation.org/poets/carl-phillips">Carl Phillips | Poetry Foundation</a> &mdash; the Kingsley Tuft Poetry Award</li></ul>]]>
  </itunes:summary>
</item>
  </channel>
</rss>
